IMDb-BEWERTUNG
6,3/10
3715
IHRE BEWERTUNG
Der in Hongkong lebende Journalist John ist des Lebens müde. Erst die attraktive Jean öffnet ihm die Augen auf eine ihm unbekannte Heimat, eine brodelnde Stadt und andere Lebensperspektiven.... Alles lesenDer in Hongkong lebende Journalist John ist des Lebens müde. Erst die attraktive Jean öffnet ihm die Augen auf eine ihm unbekannte Heimat, eine brodelnde Stadt und andere Lebensperspektiven...Der in Hongkong lebende Journalist John ist des Lebens müde. Erst die attraktive Jean öffnet ihm die Augen auf eine ihm unbekannte Heimat, eine brodelnde Stadt und andere Lebensperspektiven...
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Rubén Blades
- Jim
- (as Ruben Blades)
Julian Chang
- Dr. Chang
- (as Dr. Julian Chang)
Ruichao Jian
- Businessman #1
- (as Jian Rui Chao)
Sing Chau Wai
- Businessman #2
- (as Wai Sing)
Hung Lu
- Businessman #3
- (as Lo Hung)
Empfohlene Bewertungen
I was unprepared for the wonderful experience this film affords. The metaphor is striking and acceptable. Wang catches the bittersweet essence of the changeover, both at the specific and the generic level.
Li, Irons, and Cheung are superb. The movie is a cornucopia of visual delights. In fact, it probably requires repeat viewing to fully absorb the totality of its impact.
Thank you, Mr.Wang, for a truly unusual piece of work.
sasmd2@pol.net
Li, Irons, and Cheung are superb. The movie is a cornucopia of visual delights. In fact, it probably requires repeat viewing to fully absorb the totality of its impact.
Thank you, Mr.Wang, for a truly unusual piece of work.
sasmd2@pol.net
I don't know if Wayne Wang is into photography or painting as a hobby, but just like his last two films, SMOKE and BLUE IN THE FACE, this movie reminded me of a mosaic or a photo album. I can see how some people had problems with it, since it's not a plot-driven film, but rather one of mood and atmosphere. I was moved by the images I saw, not just of the city and the changes it went through, but also of the actors. Irons is so often celebrated for the way that he uses his voice (justly, I might add) that you forget how well he's able to act with his face, and he does a terrific job here, communicating his sadness, his will to live even as disease ravages him, his agony over his unrequited love for Gong Li, and his curiosity and attraction to Maggie Cheung.
I haven't seen much of Cheung that I remember, but I've seen a few of Li's films. Both of them are excellent, Li especially in a role that's a lot more complicated than it might first appear. You really do feel that deep down, if circumstances allowed, she'd love Irons back. Cheung's role is mostly a symbolic one, but she handles it well. Not an easy film to watch, but moving.
I haven't seen much of Cheung that I remember, but I've seen a few of Li's films. Both of them are excellent, Li especially in a role that's a lot more complicated than it might first appear. You really do feel that deep down, if circumstances allowed, she'd love Irons back. Cheung's role is mostly a symbolic one, but she handles it well. Not an easy film to watch, but moving.
Much has already been said about the film itself. Here are some comments regarding the portrayal of Hong Kong. An early comment was saying that this film makes Hong Kong look dirty and cramped.
Well, having lived in Hong Kong (in several different areas) I have to say that what the film shows is reality. I was paying about US$1,000 per month for a small room about 10 x 15 feet in Hong Kong (Tin Hau area) in 1996. It was not even a really nice place. Hong Kong is very expensive to live in.
It is also a very dirty and polluted place compared to cities in the West. The director of the film was not making this up.
By reading this you may think I hated it there, well it rates as one of my favorite cities in the world. It has a lot of charm.
By the way, the movie isn't bad and worth a look.
Well, having lived in Hong Kong (in several different areas) I have to say that what the film shows is reality. I was paying about US$1,000 per month for a small room about 10 x 15 feet in Hong Kong (Tin Hau area) in 1996. It was not even a really nice place. Hong Kong is very expensive to live in.
It is also a very dirty and polluted place compared to cities in the West. The director of the film was not making this up.
By reading this you may think I hated it there, well it rates as one of my favorite cities in the world. It has a lot of charm.
By the way, the movie isn't bad and worth a look.
I have seen this film three times now and it just seems to get better. Gong Li and Jeremy Irons were fabulous along with Maggie Cheung who played a fascinating character. The street scenes I thought really enhanced the ambience of the film and plot. Congrats to all who were involved in this film.
I don't know what's wrong with you people, or where stupid Hong Kong nationalism comes into this. I see movies that show lousy parts of Boston, and I don't go whining about it on web sites. The story is extremely moving, Hong Kong seemed fascinating, there was amazing imagery and chemistry between Irons and Li. I was blown away both times I saw it. I highly recommend Chinese Box.
Wusstest du schon
- PatzerWhen John and Jim stop during the motorcycle ride up the hill, the shadow of a cameraman is visible.
- SoundtracksShangri La
Written by Yao Ming, Chen Di Yi
Performed by Paramount Jazz Band
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 2.178.160 $
- Eröffnungswochenende in den USA und in Kanada
- 97.916 $
- 19. Apr. 1998
- Weltweiter Bruttoertrag
- 2.178.160 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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