IMDb-BEWERTUNG
7,8/10
26.886
IHRE BEWERTUNG
Ein ehemaliger Soldat mit einem persönlichen Ehrenkodex betritt das Familienunternehmen in St. Petersburg, Russland.Ein ehemaliger Soldat mit einem persönlichen Ehrenkodex betritt das Familienunternehmen in St. Petersburg, Russland.Ein ehemaliger Soldat mit einem persönlichen Ehrenkodex betritt das Familienunternehmen in St. Petersburg, Russland.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 8 Gewinne & 5 Nominierungen insgesamt
Sergey Debizhev
- Video Filming Director
- (as Sergey Debezhev)
Rinat Ibragimov
- Shisha
- (as Renat Ibragimov)
Empfohlene Bewertungen
Post-Soviet Russia's rough crime drama. I certainly don't know the St. Petersburg, it digs into a poor society's underbelly trying to find its feet. With a very black sense of humor, dark and grim. The late Sergei Bodrov Jr. with a strong support cast around him is great in the lead. You see, you know... Apart from Eisenstein and Tarkovsky, there is Russian cinema. One more thing... If it had been done in any other country, it would have been restored by the Americans as a dumb, violent man.
If you were in S.Petersburgh in the early nineties, you feel this movie has been able to grab a cubic meter of air of the city at that time, pack it, and give it to its viewers to breathe. The effect is physical. I can feel the smell of the wet dusty roads, the moulded no man's land of stairways in post soviet blocks of flats and much more. Apart from this high accuracy in physical sensation, the movie is multi-layered (you can watch in it a "boevik" action movie, a social analysis of the period, even a Dostoevki-like study on the value of brotherhood and after all, a unique picture of what Russia is, was, and will be. Those who can enjoy it in original will find some tasty bits of Russian irony and humor.
This Russian film about a young hitman in St. Petersburg could just as easily have been set in London or New York; killing for profit's the same everywhere, isn't it, and yet Aleksey Balabanov's terrific thriller "Brother" seems peculiarly Russian. You wouldn't really find these characters in London or New York and what happens here wouldn't necessarily happen there, at least not in this fashion.
Danila, (Sergey Bodrov, excellent) is a young ex-soldier who gets into trouble at home so his mother packs him off to live with his older, well-off brother in St. Petersburg. The thing is, however, big brother is a hitman and very soon Danila is, too. The thrills Balabanov serves up aren't the ones you expect. This is a character study like Melville's "Le Samourai" but our young anti-hero is a rank amateur compared with Delon, although he does know his way around a gun. Danilo thinks he's a big shot but he's just another young boy with a passion for rock music, (the film has a terrific score). Even the ending isn't the conventional one. See this.
Danila, (Sergey Bodrov, excellent) is a young ex-soldier who gets into trouble at home so his mother packs him off to live with his older, well-off brother in St. Petersburg. The thing is, however, big brother is a hitman and very soon Danila is, too. The thrills Balabanov serves up aren't the ones you expect. This is a character study like Melville's "Le Samourai" but our young anti-hero is a rank amateur compared with Delon, although he does know his way around a gun. Danilo thinks he's a big shot but he's just another young boy with a passion for rock music, (the film has a terrific score). Even the ending isn't the conventional one. See this.
You will be marinated in Russian-ness after watching this gritty crime drama shot in St. Petersburg. Set in the early 1990s after the fall of Soviet communism, it's a movie whose co-star is the place. The crime and gunplay in the foreground, which cropped up after the collapse of stern authority, seems to perfectly match what we see in the background -- trash-strewn streets, grimy flats, drug-fueled nightclubs. Everyone is poor or barely getting by. Even the gangsters, who you'd think would have some Scarface-type perks, seem to live in squalor.
One thing that will instantly strike you is how everyone in the movie looks like someone you know, not a Hollywood star. I want to call particular attention to Svetlana Pismichenko, the film's love interest, who plays the driver of a streetcar that hauls lumber (?). She's not pretty at all, but you see the love she is capable of and, all I can say is I wish she were my girlfriend. Her last scene is one of the most memorable portraits of heartbreak I have ever seen. She has incredible eyes.
Sergei Bodrov plays the lead, a soldier just back from Chechnya who is drawn into his brother's gangland activities. We never see a flashback of what happened over there and, when asked by others in the film what he did, grins and said he was a clerk in HQ. As we come to see the fearlessness and ruthlessness he is capable of, it is obvious he is lying. This man is steel tempered in a furnace. His gangster enemies are no match for a man with his willingness to prepare for and face death.
I've never been to Russia, but I lived in the Czech Republic for three years and I can testify to the authenticity of this movie's backdrop. When the Iron Curtain fell, it revealed decaying rust belt cities, but also a tough-minded population of attractive and spirited people who, somehow, found ways to be happy in tough times. I am American and half Polish, and this movie made me proud to be a Slav.
A scene in the movie is a homage to Russian good cheer. It is a party in a Russian flat where a few dozen people are chatting, eating, smoking pot, drinking vodka, singing along to a guitar, shooting pool and having fun. They're all young people in their 20's. You'll wish you were at that party.
One thing that will instantly strike you is how everyone in the movie looks like someone you know, not a Hollywood star. I want to call particular attention to Svetlana Pismichenko, the film's love interest, who plays the driver of a streetcar that hauls lumber (?). She's not pretty at all, but you see the love she is capable of and, all I can say is I wish she were my girlfriend. Her last scene is one of the most memorable portraits of heartbreak I have ever seen. She has incredible eyes.
Sergei Bodrov plays the lead, a soldier just back from Chechnya who is drawn into his brother's gangland activities. We never see a flashback of what happened over there and, when asked by others in the film what he did, grins and said he was a clerk in HQ. As we come to see the fearlessness and ruthlessness he is capable of, it is obvious he is lying. This man is steel tempered in a furnace. His gangster enemies are no match for a man with his willingness to prepare for and face death.
I've never been to Russia, but I lived in the Czech Republic for three years and I can testify to the authenticity of this movie's backdrop. When the Iron Curtain fell, it revealed decaying rust belt cities, but also a tough-minded population of attractive and spirited people who, somehow, found ways to be happy in tough times. I am American and half Polish, and this movie made me proud to be a Slav.
A scene in the movie is a homage to Russian good cheer. It is a party in a Russian flat where a few dozen people are chatting, eating, smoking pot, drinking vodka, singing along to a guitar, shooting pool and having fun. They're all young people in their 20's. You'll wish you were at that party.
I haven't seen a crime movie with action more realistic than that in Brat. This movie emphasizes that when you get shot you can't run as fast as a cheetah unlike the Hollywood films even today. It was a breakthrough picture for Russia's film-making and, in my opinion, a picture that could take on most of American movies of the same or similar genre. You wanna see the way things were done in Russia five years ago? You wanna see cruel reality? You want to see the real criminal side of Russia? See Brat. It isn't only an amazing movie because it is so realistic, the acting is awesome and you won't get bored for sure. Brat 10/10
Wusstest du schon
- WissenswertesKnitted sweater, which was worn by Danila Bagrov, was bought by artist Nadezhda Vasilyeva at the flea market for 35-40 rubles (5$).
- PatzerWhen Kruglij talks to Sveta for the first time, the camera is reflected in the windscreen of the tram that Sveta is driving.
- Zitate
Danila: [two Chechens in tram refuse to pay the fare and act arrogantly. Danila takes out his revolver, walks up to the Chechens and points the barrel at them] Pay the fine.
Chechen in tram car: Brother... Don't kill me, brother... Take the money. Take everything. Listen, don't kill me, brother. Here.
[gives his wallet to Danila]
Danila: You're not my brother, black-assed scum.
- VerbindungenFeatured in Nautilus Pompilius: Vo cremya dozhdya (1997)
- SoundtracksLyudi na kholme
Music by Vyacheslav Butusov
Lyrics by Ilya Kormiltsev
Performed by Nautilus Pompilius (uncredited)
Exclusive rights - DANA Music Limited, Ireland
Played when:
1) Danila gets off the train and walks around St. Petersburg
2) a director helps Danila bury two bodies
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Details
Box Office
- Budget
- 10.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 1.362.281 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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