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Bent

  • 1997
  • 16
  • 1 Std. 45 Min.
IMDb-BEWERTUNG
7,1/10
9167
IHRE BEWERTUNG
Lothaire Bluteau and Clive Owen in Bent (1997)
Max is gay and as such is sent to Dachau concentration camp under the Nazi regime. He tries to deny he is gay and gets a yellow label (the one for Jews) instead of pink (the one for gays). In camp he falls in love with his fellow prisoner Horst, who wears his pink label with pride.
trailer wiedergeben2:30
1 Video
70 Fotos
Gefängnis-DramaTragische RomanzeDramaGeschichteKriegRomanze

Füge eine Handlung in deiner Sprache hinzuHomosexual German lovers are sent to Dachau.Homosexual German lovers are sent to Dachau.Homosexual German lovers are sent to Dachau.

  • Regie
    • Sean Mathias
  • Drehbuch
    • Martin Sherman
  • Hauptbesetzung
    • Lothaire Bluteau
    • Clive Owen
    • Mick Jagger
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    9167
    IHRE BEWERTUNG
    • Regie
      • Sean Mathias
    • Drehbuch
      • Martin Sherman
    • Hauptbesetzung
      • Lothaire Bluteau
      • Clive Owen
      • Mick Jagger
    • 75Benutzerrezensionen
    • 23Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Gewinne & 3 Nominierungen insgesamt

    Videos1

    Bent
    Trailer 2:30
    Bent

    Fotos70

    Poster ansehen
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    + 63
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    Topbesetzung52

    Ändern
    Lothaire Bluteau
    Lothaire Bluteau
    • Horst
    Clive Owen
    Clive Owen
    • Max
    Mick Jagger
    Mick Jagger
    • Greta
    Brian Webber
    Brian Webber
    • Rudy
    Nikolaj Coster-Waldau
    Nikolaj Coster-Waldau
    • Wolf
    • (as Nikolaj Waldau)
    Jude Law
    Jude Law
    • Stormtrooper
    Gresby Nash
    • Waiter
    Suzanne Bertish
    Suzanne Bertish
    • Half-Woman - Half-Man
    David Meyer
    • Gestapo Man
    Stefan Marling
    • SS Captain
    Richard Laing
    Richard Laing
    • SS Guard
    Crispian Belfrage
    Crispian Belfrage
    • SS Guard
    Ian McKellen
    Ian McKellen
    • Uncle Freddie
    Johanna Kirby
    • Muttering Woman
    David Phelan
    • Fluff in Park
    Peter Stark
    Peter Stark
    • Guard 1 on Train
    Rupert Graves
    Rupert Graves
    • Officer on Train
    Charlie Watts
    • Guard 2 on Train
    • Regie
      • Sean Mathias
    • Drehbuch
      • Martin Sherman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen75

    7,19.1K
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    Empfohlene Bewertungen

    didi-5

    powerful

    When Martin Sherman's play first appeared (with Ian McKellen as Max and Tom Bell as Horst) it caused outrage and much discussion with its sympathetic and frank treatment of forbidden love in the age of the SS.

    Here it has undergone a few changes but retains its stark power. Clive Owen (probably not my first choice for the role) plays Max, the homosexual who pretends to be a Jew so he is not at the bottom of the pecking order of prisoners. The way the SS force him to prove his sexuality is shocking whether on the printed page, in a theatre, or up on the big screen. Brian Webber plays his intellectual lover Rudy with some class and it is a brief but touching performance.

    Lothaire Bluteau, who I had only seen before in 'Jesus of Montreal', was brilliant in the role of Horst, the prisoner with the pink triangle who awakens Max again from his imprisoned desires. There are quiet and intense scenes between the two that are almost unbearably moving to watch, and are done within this film extremely well.

    Elsewhere in the cast, Ian McKellen himself plays Uncle Freddie (but those of us who saw him as Max would love to have seen that portrayal immortalised on screen), while Mick Jagger is surprisingly good as Greta (a role which could easily be played wrong but he's spot on).

    This play/film is intended to make its audience confront their prejudices, to shock, move, and inspire them. I think it is an unmissable experience - a difficult one, but worthwhile.
    7adamjohns-42575

    Heartbreaking.

    While I didn't spot Jude Law or Rachel Weisz, I couldn't miss Clive Owen. What a fantastic performance and a gorgeous backside. Supported by Ian McKellen and a very glam Mick Jagger, he goes on a terrible journey that I can only imagine is amazing on stage.

    It wasn't as horrificly graphic as I was expecting, which was pleasing, as some concentration camp films really upset me, but it still had a strong and poignant message to tell.

    I wasn't sure if the bombed out properties used at the beginning as the club and Clive's house were to represent the stage show more than a true idea of where they would actually be, but I liked its quirks and artistic direction throughout.

    As much as I love Mr Owen, I think I have to say that Lothaire really gives the greatest most emotive and heartfelt performance in this film and the "No touching" scene was unbelievable.
    LLAAA4837

    Too Stagey

    Clive Owen plays Max, a loose, carefree, and cowardly playboy who is caught by Nazis along with his gay partner and shipped off to the Dachau concentration camp to do hard labor. He pretends to be in the yellow star unit meaning that he is Jewish instead of the pink triangle unit meaning that he is gay. But he meets a member of the pink triangle named Horst who he befriends and begins developing feelings for as they work day after day moving rocks from one place to another. The film is based on a play of the same name that gained much critical acclaim and won many awards. One viewer may realize this very quickly upon watching this movie as the film does feel quite staged. film works as a message film, the message being "be yourself". The film nails this concept pretty much solidly. Unfortunately, there are some distractingly bad flaws here. As I mentioned earlier, the film is incredibly staged. The film doesn't feel like reality. There are scenes that are so stage like in execution, it almost incites an unintentional laugh. There's even a scene of violence that feels extremely prepared and strangely very dance like. It's really too bad because there are some fantastic scenes herein. There is an orgy scene early in the film that is full of erotic passion and beauty. There are some harrowing scenes that take place on the train that are pretty disturbing. And there is an early scene involving Mick Jagger that is pretty interesting. Overall, even though it's interesting, moving and well acted, it's a poor film. There are some undeniably powerful scenes, but there isn't enough there for me. I recommend it if it sounds interesting to you. Just be prepared for some really sloppy directing.
    8Kate_Ashton

    Clive Owen has found a fan for life...

    I happened upon this movie in the "Sundance Film Recommends" section, and didn't even read the box before renting it. The name of the film sounded familiar...as it turns out, it was from a bit of miscellaneous info stashed in my brain: Jude Law IS in this movie. Saying that, however, blink and you'll miss him. His role is exactly 2 lines, and he wears an eyepatch, so for those Jude fans on the prowl for great eye-candy, you may be disappointed.

    Granted, you will not be disappointed with this movie as a whole. I was extremely moved by this picture; it has the wonderful, heart-wrenching quality that only a great play can produce, mixed with a very compelling lead actor and fabulous supporting cast.

    Clive Owen as Max was a wake-up call; at the end you may be asking yourself, "where can I see more of this actor??". He plays his character with beauty, strength, and emotion under conditions that no lving thing should have to endure.

    The rest of the cast is equally wonderful, especially Ian McKellan as Uncle Freddie. He adds that special charm that we expect from his performances, no matter how small the role.

    This movie requires an open mind, and the ability to not deny the reality of horrific, true events of the past. Above all, to not deny the importance of love, that which always tests and strengthens the human spirit.
    u-96779

    Sad but Important

    Kuranosuke Sasaki who is my favorite actor acted in the play "Bent". I wanted to see him, so I decided to watch it without taking it too seriously. However, after the play, I regretted watching it with a light heart because it was so tragic that my heart could not bear. Since I already knew the story, I also watched the film version. This is the story of gays under control of Nazis. It is famous that Jewish put on the yellow star, but for the first time I know gays are also the target of holocaust and have the pink mark on their chest. In the situation that human is not treated as human, gays survive with the dignity and love of human beings. I feel sad, dark, disappointed and don't like such an ending. However, I think this important story should be handed down from generation to generation.

    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Sir Ian McKellen (Uncle Freddie) starred in the role of Max in the original London West End theatre production in 1979.
    • Zitate

      Max: I love you... What's wrong with that?

    • Crazy Credits
      The film opens with the main credits revealing like a searchlight.
    • Alternative Versionen
      For the U.S. release, the sex scenes were toned down from an "NC-17" rating to an "R" rated release. Both versions are available.
    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Alien Resurrection/Welcome to Sarajevo/Flubber/Public Housing/Bent (1997)
    • Soundtracks
      STREETS OF BERLIN
      Written by Martin Sherman and Philip Glass

      Performed by Mick Jagger, piano by Matt Clifford

    Top-Auswahl

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    FAQ19

    • How long is Bent?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 12. November 1998 (Deutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Japan
    • Sprache
      • Englisch
    • Auch bekannt als
      • 生命中不能承受之情
    • Drehorte
      • Dalmellington, Ayrshire, Schottland, Vereinigtes Königreich
    • Produktionsfirmen
      • Channel Four Films
      • NDF Inc.
      • ASK Kodansha
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 496.059 $
    • Eröffnungswochenende in den USA und in Kanada
      • 109.243 $
      • 30. Nov. 1997
    • Weltweiter Bruttoertrag
      • 496.059 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 45 Min.(105 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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