In Sachen Mord

I was so disappointed to see that Season 3 was the last Season. The characters and actors were terrific. This really could have gone somewhere, but like the reviewer before me stated, there needed to be an even distribution of strengths and weaknesses in the solving of the murders. They gave a good deal of character development, without getting too involved with their personal lives, which I appreciated. They kept the language clean and maintained integrity in each episode.

I loved the fact that in each episode, they began with a murder. The music for each beginning murder was really well scripted and the theme music of murder call was classy.

I will follow up on the real life actors and actresses to see what they are doing now. I really enjoyed their roles and the particular murders presented in each episode. They were creative and not copied from other movies or series, and I have seen plenty!

I will really miss this show.

Joyce

I loved this series, only complaint is Fisk, too opinionated and rude to Dee, Imogen and Hayden. The inspector gives orders, but only wants to be involved when it's a high profile crime. I know that it's just a series, but the two of them got on my nerves.

I enjoyed this series (two seasons) and admired the crisp direction and technical aspects. The characters are well defined and the acting is serviceable. However, the dialog seems to be written at a grade-four level, lacking both grown-up wit and any sophistication or dynamics in the vocal interplay that distinguish these murder shows from one another. That's probably the result of the scripts being written solely to advance the plot; the characters sometimes act in a ridiculous manner, making logic-defying choices that no trained cop would make. But it is reservedly wonderful to see a series where the female plays Sherlock, solving crimes while her Watson partner scratches his head.

As usual, an excellent series from Aussie. They out do the yanks every time. Great acting, very few slip ups, good filming, with good storylines. Same again please. It's a shame money had to cut the series. Money always speaks, unfortunately.

This show is an actual police procedural, not a soap opera starring cops, like _NYPD Blue_. Very occasionally, the case will have something to do with one of the characters, but it was infrequent enough that it did not seem contrived, the way it does on most shows. And even then, it often, although not always, is implied rather than explicitly stated. It's not considered necessary to parade each and every detail of the characters' personal lives, past and present, in front of the camera.

I did take a couple points off because the look of the show diminshed in the second season. It became less film noir and more American-network-TV-ish. As an example, the lead's going blonde took away the framing of her face, making the edge fade into the background and giving her a less intense and thoughtful look, less the intuitive detective and more a fashion plate. I found it very distracting, like watching the series in a funhouse mirror.

ON EDIT: About halfway through season 2 (as Prime Video reckons it), the plots start getting histrionic and stupid. Too many of the plots link directly to the running cast's lives, and the rest are just ridiculous. It does become a soap opera about police officers at that point. From "Cold Comfort" (S02E16) on, go find another real procedural, such as _Homicide_.

So I took away another point.

So that the reader may try to correct for my biases, I am an autistic, asexual American woman in my late fifties who watches a lot of British Commonwealth TV.