Ivanhoe

Nobody does it better than the BBC for producing the best in television based on literary classic, and we must thank A&E for bringing them over here. Everyone in this production is good, particularly Ciaran Hinds as Bois-Guilbert. The bigger stars, though, of this beautiful production are the photography and the script which allows for a very realistic portrait of life in Medieval times. This mini is a must see.

After having been unduly assaulted by Jerry Zucker's unacceptable interpretation of British folklore in `First Knight' (1995) (qv) with an overaged Richard Gere doing his best – which is not much – to be a romantic young dashing philanthropic Lancelot, it was a blessing indeed to come across this 1997 version of `Ivanhoe' from the BBC, shown here over Christmas on a regional channel in two hefty parts.

Years ago I thrilled reading Sir Walter Scott's excellent adventure stories – Rob Roy, Westward Ho!, Ivanhoe, etc. A few days ago I thrilled seeing the written word converted into a brilliant film for TV. Magnificently photographed mostly in the north of England and the south east of Scotland, the film adheres faithfully to the 44 chapters of Scott's book, such that you could almost follow it on screen page by page. Superb directing by Stuart Orme, specialist in TV films and series, which produces convincing performances from all the actors. Battle scenes on the North York Moors, around the alleyways of Craigmillar and Doune Castles, astounding scenery somewhere up on the Northumberland coast, all added up to a dramatic telling of this legendary novel.

Probably one of the very best medieval tales I have ever seen on film: once again the BBC has shown it is capable of really high-class intelligent viewing. If you should doubt this, try the magnificent BBC production of Stendahl's great novel `Scarlet and Black' (1993) (mini) (qv) directed by Ben Bolt. Thoroughly recommendable. Just about the best that can possibly be put on television – or even at the cinema.

This filming is considerably less slick and more faithful to Scott than the Robert Taylor version, enjoyable as that was. The costuming, makeup, and backgrounds evoke the 12th century powerfully at the same time that the character's souls are laid out in all their seaminess or glory as the case may be. The cast is uniformly effective, though only the actor portraying the Grand Master could be called famous. On the down side, the editing is generally choppy, and the use of modern English lower class idiom to denote the peasant characters is grating. But never mind these cavils, it is enjoyable for the whole 4 1/2 hours.

I watched this outstanding four hour epic for the umpteenth time yesterday evening and found I still was drawn to it as I was the first time I saw it. I agree with another viewer's comment that it isn't to be used for historical reference, but what it does with 12th century English history can be overlooked because of the way it makes you feel you are witnessing what life was truly like in the 1190s.

Ciaran Hinds and Susan Lynch sizzle as Brian de Bois Guilbert and Rebecca; I particularly find fascinating the way Hinds is able to transform Bois Guilbert from a deeply embittered, ruthless man into one who finds his own soul in searching for Rebecca's as he tries to woo her. After he has learned that the Grand Master of the Templars has demanded that she be tried as a witch, he immediately goes to warn her and tells her that "I haven't felt fear in 20 years, but I feel it now!", and you truly believe him. That and his final line as he lies beneath Ivanhoe's sword after he has fallen defeated in their Trial by Combat to decide whether Rebecca is to be burned as a witch: "In Austria I was not brave enough to die for (King) Richard...But for her...Do it!" A true anti-hero.

This drama has dozens of wonderful lines, but I think my favourite is when Sian Philips, in a very impressive brief role as the Dowager Queen Eleanor, comments to her lady-in-waiting in reference to her late husband King Henry II and her sons Richard and John: "Beware of powerful men, Bernice. They spawn unspeakable whelps!" It makes me smile every time.

Ralph Brown is deliciously wicked as Prince John, and I think his is the first accurate portrayal of the man destined to be King of England that I have ever seen, showing him as a scheming usurper, devious at statecraft, a womaniser and murderer. The way he subtly makes a joke at Rebecca's trial as he questions the claim by a dog's owner of Rebecca using magic to kill the animal. John says with a smirk he doesn't try to hide from the Grand Master, that the present panting, healthy hound "looks just find to me." He shows boredom and almost rolls his eyes at certain points of Rebecca's trial at what her accusers say, a sign of his defiance of the Church he will show later in his life.

I think Sir Walter Scott himself would be pleased with adaptation of his novel, which follows most of the story very closely while filling out certain characters that are more three dimensional in this film than they were in the classic novel. A true BBC masterpiece!

I first saw the story of Ivanhoe in the 1982-film version which I saw again and again (and again...).

When I was about 12-13 years old I read the novel - and loved it.

Now I've seen this BBC-series. At first I was a little skeptic - could it be as good as the one from 1982. And yes it could - and better.

First of all we really get to know the characters, and prince John is not portrayed as all evil, which I like, as it gives him more substance.

Also the things that takes place does not happen because people are evil, but because they interact with each other - sometimes with misunderstandings as the result.

I rate the series 9 out of 10 - the mistakes in the continuity makes it lose the last point.

/Louise, Denmark