Daria

It amazing to see what MTV airs now, and to see Daria. Daria is a twisted view of what MTV portrays now: Skinny, white, girls that only talk about fashion, sex, and boys. Daria shows our world through the eyes of a jaded girl who doesn't give a crap for anything.

It is a comedy that, give it time, and you'll be cracking up. Daria's delivery of all her lines is still hilarious today. Quinn's voice might get to you, but soon it doesn't matter. Every character is interesting, and it is just a show. Funny show.

It lost its steam when Daria got a boyfriend, but don't watch those episodes. Just keep to seasons 1-3 and you'll be laughing your ass off.

Considering multiple aspects, this is a wonderful show. Every character has a very specific personality, and most all of them actually develop as the show goes on. The humor can be dry, but is incredible if you actually get it. If you were expecting Beavis and Butthead, sorry, you will be disappointed. I've noticed that most of the negative comments talk about how Beavis and Butthead was so much better. I think it can be best said that you have to be able to appreciate intelligent humor to laugh at this. If you think, say, that Jackass is the greatest show ever, then you will most likely hate this.

However, if you like a humorous show that's incredibly well developed for a cartoon (the character development, themes, etc.), then you will enjoy this.

Network: MTV; Genre: Animated Comedy; Average Content Rating: TV-PG; Classification: contemporary (star range: 1 - 4);

Season Reviewed: Completed series

'Daria' was a show that I didn't like for a long time. At some point during that time it attached to my unsuspecting self and grew on me like a leech. I found that it is a show that is unable to fully articulate itself in isolated episodes. Instead, 'Daria' is more about it's tone and an attitude that works more than any story it can come up with. It throws together a small world of conflicting characters and lets the sparks fly. As all their adventures begin to pile up the show's real vision comes together. I wonder if even MTV got it. 'Daria' mocked fads & shallow teenagers (and the culture that feeds off them), regularly taking aim at the heart of everything the network makes a living on.

The world around Daria Morgendorffer is filled with ditsy cheerleaders, brain-dead jocks, zit-faced nerds, miserable artists, touchy-feely teachers, favorite siblings, condescending or aloof parents and teenage garage bands trying to hit it big. If your willing to buy that Daria and the show share the same vision (not a big leap at all) you're one step closer to getting the show's great, subversive running gag: that the show is depicting what it believes are real teenagers, and that teenagers have been influenced and conditioned by the culture into acting out the stereotypes that come with their position in the high school caste system. It's art imitating life imitating art.

And in the middle of it all is Daria - our central axis to call everybody out. She knows her place in the world and stands outside it all. Daria herself is as daring a lead as TV gets. So (intentionally) abjectly dull that she sucks the air out of every room she enters. She rarely changes the bland expression on her face or raises the pitch of that monotone voice. It's not entirely clear if she has a low self-esteem or thinks she is above everybody. Even the most exciting weekend adventures are a nuisance to Daria. Everything just gets in her way and keeps her from lying around on the couch watching 'Sick Sad World' (a show within the show apparently based on the idea that there is an entire untapped niche of Daria Morgendorffers around the world).

The best and most admirable thing about this show is its unflinching guts to let Daria be Daria - in all her faceless, bland, monotone, personality devoid glory. It is also the only show in my memory (apart from occasionally 'Seinfeld') that was content to reduce it's leads to taking the role of spectators to the story. They never grew, they never learned a lesson, they never swoop in and save the day, they rarely even impacted the world around them. The show was not worried with contriving phony problems and solutions. Whether it was being dragged to camp or dragged to the mall with her sister Quinn, Daria and Jane where content to spend entire episodes hanging on the sidelines watching everyone else makes fools of themselves.

Picking up the slack where our heroine can't was a well constructed cast of supporting characters. Jane's deadbeat brother Trent, would-be Casanova Charles Ruttheimer the 3rd & Daria's rage-filled father Jake (who longs for his hippie days) all walk off with the biggest laughs.

'Daria' was a sharp, sardonic, timely, funny and substantive series that dared to bite the hand of it's own demographic on a network that is to dumb to know the difference. It had a learning curve, but if you can get over that hump it can be rather addicting. A contemporary classic that ranks with 'The Sifl and Olly Show' as one of the few really great MTV offerings.

* * * ½ / 4

The self-defeating world of MTV began as a spark in the mind of one perceptive demographics adviser or another, but soon it grew to epidemic proportions, numbing and sugarcoating all things rebellious in a depressingly successful attempt to convince the masses that nonconformity is all about styles and fads. Any sensible teenager will tell you that it is an unwitting mockery of the things it believes it is making available to an already converted audience, but amongst the throngs of bright colors and loud-but-not-too-loud noises that essentially is MTV, you will occasionally find a gem; an intelligent, insightful, informed show of independent thought, sincerity and sardonic subtlety. "Daria" is one such example.

Anybody who used to watch "Beavis and Butthead" (no comment) will recognize Daria already, as the plain girl with glasses and the monotone voice that would often foil the titular duo's moronic and half-baked plans. When the show began to think about packing it in, MTV approached the creators with the offer of giving Daria her own show. And thank heavens for that. Not only is "Daria" up there with "Frasier" as one of the greatest spin-offs of all time, but it threatens to take a place as one of the greatest stand-alone shows of all time.

Daria Morgendorffer, our bland anti-heroine, is not your average teenage girl. Smart, sarcastic, opinionated but highly unmotivated, her life revolves around observing the actions of others with her best friend Jane Lane, a misfit artist from a family of unconventional thinkers. Together Daria and Jane see fit to mock the sea of stereotypes that is their suburban hometown of Lawndale, mainly the student body of their high school. Daria's deep loathing of all things superficial is regularly tested by the presence of her shallow and materialistic sister Quinn, while her workaholic lawyer mother Helen and her perpetually stressed out and slightly unbalanced father Jake struggle to do the right thing by their daughters in the interactive jumble that is life in Lawndale.

At a mere glance, one might perceive "Daria" as a children's show, due to its animation. However, even the slightest exertion of further examination would reveal that it is no more a children's show than "The Angry Beavers" is a sophisticated portrayal of American Wildlife. Where a lot of shows sell their credibility for cheap laughs and mold their characters on popularity polls, "Daria" is firm in its subtlety, never wavering in its belief that, given time, its audience will get the joke. Some may take longer than others, but all that do never turn back.

The genius of the show lies in its ironic reflection of a culture that would never allow a show like this to get off the ground. Surrounded on all sides by the trivial and materialistic values she lives to hate, Daria takes refuge in the companionship of Jane, the isolated safety of her own room and the glow of the television (which will probably be tuned in to dissocial ironathon news program 'Sick Sad World'), emerging now and again for a futile attempt to significantly impact the alienating world around her. And perhaps the experience might be alienating to us, the audience, if it weren't for the shows strategic and successful ploy to get us to see the world through Daria's eyes. Once there, we're completely hooked, and all the rest of the show's intrinsic jokes fall into place.

Arguably the most enviable quality of animation is its freedom to let characters be exaggerated without being unrealistic. The most brilliant thing about this is that eventually, characters that are truly only meant to serve as tired clichés perversely become beloved, unique personalities. Trent, Jane's lazy soft spoken musician brother with delusions of future stardom with his garage band Mystik Spiral, Kevin and Brittany, quarterback of the football team and head of the cheerleaders respectively, two blissfully ignorant airhead lovers with no aspirations beyond their current high school status, Mr. O'Neal, the hypersensitive English teacher, balanced in the extreme by the borderline psychopathic Mr. DeMartino, an irate History teacher who has lost the will to educate. Even the unbearably shallow and conceited Fashion Club, four fashion-victimized teenage girls who believe their undeservedly elitist circle is doing the world around them a world of good, gradually grow on you until, like it or not, you couldn't imagine Lawndale without them.

It is because of this paradoxical attachment to the characters that serious plot developments towards the end of the series are able to engage the audience on a level that is more than just honesty for the sake of mockery. Once we've grown accustomed to Daria's detached and cynical attitude, the show begins to admit that perhaps it has been having us on a little bit, at least concerning the rigid personalities of our beloved caricature personas. Therefore, once Daria has opened up a smidgeon , so does her/our view of her world, in an event suspiciously symptomatic of personal growth. And from there it's a small step to actually caring about the students, teachers and residents of Lawndale as we farewell them in the "Daria" movie finale "Is It College Yet?", in which we see our little high-schoolers graduate and move on. It says a lot about the show that it is able to gradually soften its bite enough to let us feel for the characters without ever feeling inconsistent.

If one were to only catch a few episodes of "Daria", then they might like what they see, and they'd be well justified. But they'd ultimately be missing out. Because as entertaining as the self-contained half-hour segments of the show can be, the world of Daria is not about separate jokes, separate characters, separate stories or separate anything. Everything within the show works to build to a greater understanding about teenage life, indeed about life in general, and everything it entails; a simple masterpiece that's value only increases when put into social context.

I started watching Daria when I was in college and absolutely fell in love with the show. Daria and Jane's friendship is probably the best aspect of the show, and anyone who has had a close friendship like that will probably agree with me. As a matter of fact, I still hang out with my Daria (I'm definitely more the Jane) to this day. And I totally have the memories of High School and my Brittany and Kevin - like schoolmates as well. Most people didn't like the whole Jane/Tom/Daria love triangle, but I think it was one of the things that made Daria's character more vulnerable and more human. And I really loved how the series ended with Daria realizing that shutting everyone out in her life was not the answer. I only wish I had made such a realization at that age! All in all, I say that Daria is a wonderful coming-of-age show that should be enjoyed for generations to come.