Diebe der Nacht

The film, Shakespeare's shades. At the heart of the film is love. Everything else, just around this love.

And when Auteuil says: You just do not want to fight.

Heroine Catherine Deneuve fights: I fall asleep with her and wake up with her.

What can say more?

It's a wonderful movie in the movie.

Suicide. And how is it possible to live,

The image Heroine (Deneuve) - two in one, Shakespeare's Romeo and Juliet buried in the apartment.

Perhaps the subtitles failed to do justice to the movie, but the visual construction of Les Voleurs crosses all boundaries. The complexities of the plot can be confusing; however, the visual imagery used in the film helps reinforce the characteristics of each relationship the film studies. All in all, a brilliant film to watch if you feel up to reading the subtitles.

I DVR'd this film in spite of a two-star rating from Comcast, because I like Daniel Auteuil and Catherine DeNeuve. How bad could it be? I wasn't disappointed. It begins with a mystery-who killed the father of the cynical little kid? And slowly breaks open the story, revealing the characters as it reveals the criminal enterprise that brought them all together. Most of them-including the little kid-are not family-friendly. This isn't a family film. A cop who hates his brother and is in turn hated by their father, who tells him, face to face, that he would have preferred that the cop had been killed instead. The dead man's son seems to despise his entire family, including his mother, and his uncle, the cop. Who, in turn, doesn't like kids. The cop's girlfriend doesn't like him much, and he really doesn't want to deal with her except for sex. But as others have noted about this film on this forum, the director pulls out just enough unexpected gilded moments to make it enjoyable to watch-like: a middle-aged college professor delivering a 3-minute dissertation on the position of money in western philosophy to a professional car thief during a nighttime ride-as a passenger- through the streets of Lyon. At the car thief's request. That sort of theater of the Absurd approach is one thing I like about French films. They're dependable that way.

This film has a complex, multi-layered structure that grabs your interest...but not much substance underneath. There's no real mystery to the plot, and no real revelations about "human nature" either. Well-acted all around - including a little boy who is wise way beyond his years. (**)

I've watched this movie less as a coherent whole and more as an interrupted series of brilliant little moments. There is the scene where Catherine Deneuve is riding in the car explaining the philosophical nature of money. It didn't belong, but it was a very nice scene. There is the scene where Daniel Auteuil and Laurence Cote chat over his breakfast in a hotel and he sees her laugh for the first time. Nicely set up. Then there is the scene where Deneuve and Auteuil go to the Opera. The plot is muddled, but the actors provide fascinating little moments. Props to Techine for incredible direction with attention to character insight.