IMDb-BEWERTUNG
5,4/10
6227
IHRE BEWERTUNG
Ein junger Galerist ist in zwei Schwestern gleichzeitig verliebt. Um das Problem zu lösen, beschließt er, seinen eigenen Zwillingsbruder zu erfinden.Ein junger Galerist ist in zwei Schwestern gleichzeitig verliebt. Um das Problem zu lösen, beschließt er, seinen eigenen Zwillingsbruder zu erfinden.Ein junger Galerist ist in zwei Schwestern gleichzeitig verliebt. Um das Problem zu lösen, beschließt er, seinen eigenen Zwillingsbruder zu erfinden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Nominierungen insgesamt
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Donald Westlake deserves much better than this adaptation that Fernando Trueba and his brother David did to the book. Mr. Westlake, together with Elmore Leonard, are two of the best writers of the genre. It appears that either the adapters lost something in translation, or maybe the studio didn't let the Truebas get what they wanted to do.
The casting of Antonio Banderas in the dual role of Art/Bart presents problems because he is a quintessential Latin man, who is supposed to be a small con artist working in Florida; his accent doesn't solve this problem either. We don't believe for a moment he is this "artful dodger", let alone Art Dodge. Mr. Banderas has done better, but not here. The best sequence in the film involves Art/Bart shuttling between Liz and Betty's separate rooms, where the actor gets all the laughs.
Daryl Hannah, who plays Liz, fares better, although it's hard to imagine this brainy woman could fall for this small time con artist. Melanie Griffith doesn't have much to do, and we can be thankful for a performance where all her mannerisms are not shown. The best thing in the film is Joan Cusack, who is seen as Gloria, the art gallery assistant who steals the show from the principals. There is also a delightfully funny appearance by the late Vincent Schiavelli, who is seen as a finicky sommelier at a tony restaurant. (We kept thinking how could Art/Bart pick up the check on the two occasions when he takes Betty, first, and then Liz, to that expensive place, as he can't even pay his other bills...) In some minor roles we see Eli Wallach, Danny Aiello, and Austin Pendleton, among others.
The best thing in the film is the musical sound track by the talented Michel Camilo, who had already collaborated with Mr. Trueba in "Calle 54". He is seen at the end of the picture playing with some Latin jazz giants like Paquito D'Rivera and Cachao. One kept hoping they would have been seen more in the film.
The casting of Antonio Banderas in the dual role of Art/Bart presents problems because he is a quintessential Latin man, who is supposed to be a small con artist working in Florida; his accent doesn't solve this problem either. We don't believe for a moment he is this "artful dodger", let alone Art Dodge. Mr. Banderas has done better, but not here. The best sequence in the film involves Art/Bart shuttling between Liz and Betty's separate rooms, where the actor gets all the laughs.
Daryl Hannah, who plays Liz, fares better, although it's hard to imagine this brainy woman could fall for this small time con artist. Melanie Griffith doesn't have much to do, and we can be thankful for a performance where all her mannerisms are not shown. The best thing in the film is Joan Cusack, who is seen as Gloria, the art gallery assistant who steals the show from the principals. There is also a delightfully funny appearance by the late Vincent Schiavelli, who is seen as a finicky sommelier at a tony restaurant. (We kept thinking how could Art/Bart pick up the check on the two occasions when he takes Betty, first, and then Liz, to that expensive place, as he can't even pay his other bills...) In some minor roles we see Eli Wallach, Danny Aiello, and Austin Pendleton, among others.
The best thing in the film is the musical sound track by the talented Michel Camilo, who had already collaborated with Mr. Trueba in "Calle 54". He is seen at the end of the picture playing with some Latin jazz giants like Paquito D'Rivera and Cachao. One kept hoping they would have been seen more in the film.
You will especially like this film if you are fans of Antonio Banderas, Melanie Griffith and Daryl Hannah. Nothing creative or unique, just good fun and nice eye candy for all to enjoy. You could probably drive down the road and get the milk and cereal for tomorrow's breakfast, while the movie is still running back home, and not miss much...but hey, this is just a comedy for a few laughs.
*The cast:
*The story:
Art Dodge is an art swindler. He looks at the death announcements in the papers. At the day of the funeral, thên he goes to the family and says that the dead person had bought a painting of him a few weeks before he died. At that moment, he meets Betty a rich woman who divorced the same man twice.
They fall in love with each other, but love becomes complicated when Art meets Betty's sister... he is deeply in love with her too. So he decides to transform himself in Bart (his twin brother) and then you get some humoristic moments, which aren't very funny at some moments.
Sheldon is the father of Art. Joan Cusack is the employee of Art.
An interesting note is that Melanie and Antonio fall in love on the set, and they married and had 1 child, Stella Banderas.
*Appreciation: This film is too confusing and although Daryl Hannah played her part wonderfully, the film has something of a disaster. Although the actors did their best to make a comedy. A catastrophe occurred
But don't forget that alL these actors had done some wonderful acting. Some examples; Melanie Griffith: Cecil B. Demented -- Daryl Hannah: Steel Magnolias -- Antonio Banderas: Philadelphia and Eli Wallach: the Misfits.
Sadly they made this time a wrong choice...
Mostly I like the movies that I saw and on the whole I give good comments about them. But this time I can only say that this film was a big disappointment and I hoped that it would have finished quickly. However I didn't lose my faith in the actors because it was just the wrong script that didn't work.
Rating: 5,5 /10
- Antonio Banderas : Art / Bart Dodge
- Daryl Hannah: Liz Kerner
- Melanie Griffith: Betty
- Joan Cusack: Gloria
- Eli Wallach: Sheldon
*The story:
Art Dodge is an art swindler. He looks at the death announcements in the papers. At the day of the funeral, thên he goes to the family and says that the dead person had bought a painting of him a few weeks before he died. At that moment, he meets Betty a rich woman who divorced the same man twice.
They fall in love with each other, but love becomes complicated when Art meets Betty's sister... he is deeply in love with her too. So he decides to transform himself in Bart (his twin brother) and then you get some humoristic moments, which aren't very funny at some moments.
Sheldon is the father of Art. Joan Cusack is the employee of Art.
An interesting note is that Melanie and Antonio fall in love on the set, and they married and had 1 child, Stella Banderas.
*Appreciation: This film is too confusing and although Daryl Hannah played her part wonderfully, the film has something of a disaster. Although the actors did their best to make a comedy. A catastrophe occurred
But don't forget that alL these actors had done some wonderful acting. Some examples; Melanie Griffith: Cecil B. Demented -- Daryl Hannah: Steel Magnolias -- Antonio Banderas: Philadelphia and Eli Wallach: the Misfits.
Sadly they made this time a wrong choice...
Mostly I like the movies that I saw and on the whole I give good comments about them. But this time I can only say that this film was a big disappointment and I hoped that it would have finished quickly. However I didn't lose my faith in the actors because it was just the wrong script that didn't work.
Rating: 5,5 /10
After winning a Best Foreign Film Oscar for "Belle Epoque", Fernando Trueba's follow up was this comedy starring Antonio Banderas and Melanie Griffith. It was not the first time that Trueba had directed a picture in English with English-speaking actors ("El sueño del mono loco" starring Miranda Richardson and Jeff Goldblum was a critical success) but "Two much" seems to have gone out of his hands.
It might have looked good in the script, a comedy that captures the essence of the comedies from the 50's, but the eventual result is quite disappointing. The three leading actors (Banderas, Griffith and Daryl Hannah) have been much better almost elsewhere, and some of the jokes and gags are kind of cheesy. However, a superb supporting cast helps to save the show. Joan Cusack is a delight to watch in a role Thelma Ritter would have done a few decades before. Danny Aiello does as much as he can with his clichéd character, and Elli Wallach is also excellent, but his role is little more than a glorified cameo.
If you like Dean Martin comedies you might appreciate the effort of resurrecting these kind of comedies, but don't expect the result to be anywhere near those classics. If you are looking for a few laughs and an acceptably amusing comedy, then you might not be disappointed.
It might have looked good in the script, a comedy that captures the essence of the comedies from the 50's, but the eventual result is quite disappointing. The three leading actors (Banderas, Griffith and Daryl Hannah) have been much better almost elsewhere, and some of the jokes and gags are kind of cheesy. However, a superb supporting cast helps to save the show. Joan Cusack is a delight to watch in a role Thelma Ritter would have done a few decades before. Danny Aiello does as much as he can with his clichéd character, and Elli Wallach is also excellent, but his role is little more than a glorified cameo.
If you like Dean Martin comedies you might appreciate the effort of resurrecting these kind of comedies, but don't expect the result to be anywhere near those classics. If you are looking for a few laughs and an acceptably amusing comedy, then you might not be disappointed.
Art Dodger is a BS peddler(get the pun to his name? Eh? Eh? It sets the tone for how "clever" this is), and as we find that the quality of it is rather lacking(no one could buy his stories, and few do), leading us to wonder how he gets by from it. He uses the obituaries to locate widows, and claims to be delivering paintings(provided by his...friend? Manny, who is... not skilled enough to be selling them without this trick... apparently? Even though it is at one point remarked that they're good, and this is said by an expert on the subject... don't ask) that their now deceased husband bought, so he can get the cash. Why the cons? Well, other than ensuring that he, like nearly everyone else in this, is powerfully unlikeable(it has to be intentional, no one is this inept), it's the only way he can think of to make ends meet for his gallery(I guess all the want ads panned out, and in spite of being a talented virtuoso himself, he hasn't touched a brush for a while because... because. Well, like everything in this, the lazily done and derivative script needed that to be the case). One day, he meets and starts having sex with Betty, who turns out to be an emotional wreck who wants to get married within that same 24 hours. This is evidently something she does all the time, although she only has one ex, who she got hitched with twice. No, none of this does make any sense or hold up to a single second's scrutiny. You're very perceptive. Said former beau(a man with anger issues who is literally following her around whenever he can) is after our lead, and we want him to catch him. So, our "hero" falls for his fiancés sister, Liz, with whom he is clearly better matched. She won't give him the time of day, on account of... hey, look over there! So he makes up a twin brother so he can woo her. Crazy hijinks ensue, with surprisingly little laughter to be had. Phew, done. Wow, all of that was just the basic setup for the plot. Convoluted much? I will admit that I am not a big fan of screwball comedy, but this is packed with uninspired jokes, with only occasionally one that might have you smiling, or chuckle briefly. I understand that part of this was on account of the director not speaking the language properly, and that does explain a lot(no one actually talks like these people do... and the dialog, even when realistic, is seldom funny). The characters behave in bizarre ways. Development, and the eventual "resolution"(it kind of just... stops) is forced and feels out of place. The main cast are wrong for their parts. This is in serious need of cutting down, as it is at least half an hour longer than it has any right to be. It isn't downright boring, and it could be a greater torment to watch than it is. On the plus side, Griffith and, more to the point, Hannah, spend a fair amount of time in swimsuits and the like. There are a couple of hints of sexuality and brief obscured nudity in this. I recommend this to people with low standards for this subgenre. 5/10
Wusstest du schon
- WissenswertesWhen Dodge ('Antonio Banderas') looks at the obituaries in the diner, there is a picture of a man named Eugene Palletto. It is actually a picture of actor Eugene Pallette.
- Zitate
Art Dodge: For me there is only Rimbaud.
Liz Kerner: Rimbaud? Why?
Betty Kerner: Well, it's obvious. He's the original. I mean, Seagal and Van Damme are just cheap imitations.
- SoundtracksCaribe
Written by Michel Camilo
Performed by Michel Camilo, Paquito D'Rivera, Cachao (as Israel "Cachao" Lopez),
Guarionex Aquino, Cliff Almond, Michael Mossman
Redondo Music/Sony Songs (BMI)
By Arrangement with Sony Music Licensing
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Two Much - Zwei zuviel
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 24.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.141.556 $
- Eröffnungswochenende in den USA und in Kanada
- 592.871 $
- 17. März 1996
- Weltweiter Bruttoertrag
- 1.141.556 $
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By what name was Eine Blondine zuviel - Two Much (1995) officially released in Canada in English?
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