Tesis - Der Snuff Film

This suspenseful movie concerns about Angela(Ana Torrent), she's an university student at a journalism university in Madrid. She comes across a snuff movie that shows a girl being tortured and killed. She befriends Chema(Fele Martinez), a young completely obsessed with violent films. They find out that the girl was an university at their school and her former fiancé named Bosco(Eduardo Noriega) holds a camera similar to the snuff's shooting. They early discover the killing was actually filmed on campus.

The motion picture displays genuine chills, suspense, mystery and dark atmosphere with a shocker finale . Packs excellent creation of tension, thriller, terror , emotions and brief gore. It's an exciting, bizarre film; skillfully proceeded by Alejandro Amenabar and turns out to one of the most unusual Spaniard horror movie ever made and certainly one of the most unsettling. Plenty of shocks, the eerie images deliver the exciting united a creepy score by Amenabar, also screenwriter, along with Mateo Gil, of the thrilling plot. Intelligent edition, special use of murky sets and slick utilization of shock images make this one, a magnificent terror film. Gloomy and sombre cinematography by Hans Burman which heightens the suspense. The picture is well directed by Amenabar in his first movie. After he achieved various hits, such as : 'Open your ears, The others and Mar adentro' . Rating : Better than average.

First effort by now affirmed Spanish director Amenebar, Tesis starts brilliantly (with a magnificent mix of music and images) and it develops perhaps too slowly and with a unsatisfying ending - at least for a mystery lover - butt it is for a rest a perfect machine explaining how a movie works, how it captures the attention of the viewers. Its aim and final analisys of the movie event and how violence is the basis of today's society could be debatable, but Amenebar has a gift to take good script and turn them in masterpieces.

Why is death and violence so fascinating? Is it morally correct to show violence in movies? If so, is there a limit to what we should show? That is the subject of Ángela's examination paper.

As a film made by a film student about film students, much of "Tesis" is metafilmic and comments on the Spanish film industry, Hollywood influence and the voyeuristic nature of the horror and snuff genres. Following the aesthetic of the American horror genre, Angela operates as the "Final Girl," or resourceful female protagonist that defies stereotypical feminine traits.

This is every bit as gritty as a Hollywood horror film or thriller, and it is something of a surprise that it seems to be largely unknown. Even though it is foreign, die-hard horror fans should have latched on to it. And these days, it is a bit of a shock no one tried to remake it.

In Spain, Ángela Márquez (Ana Torrent) is a student of cinema preparing her thesis about the violence in the media. She approaches to the strange student of an another class, Chema (Fele Martínez), who is fan and has a collection of violent movies, to improve her research about this theme. She is receiving orientation of Prof. Figueroa (Miguel Picazo), who finds a `snuff' movie in the library of the university, showing the death of another student, Vanessa, violently killed by a man. While watching this film, Prof. Figueroa dies, and the new professor assigned to give orientation to Ángela, Jorge Castro (Xabier Elorriaga), questions many points in her thesis, inclusive the achievement of information. Meanwhile, Ángela is introduced to Bosco Herranz (Eduardo Noriega), a handsome and nice student of the university, and she suspects he made the violent movie and killed Vanessa. The plot is only resolved in the end of the film. The first film directed by Alejandro Almenábar that I watched was `Abre Los Ojos'. This masterpiece is very unknown here in Brazil. `Abre Los Ojos' is only available on VHS, and it certainly is in my list of the best thirty favorite movies. The common viewers only know the sophisticated and spoiled Hollywood version `Vanilla Sky'. The pretentious, wealthy and ham actor Tom Cruise impaired one of the most original screenplays ever made. Then I watched the marvelous `The Others'. Last month, his first movie, `Thesis', was released on DVD in Brazil. Yesterday I saw this magnificent low budget thriller. A very simple and realistic story, which keeps the viewer in tension until the last scene. There is no clichés, the performance of the cast is very credible, and it is impossible not to like this film. I did not know the meaning of `snuff' films. Based on these three foregoing mentioned movies, I dare to say that Alejandro Almenábar is the best new director of thrillers arose in the 90s. My vote is nine.

Title (Brazil): `Thesis - Morte Ao Vivo' (`Thesis - Death Live')

Tesis is a film about a film student writing an assignment on violence on film, which is appropriate because Tesis is itself, an assignment written by Alejandro Amenábar on violence and the state of the Spanish film industry. Amenábar has packed the film with nods towards the industry, and the reasons why it isn't working and this ties in excellently with the central theme of violence. The director professes that Spain's film industry will not be a success until it gives the people what it wants - and that theory in it's purest form is snuff films. Snuff films don't have any production values and exist purely to please their audience on an aesthetic level - and the snuff industry in this film is in a boom period! The idea of violence and why we find it is fascinating has made the base for many films, and it serves this one excellently too. The scene at the start sums all up; we open in a train station where someone has committed suicide. The station guards are trying to ensure that nobody sees the horror, and yet there's scores of people surrounding the tracks and Amenábar makes sure that even you - the viewer - want to survey the horror for yourself.

I don't know how successful Tesis was in it's native Spain, but it's certainly one of the best films to come out of the country in recent memory, and a lot of the reason for that is that the director has heeded his own advice and given the audience what they want. Rather than try and be deep and complex like many other foreign films, Tesis is a straight thriller, not unlike what would come out of America's thriving industry, and the fact that Amenábar has knowingly accepted what his film is and hasn't tried to make it any more than that does it no end of favours. The film follows a relaxed pace, and the basic structure follows a mystery, which is being unravelled by two students; Angela, the one doing the thesis and Chema; someone she met because of his infamous love for violent films. The way that Amenábar keeps the film flowing steadily ensures that we are really able to get into the mystery, and this makes the film far more thrilling overall. The film is about snuff films, but it shouldn't be mistaken for one itself. The focus is often kept away from violence, and the director only shows us just enough of the snuff to whet our appetites.

The film's main point is to show us the mystery, but the characters are never made to take a backseat. The two central figures are given time to grow as people so that we can really get to know them, and even feel for them. In many thrillers, the characters and the mystery can't be weighed up evenly; but despite the fact that he's only a young filmmaker, Amenábar has shown his brilliance by doing it to perfection. The characters actually compliment the mystery, in fact, because at times it flows because of who the characters are. This really allows the film to become compelling, and this is also where most of the true greatness lies. The characters are brought to life by a great cast of young actors. The beautiful Ana Torrent takes the lead role, and is joined by débutant Fele Martínez, who plays her opposite number. These two have an awkward chemistry, and this is capitalised on brilliantly. The third lead is played by Eduardo Noriega, who would go on to make a splash in Amenábar's Open Your Eyes a year later.

Tesis doesn't get mentioned all that often in discussions about great horror/thrillers - and I really have no idea why. This is a first rate film, and really shows its cast and director's talent. The Spanish film industry may be on the decline - but it wont be if they can pump out a few more films like this one!