Terror in der familie - eine tochter läuft amok

As far as t. v. made movies go this gets a B+. Hilary Swank better known for her role in "The Next Karate Kid" plays an abusive teen who starts to violently hit her parents when she gets real angry, through all the fighting and her dating a delinquent the violence turns into an authority involvement. Joanna Kerns (Growing Pains) plays her alcoholic mother who can't seem to control her daughter or keep a punishment, she's believable but tries too much. I'm not saying it's the best but I would see it as often as it may come on.

If you're looking for a quality movie about a family and their problems, "Terror in the Family" is the one to see. It doesn't waste time, or sermonize, which is what a drama, especially one with this theme, should be. And it's never slow, either. Also, there's nothing new to it either. And it is predictable. Hence the title, the movie is about a teenager's behavior that is apparently influenced by her boyfriend. At the very end, it turns out it is. In case you haven't seen or heard of any of the actors here, almost the entire cast is made up of familiar faces: Hilary Swank, "Growing Pains" star Joanna Kerns, and "The Wonder Years" star Dan Lauria.

Grade: B+

This was an intense film from Lifetime Network, Hilary Swank is a teenage girl who wants her freedom from her parents and wants to be with her boyfriend,, well her parents are going to put a stop to this, but problem is this spoiled brat is violent and she goes after her dad by slamming a door on his arm,, fighting with her mother,, classic tale of teenage girl rebelling but goes way to far in this movie I felt,, the mother escapes by drinking whine during the day,, the husband is busy in the basement doing woodworking,, and the son is busy sipping vodka before bed,, this movie is kinda hard to watch,, in part because I had a teenage step daughter that was violent as she got older, but thank goodness not to the point in the movie , but close enough. interesting watch,,, Dan Lauria was good, and Jo Anna Kerns was great and stole the show for me.

This movie is an alright TV movie. Nothing spectacular but I could watch it again.

Hilary Swank plays a teen who becomes aggressive and violent with her family. Between the constant bickering at home, and running away to spend time with her boyfriend, her life turns out to be more than she can handle.

Swank acts out the role very well but at times her character becomes a little too annoying to handle. Joanna Kerns plays the alcoholic mother who just can't seem to control her daughter as it seems like she's always the one getting knocked around. Kerns is believable as an alcoholic but tries to be a little too complex for her role. Dan Lauria plays the distant father. He acts a little better than Kerns and his character doesn't involve too many sentimental moments, so it's easier to handle him. Everyone else does a good job.

The plot is good but it tends to drag on a little too long. Half of the film could have been cut and it wouldn't have made a difference. After two or three scenes of seeing Swank become violent with her parents, I wanted to turn it off. But I didn't. The ending was alright but like I said, it dragged on and on.

Overall, this is a good TV movie. If you're in the situation like the family that the story revolves around, you might want to watch this.

Hilary Swank is obviously a very good actress, but her casting here presents a problem: as a rebellious suburban teen with an anger management problem, Swank isn't too convincing as a malicious liar and conniver. This pedantic TV-made drama hopes to show how some parents attempt to substitute personal problems or an estranged marriage by turning their kids into pals (instead of helping them become responsible people). It has many intense moments of family conflict, yet Swank is too clean-cut, too brainy and well-wrought as a person to match up with this mercurial character. As her parents, Joanna Kerns and Dan Lauria have some very fine scenes, but Kerns (playing an alcoholic) is given too many not-so-subtle "sipping her wine" close-ups, and this particular needy mom (whose own mother was abusive–-these patterns repeat!) isn't quite convincing either: she seems to go downhill awfully fast (after the obligatory 'fixing dinner' scenes) and her background and relationship with her sister is left too vague. The melodramatic music score is obtrusive and obnoxious, underlining every emotion to the nth-degree and signaling the traumas far in advance. However, for a television film the narrative is tight and, after a poor opening (including a tatty flashback frame, the kind that never works), the movie improves and does try to solve its dilemmas carefully without too much hand-holding.