Füge eine Handlung in deiner Sprache hinzuPublishing magnate refuses to publish a book by his son's male lover so the kids buy out their father and run it themselves!Publishing magnate refuses to publish a book by his son's male lover so the kids buy out their father and run it themselves!Publishing magnate refuses to publish a book by his son's male lover so the kids buy out their father and run it themselves!
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- 1 Gewinn & 1 Nominierung insgesamt
Empfohlene Bewertungen
Top notch film? No. Boring as hell? NO. This film will not appeal to people who have no sense of history, family, or the ability to sit still for more than five minutes and analyze something.
The film was fascinating, not always clear as to its intent, but an interesting journey with characters worth watching.
You have a father, a Holocaust survivor, who even in his own madness still believes in the quality of THINGS. In this case it's his publishing house which has been an imprint of quality work. There are, unfortunately, few places for works such as this in our times. Few people have the patience or understanding of quality and workmanship. Thus the conflict with one of his sons. His son wants the imprint to continue but with a much broader audience, quantity above quality. I don't believe it is even about money. It's about moving away from the past. Neither the father or children are completely capable of doing this. The past, the family, has a hold on all of them no matter how they deny it or try to move away from each other.
If you have an understanding of what we have lost by having everything being bought and sold to the lowest common denominator; a family dealing with madness of a beloved relative, and THINGS being valued above the love and respect of others give the film a try. If you have an attention span of a knat try something with Arnold. Some things are worth muddling through just for the rare glimpse of ourselves.
The film was fascinating, not always clear as to its intent, but an interesting journey with characters worth watching.
You have a father, a Holocaust survivor, who even in his own madness still believes in the quality of THINGS. In this case it's his publishing house which has been an imprint of quality work. There are, unfortunately, few places for works such as this in our times. Few people have the patience or understanding of quality and workmanship. Thus the conflict with one of his sons. His son wants the imprint to continue but with a much broader audience, quantity above quality. I don't believe it is even about money. It's about moving away from the past. Neither the father or children are completely capable of doing this. The past, the family, has a hold on all of them no matter how they deny it or try to move away from each other.
If you have an understanding of what we have lost by having everything being bought and sold to the lowest common denominator; a family dealing with madness of a beloved relative, and THINGS being valued above the love and respect of others give the film a try. If you have an attention span of a knat try something with Arnold. Some things are worth muddling through just for the rare glimpse of ourselves.
This is a film that could have been an important film if it had not stooped to the use of repeated use of the 'f' word and other foul language. The people depicted in this film would not ordinarily use such language. I am acquainted with many Holocaust survivors and I have never heard such language pass their lips.
Although the Holocaust was used as the starting point of the film, and as a background for the most important character, there was no attempt to explain how that experience molded the character to make him what he is in the film.
Also it was never shown how the children of the Holocaust survivor were affected by their father's experience as it was with most children of Holocaust survivors.
It should have been a strong family drama, and it was to a point. But the foul language ruined it.
Although the Holocaust was used as the starting point of the film, and as a background for the most important character, there was no attempt to explain how that experience molded the character to make him what he is in the film.
Also it was never shown how the children of the Holocaust survivor were affected by their father's experience as it was with most children of Holocaust survivors.
It should have been a strong family drama, and it was to a point. But the foul language ruined it.
I thought that this was an interesting look at how one person's hardheadedness can affect a family so strongly. Ron Rifkin did a wonderful job portraying 'Isaac'. I think he's a very underrated actor and I even loved his annoying accent.!( He uses the same accent that he had on "I'm not Rappaport.") I read an interview where he compares the movie vs. the stage version and supposedly it ends differently. I would have liked to have seen the play.
The Main reason to see the film version of "The Substance Of Fire" is Ron Rifkin's splendid performance. He reprises the role he created on stage with great aplomb.It is however,one of the few reasons to see this film.The plot has been drastically altered from the original play,even adding major characters that did not exist in the original.The basic story remains, a Jewish Publisher and his slow decent into dementia brought on through his loss of control of the company to his son. But there it ends. The messages in this film are very clear,but the execution,direction and scripting destroy the impact of the original play.
I found this film quite flawed on the grounds of story and acting. The story is rather slow, without any definite direction and it ended abruptly before some of the main characters begin to develop. Apart from Ron Rifkin and a bit from Sarah Jeassica Parker, the overall acting is below the level one expects from such type of films.
The primary reason to like this film is that it's honest and it's original. One can see that the filmmakers are really passionate about the subject it's based upon, I don't know, maybe from personal experiences. Its structure and style are quite original and don't have any clichés. Even the ending, though abrupt, is heartfelt if the viewer cares to understand the film's statement.
The primary reason to like this film is that it's honest and it's original. One can see that the filmmakers are really passionate about the subject it's based upon, I don't know, maybe from personal experiences. Its structure and style are quite original and don't have any clichés. Even the ending, though abrupt, is heartfelt if the viewer cares to understand the film's statement.
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- WissenswertesFilm debut of Viola Davis.
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Sarah Geldheart: Tell me the truth. Does anybody actually finish a book once they have formed an opinion of it?
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Det förflutnas skuggor
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 31.638 $
- Eröffnungswochenende in den USA und in Kanada
- 56.211 $
- 16. März 1997
- Weltweiter Bruttoertrag
- 31.638 $
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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