Groß wie Wassermelonen

Watermelons demonstrates what can be achieved with low budget films. First class writing and acting performances aside, the universality of the theme is this film's strongest point. The universal man, somewhat naive to the world, somewhat dumb, somewhat torn by his own base desires in opposition to his intellectual growth, never-the-less holds to a dream. Although not tantalizingly close, the dream to make a filmic masterpiece IS tantalizing, and is the mountain he must climb despite distractions from within and without. That such a large theme is contained within a very average world and provides such deft entertainment speaks volumes for the abilities of writer, cast and crew.

There are two great features of this movie: it's yet another great nihilistic slacker movie, this time about a pathetic no-nothing loser who is trying to make his first movie (one can only hope this is not self-referential). It also has a great title. When I saw it at the Toronto Film Festival, it attracted a mixed crowd: those who had read the reviews and those who hadn't. The latter wore trench coats and left after the first five minutes.

I have sampled and loved this movie for a long time. There is an understated elegance to the comedy.

This movie has become quite hard to find lately, but if you do find it (most likely on a region 4 DVD... Australians seem to be the only ones who still care for it) then it is definitely worth watching. I majored in art and lived on the Venice beachfront for a while when I was younger, and I feel this movie captures the atmosphere of my early 20s. The plot itself is nothing to write home about, but the good performances, quirky live music and the very 90s feeling of it all more than make up for it. Also, Paul Rudd's cuteness and adorableness is at a high here.

I find this movie to be really funny on many, many levels. Sure, I think it's a bit much at times, but there are so many great moments in this movie! Also, it reminds me of my college days as both a punk and a theatre major who partied way too much with way too many weird people like Gnome. I guess it's all this truth that I see within this movie that draws me to it, and I frankly enjoy the inner-dialogs. It's evidence of the naive yet self-centered people we were at the time.

If you're looking for a good movie that doesn't demand too much of your own psyche to understand it, then give this movie a watch - besides, Donal Logue's performance is NOT to be missed! He has the best part in the entire movie.

Does anyone know if they filmed this in Vancouver?