Sling Blade - Auf Messers Schneide

Set in a small, rural Southern town, Billy Bob Thornton's "Sling Blade" is so flavorful in ambiance and tone, so rich in character and theme that it's hard to believe that its roots are not to be found in any short story or novel. For while it has all the earmarks of a great work of literature, "Sling Blade" is actually an original creation by Thornton, the triple threat talent who wrote, directed and stars in the work.

Karl Childers is a marginally retarded man who's been living in a mental institution ever since, as a child, he accidentally stumbled across his mother and her lover in a compromising position and, in a moment of considerable confusion, hacked the two of them to death. After being officially declared by the state to be "rehabilitated" and "cured," Karl is thrust back out into the world where he forms a bond with a fatherless boy, his hardworking, compassionate mother and a gay storeowner who has long since become a part of their extended family. Also part of that family is the widow's twisted boyfriend, Doyle Hargraves, who physically and psychologically abuses both mother and son.

Thanks to Carl's "strangeness" and homicidal background, as well as the simmering volatility and mercurial temperament of Doyle, there is always the threat of violence hanging ominously over the work. Yet, in many ways, "Sling Blade" is really about the goodness of people in their willingness to overlook external differences and to find the similarities that unite us all in a common bond of humanity. For the most part, the people in this quiet little community try to reach out and befriend Karl, sensing a decency in him that helps to mitigate any possible fear they might have of him based solely on surface eccentricities. Even when he is eventually forced into violent action, he does so as an avenging angel bringing swift and righteous justice, not as a murderous demon acting out of hatred or malice.

The acting in the film - beginning with Thornton himself - could not be more brilliant. With his stooped shoulders, tight-lipped smile, jutting jaw, vacant expression and guttural throat-clearing, Karl became the butt of so many jokes back when the movie first came out that it's easy to forget what a truly amazing character - and job of acting - Thornton has pulled off here. The actor we've known from so many other movies is completely invisible in this role, as he literally becomes Karl in every fiber of his being and, in so doing, forces us to see the wisdom and humanity buried deep inside the person. The performance is such a touchstone of acting for our generation that it is easy to miss all the other great acting in the film, particularly on the part of Natalie Canerday, Lucas Black, John Ritter, J.T. Walsh, Robert Duvall and, most especially, Dwight Yoakam, whose portrayal of a man teetering on the edge of a psychopathic meltdown is bone-chilling and brilliant.

As a writer, Thornton has shaped his film like a modern day parable - simple, symbol-laden and allegorical. As a director, he proves himself a master of rhythm and pacing, setting the mood and allowing the scenes to play themselves out without recourse to overstatement or melodrama. In fact, this is one of those rare movies in which every moment feels just right, so confident is Thornton in his ability as a filmmaker to bring his story to life on screen. He also knows how to make the bucolic setting come across as both stark and sensuous at the same time, a place of quiet stillness that provides the perfect backdrop for the morality tale he is endeavoring to tell. Finally, Daniel Lanois has provided a haunting musical score that ever so subtly draws us into the disturbingly offbeat world of the drama.

"Sling Blade" earned a Best Original Screenplay Oscar for Thornton, but he should also have won awards for his directing and his performance as Karl, not to mention the film itself which should have won the honor as Best Picture of 1996 - although Hollywood, in its infinite wisdom, failed even to nominate it. Ah well, even with that lapse in judgment, "Sling Blade" remains one of the great movie dramas of the past decade.

Sling Blade is a very well acted, well displayed, and interesting masterpiece. I just loved it from beginning to end.

First I would like to comment on the excellent acting across the board, especially the late John Ritter and Billy Bob Thornton's ensemble portrayal of Karl. I could not help but feel very attached to Karl from the opening scene, his release from the mental institution, his struggles with the outside world, and how he related to the town people. Sling Blade is one of those movies that I would love to sit down and talk about for hours with a friend. I would also love to hear others' perspectives about what made this movie great.

It seems that every scene was worked to perfection. From the lighting and camera's viewpoint to the acting and music. I enjoyed every scene, but thought that three really stood out. Without giving too much away, they are as follows. No spoilers here:

1. Inside the house after band practice where Karl does not move from the couch.

2. When Karl is visited at work and we see him make eye contact for the first time.

3. The scene where Karl is in the garage late at night. The chilling music really captures the mood. My heart was pounding during this one!

I hold Mr. Thornton to a very high respect. He created a masterpiece that is emotional, thrilling, dramatic, humorous, and entertaining.

I can't believe it took me so long to finally see this movie and I must admit I had never seen any work by Billy Bob Thornton. Without a doubt, Sling Blade is one of the finest pieces of work ever put on film. Billy Bob's performance as Karl Childers is absolutely riveting! I found myself completely fascinated by this character. The entire ensemble of characters are superbly cast. The child actor who plays Frank is talented beyond his years. This story unfolds in many layers, with friendship and love woven between bigotry and cruelty. It begins with a somewhat horrible description of the double murder of Karl's mother and her lover, but yet is tastefully done with words, no cheap views of blood and gore. It shows how the lack of parental love and understanding can form an individual, but also how the human heart can still have the capacity to be open, as in the relationship between Karl and Frank. You'll feel completely drawn into this little family with its pain and problems.

This is a masterpiece of superb acting, writing and directing! If you haven't seen it yet, please don't deny yourself the opportunity of viewing one of the most amazingly touching movies you will ever see. Even in the company of great performances by Tom Hanks and Dustin Hoffman, I think Sling Blade leaves Forrest Gump and Rain Man in the dust!

This film is a perfect example of how a film should be made. It has everything, good cast, good script, good performances everything is perfect. This has to be one of my all time favourite films and Billy Bob Thornton is a good a writer and director as he is an actor. The Oscar for best adapted screenplay was well deserved and it shocks me that Billy Bob didn't win the oscar for best actor. I bought this film on DVD and it is a shame you do not get any features but I hope they will release a special edition with contribution from the writer, actor and director himself. I urge everyone to watch this film because it is funny, emotional, enjoyable and just plain brilliant. 10/10

I guess the main reason why I wanted to see this movie was because it was written and directed by Billy Bob Thornton, who also played a role in it. Even though the man hasn't really been able to prove a lot with his work as a director, I must say that I almost always appreciate him as an actor. He's perhaps not the most popular actor in Hollywood, but in my opinion he sure is one of the better ones.

In this movie he plays the role of Karl Childers, a grown, but simple man who is released from the psychiatric hospital where he has been hospitalized since the age of twelve. He had to stay in that hospital for so long because he murdered his own mother and her lover, believing that they were doing something wrong. He returns to the town where he lived the first twelve years of his life and it doesn't take long for him to get a job as a mechanic, fixing all kinds of small motors at a local repair shop. In the same town he also meets Frank, a young and friendly boy who immediately seems to like this strange man. Soon Karl is invited by Frank's mother to stay in their garage, much against the will of her alcoholic and abusive boyfriend Doyle. While Karl's friendship with Frank gets stronger, the tension between him and Doyle keeps building up, until reaching its final climax...

Now that I've finally seen this movie, I can only say that it's too bad that I didn't give it a try earlier. Especially thanks to the magnificent performance by Billy Bob Thornton, this is a movie that is more than just worth a watch. But also the other actors like Dwight Yoakam, Natalie Canerday,... did a very good job. The entire movie feels very realistic, is quite sober and never tries to be too dramatic. This is the kind of movie that could have become very preachy, but it hasn't and that's something that I really appreciate. Add to this some good directing and you know that Thornton has done a very nice job with this movie.

This isn't exactly a typical Hollywood movie, not in its story and certainly not in its approach towards the subject. This could easily have become some kind of cheesy TV-movie, but Billy Bob Thornton has made a very good movie out of it instead. I really appreciated his work as a director, actor and writer in this movie, liked the story and was intrigued by the acting of all the actors. That's why I give it a 7.5/10, maybe even an 8/10.