Seargeant Kabukiman

the problem with this movie was that some of the same sort of funny things done in the movie got old. yeah they were funny at first but then after a while it got to be old. i'm sure this would have been a great comedy movie if it was just shortened 25 to 50%. i give it 6/10

After being kissed by a kabuki master, Harry Griswold (police detective) transforms into the superhero Kabukiman. Harnessing his new kabuki powers, he faces corrupt businessmen, drug-dealing ministers... and must prevent the monkey from riding the jaguar.

I first watched this film years (2000?) ago at my friend Jason's apartment and loved it, as I love all Troma releases. Today I watched it for the second time after picking up the DVD at Fangoria's Weekend of Horrors in Chicago 2007 from the director himself, Lloyd Kaufman. The movie was everything I remembered it being and more.

The humor is cheesy and full of bad puns, the acting is decent but not Oscar-worthy, and some scenes are just not politically correct (though by far much less gross than any other Troma movie ever made). We get the first instance of the legendary car crash scene and some good fights. Heck, even the flying special effect is tolerable. Though after seeing "Puma Man" pretty much all flying scenes are tolerable.

Troma is known for their anti-capitalism views, and it shows here (though more subtle than in "Troma's War" or "Terror Firmer"). I mean, the villains are a business tycoon and a reverend! This is a strength for the films, I feel, because it really helps the target audience rally around the hero. If you're watching these films and enjoying them, clearly you like independent films, which makes you a natural for being opposed to huge organizations. Or maybe it's just me.

So, yes. Cheesy plot and acting. A little gore (but not too much). Some bare breasts for no good reason. It's everything you expect from Troma, though more tame and with a little more plot. You really ought to see "Toxic Avenger" first, but if you like that one, this is a great follow-up.

I was very surprised by this flick.

The first Troma flick I saw was Terror Firmer, which was just wall to wall sex and violence. Not that that's a bad thing.

With Kabukiman, however, the sex and gore is reduced considerably, and a lot of the humour is quite witty ("Nice dissolve, huh?"), with only a bit of gratuitous nudity(If it wasn't for the attempted rape bit this film could've got away with a 12 rating) and cartoon violence. I really enjoyed this movie, and it definitely makes my all time favourite list.

OK. This is not great cinema. This is not what you would define as a classic.

But for a B movie, it is A+

Like Toxie (The Toxic Adventure), Troma has once again created a character that is likeable and fun, yet this one is a bit of a jerk too. Still, I think that's what's so endearing about the character.

Basically, A bumbling cop accidentally receives the powers of the Kabuki, and has to fight "The Evil One". Lots of silliness. A bit of Troma trademark unneeded nudity (they love showing breasts whenever they can) and some worm eating. Get rid of that part, and it could be a fun series, and I would love to see a series of this. I think it's designed for a short-run TV series that would quickly develop a cult following. The character lends itself to short stories very well. Perhaps a Saturday Morning cartoon (like Toxie did).

Again, it's not great cinema, but it's a silly ride.

There are few artistic achievements that our race as a whole have produced, especially in the field of motion picture, that truly resonate within our psyche, leaving us profoundly altered. This film, Sgt. Kabuki Man, NYPD, is one of those achievements. It is a pure lancet of truth and hope that slices through the gossamar chains of society's current state of disrepair, a beacon in the fog for lost souls to reclaim there lives. Using the classic Joeseph Campbell idea of 'hero' and 'quest', this novel script shows that anyone, even one as societally dominated and oppressed as the protagonist Harry Griswold, possess the ability to totally revamp their lives into something meaningful and worthwhile. And indeed, it is the brilliantly woven script (by freshman writer Robert Koffey) that keeps the plot taunt and titillating, steeped in rich metaphors and symbolism. For example, during the initial kabuki transformation sequence after the goons have shot up the theater and the explosions have gone off, the main character can be seen frenching an old guy and then eating some worms. This is a perfect microcosm for the greater ideas that directors Michael Hurtz and Lloyd Kaufman feel we need to come to grips with in our own lives- suffer embarrassment and pain to feel redemption. Thank you, noble angels. I only hope your genius-work finds a receptive audience in the vapid teenage wasteland of suburban America.