Seargeant Kabukiman

Sgt. Kabukiman NYPD is one of my favourite Troma movies. In fact, it's one of my favourite cult movies - full stop. Lloyd Kaufman and Michael Herz really hit a home run with this opus. Rarely have either of these great men been responsible for something so lovingly crafted or effortlessly winning.

In my opinion, Sgt. Kabukiman NYPD proves once and for all that Kaufman and Herz are highly skilled filmmakers, not the hacks they promote themselves to be. These men should be feted at film festivals around the world as film gods instead of being reduced to approaching perverts in public toilets for funding. This film is extremely accomplished. The direction is stylish, the pacing is brisk and the action sequences are well staged. Moreover, the film is startlingly original, seamlessly blending action, fantasy, horror, comedy and kabuki.

The quality that sets Sgt. Kabukiman NYPD apart from many Troma films for me is its sense of whimsy and good natured humour. This is possibly the funniest movie Kaufman and Herz have ever made. Much of this is due to Rick Gianasi. Gianasi is by no means a great actor, but his charismatic yet clueless persona is perfect for the role of Harry/Kabukiman. Harry's transformation into Kabukiman and his encounters with Reginald's henchmen are hilarious and visually impressive. It takes a unique mind to come up with death by chopsticks and sushi paper. The special effects are great, with the emphasis being placed more on humour than gore. The scene in which Kabukiman is flattened by a truck never ceases to make me laugh.

Kaufman and Herz not only created a great hero in Kabukiman, but also an excellent sidekick in Lotus. Susan Byun plays the role with a po-faced sincerity that is hysterical. I also found the romance between Kabukiman and Lotus strangely endearing. Forget those losers balancing on the end of the boat in "Titanic", the most romantic moment in cinema history is Kabukiman flying over New York City with Lotus on his back (that is before he gets airsick and hurls). The flying scenes deserve a special mention, this is the kind of B-grade special effect that got me hooked on cult movies for life.

Sgt. Kabukiman NYPD is a very special film, which I would recommend to anyone. Cult movies have rarely been so original, entertaining and lacking in pretension. It is surely time for Lloyd to start pimping out Mr Herz in order to raise funds for the sequel.

I recently watched the Troma Entertainment classic Sgt. Kabukiman NYPD (1991) on Tubi. The storyline follows an NYPD officer who unexpectedly becomes the "good chosen one," aka Kabukiman. Meanwhile, a group of local crime lords is in the process of summoning the "bad chosen one." Can Kabukiman stop them, or will he be outmatched by his arch-nemesis?

This film is co-directed by Michael Herz and Lloyd Kaufman, who also teamed up on The Toxic Avenger, and stars Rick Gianasi (Mutant Hunt), Susan Byun (Deadly Target), Bill Weeden (Psycho Ape), and Joe Fleishaker (Trashtastic).

Like most Troma films, this is one where you need to shut your brain off and just enjoy the ride. Absolutely nothing in this movie is meant to be taken seriously-the acting, dialogue, and situations are completely over the top. The opening kill scene is hilarious, there are some wild shootouts, the park fight is amazing, and the clown chase is genuinely funny. I also enjoyed the use of tigers and the unique camera angles. There are several laugh-out-loud moments, and the narration and soundtrack fit the tone perfectly. Even the transformation scenes are surprisingly well done, and Susan Byun (Extramarital) is stunning.

In conclusion, Sgt. Kabukiman NYPD is a fun, brainless action comedy that's a blast if you know what to expect. I'd rate it a 7/10 and strongly recommend it for those in the right mindset.

After The Toxic Avenger trilogy, Troma presents this comedy with a new superhero that parodies elements of kabuki and Japanese culture. Sgt. Kabukiman is a bizarre fun that has the cartoonish humor of Troma. The film is an authentic cartoon made with real humans that offers several delirious and nonsensical moments that seek to make the viewer laugh. Like The Toxic Avenger, the concept is a parody of superhero cinema and what it offers is something that does not seek to be taken seriously. Like many Troma films, this film has no good acting, no solid script, no character development, and everything is nonsense. It's a comedy that delivers guaranteed laughs and manages to do that without the need to be an excellent movie. That makes it an enjoyable film to watch and Kabukiman has already become an iconic character along with Toxie. The soundtrack has its interesting side as it is based on the opera Madame Butterfly and the Kabukiman song is unforgettable. Perhaps the battle with the evil being should have been more hesitant because the design of that creature is out of this world. Sgt. Kabukiman is another of Troma's bizarre films that promises laughter and guaranteed entertainment. My final rating for this movie is a 7/10.

I was very surprised by this flick.

The first Troma flick I saw was Terror Firmer, which was just wall to wall sex and violence. Not that that's a bad thing.

With Kabukiman, however, the sex and gore is reduced considerably, and a lot of the humour is quite witty ("Nice dissolve, huh?"), with only a bit of gratuitous nudity(If it wasn't for the attempted rape bit this film could've got away with a 12 rating) and cartoon violence. I really enjoyed this movie, and it definitely makes my all time favourite list.

There are few artistic achievements that our race as a whole have produced, especially in the field of motion picture, that truly resonate within our psyche, leaving us profoundly altered. This film, Sgt. Kabuki Man, NYPD, is one of those achievements. It is a pure lancet of truth and hope that slices through the gossamar chains of society's current state of disrepair, a beacon in the fog for lost souls to reclaim there lives. Using the classic Joeseph Campbell idea of 'hero' and 'quest', this novel script shows that anyone, even one as societally dominated and oppressed as the protagonist Harry Griswold, possess the ability to totally revamp their lives into something meaningful and worthwhile. And indeed, it is the brilliantly woven script (by freshman writer Robert Koffey) that keeps the plot taunt and titillating, steeped in rich metaphors and symbolism. For example, during the initial kabuki transformation sequence after the goons have shot up the theater and the explosions have gone off, the main character can be seen frenching an old guy and then eating some worms. This is a perfect microcosm for the greater ideas that directors Michael Hurtz and Lloyd Kaufman feel we need to come to grips with in our own lives- suffer embarrassment and pain to feel redemption. Thank you, noble angels. I only hope your genius-work finds a receptive audience in the vapid teenage wasteland of suburban America.