Nach dem Tod ihrer Adoptiveltern nimmt eine erfolgreiche junge schwarze Optikerin Kontakt zu ihrer leiblichen Mutter auf - einer einsamen weißen Fabrikarbeiterin, die in Ost-London in Armut ... Alles lesenNach dem Tod ihrer Adoptiveltern nimmt eine erfolgreiche junge schwarze Optikerin Kontakt zu ihrer leiblichen Mutter auf - einer einsamen weißen Fabrikarbeiterin, die in Ost-London in Armut lebt.Nach dem Tod ihrer Adoptiveltern nimmt eine erfolgreiche junge schwarze Optikerin Kontakt zu ihrer leiblichen Mutter auf - einer einsamen weißen Fabrikarbeiterin, die in Ost-London in Armut lebt.
- Für 5 Oscars nominiert
- 36 Gewinne & 47 Nominierungen insgesamt
Jane Mitchell
- Senior Optometrist
- (as June Mitchell)
Keylee Jade Flanders
- Girl in Optician's
- (as Keeley Flanders)
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I'm flabbergasted to read comments from the US complaining about the awful accents in "Secret and lies". Hey, people, you're 'merkans, and this language is supposed to be you mothertongue, it ain't mine, and I can nevertheless cope, so what ?? Has Hollywood's cliché-ed accents eroded your capacity to understand other ones that just happen to be real in the UK ? How d'you think Brits, Aussies and Kiwis cope with 'merkan accents then ? Yet US films are the same problem to them ! Come off it, panning a movie just because one is too lazy to make a little effort in concentration ia a wee tad unfair ! "Secret & Lies" is an excellent movie, great acting, and well, Timothy Spall and Brenda Blethyn are good in there because they sound real, because ther accents may not be that smooth to some ears, but they do add credibility to their characters.
BTW, a good few Brit movies on DVD happen to have english subtitles for the hard of hearing, the feature could be a help into getting used to those weird accents 60 million people across the Pond happen to have...
BTW, a good few Brit movies on DVD happen to have english subtitles for the hard of hearing, the feature could be a help into getting used to those weird accents 60 million people across the Pond happen to have...
It took a second viewing of Mike Leigh's 'Secrets and Lies' to reveal the depth of its genius. I love character-driven drama, and this film succeeds in creating indelible portraits. Even the social worker is quirky and memorable instead of just furthering the plot and being patently sympathetic.
I could write quite a lot about Blethyn's riveting performance. How drained she must have been after sustaining a character who seems always at the height of emotional pressure. Opposite her, Jean-Baptiste seemed as cool and smooth as could be. The contrasts created by these personae even extended to costume and decor.
I decided to watch this movie again because after a BBC Shakespeare binge I wanted to see everything Ron Cook has been in. And while the Stuart scene is really somewhat incongruous to the rest of the family plot, Cook's scene as the bitter, drunk 't****r' works for me perfectly. So do the scenes of photo sessions -- and it's a matter of observing this film in terms of clarity of personal vision. The occupations of photographer and optometrist seem to lend metaphors of spirituality -- for Maurice, the ability to see people as they are, and for Hortense, the ability to understand how others see the world. The wall of smoke that Cynthia and Roxanne seem to keep in front of them. The disparity between the images created for the formal portraits and the truth of the personalities in them. In a distinctly un-sappy way, Leigh has explored the old adage that "the truth will set you free."
If one reads a paragraph describing the main plot -- the adopted child seeking out her birth mother -- a very clear idea of a movie-of-the-week story comes to mind. 'Secrets and Lies' is nothing like that, and shows a mastery of vision and a cast of great talent. My roommate agreed, saying he thought this was one of the best films he's seen this decade.
I could write quite a lot about Blethyn's riveting performance. How drained she must have been after sustaining a character who seems always at the height of emotional pressure. Opposite her, Jean-Baptiste seemed as cool and smooth as could be. The contrasts created by these personae even extended to costume and decor.
I decided to watch this movie again because after a BBC Shakespeare binge I wanted to see everything Ron Cook has been in. And while the Stuart scene is really somewhat incongruous to the rest of the family plot, Cook's scene as the bitter, drunk 't****r' works for me perfectly. So do the scenes of photo sessions -- and it's a matter of observing this film in terms of clarity of personal vision. The occupations of photographer and optometrist seem to lend metaphors of spirituality -- for Maurice, the ability to see people as they are, and for Hortense, the ability to understand how others see the world. The wall of smoke that Cynthia and Roxanne seem to keep in front of them. The disparity between the images created for the formal portraits and the truth of the personalities in them. In a distinctly un-sappy way, Leigh has explored the old adage that "the truth will set you free."
If one reads a paragraph describing the main plot -- the adopted child seeking out her birth mother -- a very clear idea of a movie-of-the-week story comes to mind. 'Secrets and Lies' is nothing like that, and shows a mastery of vision and a cast of great talent. My roommate agreed, saying he thought this was one of the best films he's seen this decade.
This is a lovely, small film with beautiful performances by Brenda Blethyn and Marianne Jean-Baptiste. It is filled with comical moments that balance out some of the heavier parts of the film. My heart went out to the two lead characters as they struggled to make sense of the mutual bond unearthed by Ms. Jean-Baptiste's character. At once confused, hurt, shocked and afraid, Ms. Blethyn is completely convincing in her role. I was moved by her decision to enter into a relationship with this woman whom she had never before met. Perhaps the fact that Ms. Blethyn and Ms. Jean-Baptiste had never been introduced prior to the scene in which their two characters meet added to the realism of that moment. And Ms. Jean-Baptiste's portrayal of a woman who is surprised by her discovery and not a little disappointed was dead-on, as is her dogged determination to get what she came after.
If you are searching for a movie brimming with action, special effects, and/or blockbuster stars you need to pass this over. But if you are in the mood for a film that offers winning performances and an entertaining storyline that grows out of human interaction, this is the one you're looking for! "Secrets & Lies" is a gem of a movie!
If you are searching for a movie brimming with action, special effects, and/or blockbuster stars you need to pass this over. But if you are in the mood for a film that offers winning performances and an entertaining storyline that grows out of human interaction, this is the one you're looking for! "Secrets & Lies" is a gem of a movie!
I wish the USA had a director like Mike Leigh. His movies are amazing. "Secrets & Lies" traces the pain we often hold inside along with our secrets and the catharsis that can come by revealing them. Lives of quiet desperation within a family gradually find healing in this movie about adoption, children and the walls we build around ourselves for protection. There is a poignant metaphor in the brother Morris' career as a photographer, as his subjects attempt to cover the stories in their faces long enough to smile for the camera. This is an intense movie but it is not without beauty and hope.
The way Leigh weaves a story here - no screenplay, just tell the actors what the scenes are supposed to do, give them an outline, but don't give away the punch line or the ending - shows up in the final print. This is cinematic magic, with Blethyn turning in one of the most breathtaking performances ever seen on the silver screen. The transformation into Cynthia Purley is total. Study especially the scene in the cafe in Holborn - story has it these two principals had not met before shooting this scene, and the scene goes on forever, and puts incredible demands on both actors, especially Blethyn, who is simply unreal in her abilities. All do a great job here. This is not a light comedy. It will tear at you, thanks in part to the evocative music, but at the end you will go 'wow' and feel good for having seen it.
Wusstest du schon
- WissenswertesTo add a spontaneous effect to the performances, Mike Leigh met with each actor individually and only told them what their character would know at the beginning of the film. As filming progressed the actors were hearing the secrets for the very first time.
- PatzerA statement of Hortense's suggests that her family comes from Barbados, and a stamp on a letter among her adoptive mother's papers is almost identifiable as Barbadian on my DVD, but when she puts on a West Indian accent in one scene, apparently imitating her mother, it sounds like broad Jamaican or generic "West Indian", certainly not Bajan, which is a very distinctive accent. However, her decision to playfully mock her mother by using a generic accent may have been intentional.
- SoundtracksHappy Birthday to You
Words by Patty S. Hill & Mildred J. Hill (as Mildred Hill)
© Keith Prowse Music Pub Co. Ltd./EMI
Sung by the family at Roxanne's birthday party
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Secretos y mentiras
- Drehorte
- Junction of Whitehouse Way and Hampden Way, Southgate, London, England, Vereinigtes Königreich(Roxanne and Paul sit at the bus stop)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 13.417.292 $
- Eröffnungswochenende in den USA und in Kanada
- 60.813 $
- 29. Sept. 1996
- Weltweiter Bruttoertrag
- 13.417.292 $
- Laufzeit2 Stunden 16 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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