Ein Jahr nach der Ermordung ihres Bruders wird eine Teenagerin von einem neuen Killer terrorisiert, der es auf das Mädchen und ihre Freunde abgesehen hat und Horrorfilme als Teil seines tödl... Alles lesenEin Jahr nach der Ermordung ihres Bruders wird eine Teenagerin von einem neuen Killer terrorisiert, der es auf das Mädchen und ihre Freunde abgesehen hat und Horrorfilme als Teil seines tödlichen Spiels einsetzt.Ein Jahr nach der Ermordung ihres Bruders wird eine Teenagerin von einem neuen Killer terrorisiert, der es auf das Mädchen und ihre Freunde abgesehen hat und Horrorfilme als Teil seines tödlichen Spiels einsetzt.
- Auszeichnungen
- 12 Gewinne & 11 Nominierungen insgesamt
- Phone Voice
- (Synchronisation)
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It was written in a way that deceived and tricked and had you jumping out of your seats but also laughing at the paradoxical black humour. For anyone looking for a good horror film with a twist, you won't find a better one than Scream.
Overall I give it 9.5/10
The plot of `Scream' is very simple: a masked knife-wielding maniac is busy stalking the students of High, killing them off one by one. The killer's inordinately obsessed with one girl, Sidney Prescott (Neve Campbell), who of course gets involved in the quest to unmask the killer. The catch (in case you don't already know it), though, is brilliant. Everyone in the film is familiar with all the slasher film conventions. They know that you shouldn't walk in the woods alone at night. They know that having wild sex is an unwritten invitation to be hacked to pieces. They know not to say things to each other like `I'm going outside for a cigarette; I'll be right back.' -- such statements are virtual death warrants. One of the best examples (and best characters) of this is Randy (Jamie Kennedy), the film-obsessed nut of the film, who actually goes so far as to muse what `real' actors and actresses should play the other characters in the film, going so far as to joke about who gets to be Tori Spelling. All the dumb conventions of slasher films are pulled out of the shadows, exposed for what they really are . . . and then, some of them get used anyway, because the characters willingly choose to ignore those conventions. Some cliches are thrown away, while others are embraced. `Scream' really turned the horror/slasher film genre on its ear, becoming the first truly suspenseful and exciting slasher film in many, many years simply because it suddenly had a million new avenues to explore. The film's self-awareness allowed to move in brand-new directions . . . and suddenly, scenes that used to be predictable in other slasher films suddenly become incredibly intense in `Scream'.
Director Wes Craven was perfect for this film -- as director of slasher classics like `Nightmare On Elm Street', he easily sets the visual feels and style of film to perfect evoke all the slasher films of yore . . . and then, much like `Scream's' script, chooses to either faithfully follow the tried and true, or to go off in competely unexpected directions. Either way, Craven manages to create a lot of absolutely nail-biting, thrilling scenes. He also doesn't hold back with the gore, which is always a plus in great slasher films. The acting ranges from barely mediocre to good -- Neve Campbell's okay as Sidney; Courtney Cox is pretty good as tart-tongued reporter Gail Weathers; Jamie Kennedy rules as Randy the film geek; and David Arquette is utterly bland and forgettable as Deputy Dewey Riley, the sad-sack policeman. But casts in slasher films don't particularly matter anyway; the good ones are all about suspense, terror, and gore. And in `Scream', Wes Craven provides massive amounts of all three of those criteria.
The irony is, `Scream' spawned dozens of imitators, and by spawning imitators, all the new avenues opened up by `Scream' quickly got old and boring once more. Still, purely on its own merit, it's an excellent film. The best slasher film of all time is still John Carpenter's `Halloween', without question, but `Scream' actually runs a close second. It's well worth watching. Grade: A-
It's also a hard film to criticize, because the answer to almost every complaint (e.g. the actors playing high school kids all look like they're well into in their 20s) can always be 'but that's the whole point, it's always that way in these movies'. But one thing that does annoy me that isn't so easily shrugged off is that the cast seem to be in a number of different movies. Skeet Ulrich, for example, brings a surprising amount of realism and depth to his character, while Courtney Cox as an 'I'll do anything for a story' reporter plays a cartoon of a cartoon. This isn't of issue of 'good' versus 'bad' acting, but it does make figuring out just what the tone of the film is, more muddy than it needs to be.
Probably the best thing about 'Scream' is it knows when to BE best. The opening and closing 15 minutes are the two strongest sections of the film, so if the middle is a little all over the place and sometimes repetitive, and a little more obvious in it's humor, that's not what you walk away remembering.
In the small town of Woodsboro two teenagers (Drew Barrymore and Kevin Patrick Walls) are shockingly murdered, a year after a woman was raped and murdered in the town centre. Very quickly the town is thrown into turmoil, with the media reporting on it, but the teens do not seem to be worried. The killer, known as Ghost-face soon targets another Sidney Prescott (Neve Campbell), the daughter of a victim, who luckily escapes. But Ghost-face is going to rest and goes on a mission to take down Sidney and anyone who stands in his way.
Scream works because it is set in a world where horror movies do exist and teenagers know clichés. It is a self-aware horror film and has a lot of references to classic horror films like Halloween. Scream is forced to be inventive and Craven who is a master of the horror genre, so knew what he was doing with this film.
Even if Scream was not made with a post-modern, self-aware horror with a comic edge, it still would have been an excellent horror film and one of the best slashers around. Craven and Williamson made sure their characters were fully developed, likable or at least normal. Sidney is a character with a lot of a baggage because of her mother's death and afraid to get close to people. She is a likable because is a friendly, smart, decent girl who is also tough. Sidney's friend Tatum (Rose McGowan) was tough no-nonsense girl who could have easily been the clichéd slut role, but that was avoided because she was a good friend and competent. Courteney Cox plays a unpleasant journalist who cares more ratings and book sales more then safety of people and emotional harm. She is not a journalist who is looking to report the truth or for the public interest. But she does come good at the end. The characters of Randy (Jamie Kennedy) and Stuart (Matthew Lillard) offer a lot of comic relief particular because of their knowledge of horror films. And David Arquettte is solid as a competent police officer who has a typical brother-sister relationship with Tatum.
Cavern made sure Scream was exciting with a lot of action, violence and creative deaths. I particular like his technique of using the camera to follow the victims and move it around the house, adding excitement and intrigue. He knows how to build suspects and he does keep you guessing. I don't get scared watching horror films but you do care for Sidney and the idea of being home alone at night can make you more tense.
I do have a criticism. They does not seem to be much of a reaction at the school hearing about two of their peers being brutally murdered. Most people seem to be very causal about it and saw it as something fun, not worried about a serial killer being on the loose or just saw it as an excuse for a party. Come on, if they was a murder in a small town there would be more sadden, grief and worry. Personally I would have focused on this collective reaction, but I am a more serious person and possibly would have a thriller/a social piece.
Overall, Scream is certainly a worthy horror film, no manner what generation of horror fan you are.
Who Almost Starred in 'Scream'?
Who Almost Starred in 'Scream'?
Wusstest du schon
- WissenswertesThe party scene near the end of the film runs forty-two minutes long. It was shot over the course of twenty-one days from the time the sun set to the time it rose. After it wrapped, the crew had t-shirts made that read "I SURVIVED SCENE 118" (which was the name of the scene during shooting). The cast and crew jokingly called it "The longest night in horror history."
- Patzer(at around 34 mins) When Gale is attempting to enter the police station with Kenny the cameraman, she is stopped by a police officer and is heard saying "Hey watch the hand, do you know who you're dealing with here?!" But her mouth isn't moving.
- Zitate
Stu: Did you really call the police?
Sidney Prescott: You bet your sorry ass I did.
Stu: [starting to cry] My mom and dad are gonna be so mad at me!
- Crazy CreditsHenry Winkler, who played Principal Himbry, was asked to go uncredited because the producers did not want to detract any attention from the younger, lesser known actors.
- Alternative VersionenGerman DVD/VHS releases by VCL/MAWA were offered in two versions: the uncut 'Not under 18' version and a cut version which misses 4 minutes and has a 'Not under 16' rating.
- VerbindungenEdited into What Happened to Her (2016)
- SoundtracksDon't Fear The Reaper
Performed by Gus Black (as Gus)
Written by Donald Roeser
Courtesy of Sony/ATV Tunes LLC
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Scream. Grita antes de morir
- Drehorte
- 1820 Calistoga Road, Santa Rosa, Kalifornien, USA(Sidney's house)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 14.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 103.046.663 $
- Eröffnungswochenende in den USA und in Kanada
- 6.354.586 $
- 22. Dez. 1996
- Weltweiter Bruttoertrag
- 173.046.663 $
- Laufzeit
- 1 Std. 51 Min.(111 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1