Robinson Crusoe

What we sometimes call "classics" are nothing more than irrelevant museum pieces. Defoe's "Robinson Crusoe" is such a novel. Yes,it gives us a very literate, often compelling glimpse into another time and places... and that has it's place. But a movie is another thing. There is nothing going on in the novel except a white "Bwana" walking along the beach with his black lackey, Friday, shuffling along, shading him with an umbrella, listening to Crusoe talk about his white God. How boring is that. The writer raised the question: what if Friday was a warrior with his own god who happened to be an alligator. Ah... there's some conflict. And without conflict there is no movie, no story. Defoe's novel is a nice little journal. The movie brings life, instensity, raises questions about Friday's origins (his family) the meaning of a friendship and fills out a drama that never existed in the original.

At the risk of repeating what others have already written, this movie is not the same "Robinson Crusoe" that Daniel Dafoe wrote. While some might question whether this matters, I think it is fair, at the very least, to complain that it falsely presents itself as being something it isn't. I rented this movie to see an adaptation of Dafoe's novel, which this isn't. Lest I leave the impression that the film's "artistic license" is my only complaint, though, I should mention that this isn't a very good movie by any measure. I guess they tried to punch up the book by adding romance, conflict, and action scenes that could best be described as a curious mix of the A Team and MacGyver. Suffice to say, there are better ways for viewers to spend their time and money. 3 out of 10.

This is a condensed (only 90 minutes!) film version of the ageless classic, with lots of modifications though. I give kudos to the impeccable work of the actors, and directing and editing seem to work equally well for a very nice entertainment experience.

However, as soon as I start comparing this version to the original book, I feel an immense let-down as so many things have been changed (I won't give a list because it would be just way too long). I liked the look of Robinson's island a lot, and all the buildings and mechanical contraptions were nicely designed. But for the most part, the plot was just *too* smooth, leaving out most of the meditative moments and the setbacks that the "original" Robinson experiences in the book. For such a compact film version of the long book, some cuts had to be made, though.

I won't give away the ending, but it was a) way too different from the book and b) way too brief, it even felt forced to some degree. There's lots of nice scenery, however. So there are much worse ways to kill off 90 minutes...

A mediocre adaptation stars Pierce Brosnan: Robinson Crusoe , telling the well-known story of how a Brit becomes stranded on a desert island . As Robinson escaping from England aboard a ship , after killing a man .Then , a wreckage happens and Robinson washes at a mysterious island .There he frees a native , William Takaku , who is nicknamed Friday .

So-so recounting about the classy castaway novel with the loner Robinson who meets his pal Friday , retelling their adventures and unfortunes . While sticking some incidents close to original tale , others are utterly fictious. Being narrated under his point of view . The picture has nothing to do with the classic original by Daniel Defoe , taking freely parts here and there ; but where are the thrills and chills? . The movie relies heavily on the relationship between Robinson and Friday , charting the peculiar treatment the native receives of the civilized man ; as Robinson teaches English language to the escaped native until evil slave traders spoil the fun . Pierce Brosnan gives a passable acting as the distressed castaway stranded on a deserted island and he tries to civilize the proud native Friday . It boasts a good secondary cast with very brief interventions from notorious secondary actors such as Polly Walker , Ian Hart , Damian Lewis and James Frain. The motion picture produced by Robert Halmi and was regularly directed by George Miller : The man from snowy river , Zeus and Roxanna , Aviator , Neverending story 2 , and by Rod Hardy , a Tv usual filmmaker : Mentalist , Librarians , Supernatural , Covert affairs , Mental , Doll house , X files and occassionally for cinema : December boys , Two for Texas , Over the hill, Thrist.

Other retelling of this prestigious novel are the following ones : silent version 1927 narrated by Don Carney . Mr Robinson Crusoe 1932 with Douglas Fairbanks . Robinson Crusoe of mystery island 1936 by Max Wright . Robinson Crusoe by Luis Buñuel with Dan O'Herlihy .Sci-fi interpretation of Defoe classic titled Robinson Crusoe on Mars , 1964 , by Byron Haskin with Adam West . British rendition titled Man Friday 1975 by Jack Gold with Peter 0'Toole , Richard Roundtree .Robinson Crusoe and the Tiger 1972 by Rene Cardona with Hugo Stiglitz . Castaway by Nicolas Roeg with Oliver Reed . Robinson Crusoe TV series 2008 with Philip Winchester , Sam Neill

When will Hollywood learn to be faithful to timeless classics. The producers of this hap-hazard adaptation of the timeless classic had the audacity to include references to Daniel Defoe in both the title and the film itself - why then did they not stay true to his classic story?

From the very first to the very last, this films strays so far from the novel that i am surprised they can even retain the title.

Stick to the book, or any of the other adaptations of the tale - but stay well clear of this version.

I believe that the only way to enjoy this version is to watch it without ever reading the novel - but even then that's quite a stretch.