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Zwielicht

Originaltitel: Primal Fear
  • 1996
  • 16
  • 2 Std. 9 Min.
IMDb-BEWERTUNG
7,7/10
264.032
IHRE BEWERTUNG
BELIEBTHEIT
306
44
Richard Gere in Zwielicht (1996)
Trailer
trailer wiedergeben2:28
6 Videos
94 Fotos
Legal ThrillerPsychological ThrillerCrimeDramaMysteryThriller

Ein Ministrant wird beschuldigt, einen Priester ermordet zu haben, und die Wahrheit liegt mehrere Schichten tief vergraben.Ein Ministrant wird beschuldigt, einen Priester ermordet zu haben, und die Wahrheit liegt mehrere Schichten tief vergraben.Ein Ministrant wird beschuldigt, einen Priester ermordet zu haben, und die Wahrheit liegt mehrere Schichten tief vergraben.

  • Regie
    • Gregory Hoblit
  • Drehbuch
    • William Diehl
    • Steve Shagan
    • Ann Biderman
  • Hauptbesetzung
    • Richard Gere
    • Laura Linney
    • Edward Norton
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,7/10
    264.032
    IHRE BEWERTUNG
    BELIEBTHEIT
    306
    44
    • Regie
      • Gregory Hoblit
    • Drehbuch
      • William Diehl
      • Steve Shagan
      • Ann Biderman
    • Hauptbesetzung
      • Richard Gere
      • Laura Linney
      • Edward Norton
    • 426Benutzerrezensionen
    • 73Kritische Rezensionen
    • 47Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 10 Gewinne & 12 Nominierungen insgesamt

    Videos6

    Primal Fear
    Trailer 2:28
    Primal Fear
    Primal Fear
    Trailer 2:29
    Primal Fear
    Primal Fear
    Trailer 2:29
    Primal Fear
    Primal Fear
    Clip 0:59
    Primal Fear
    Primal Fear
    Clip 0:46
    Primal Fear
    Primal Fear
    Clip 0:44
    Primal Fear
    Primal Fear
    Clip 0:54
    Primal Fear

    Fotos94

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    Topbesetzung55

    Ändern
    Richard Gere
    Richard Gere
    • Martin Vail
    Laura Linney
    Laura Linney
    • Janet Venable
    Edward Norton
    Edward Norton
    • Aaron…
    John Mahoney
    John Mahoney
    • Shaughnessy
    Alfre Woodard
    Alfre Woodard
    • Shoat
    Frances McDormand
    Frances McDormand
    • Molly
    Terry O'Quinn
    Terry O'Quinn
    • Yancy
    Andre Braugher
    Andre Braugher
    • Goodman
    Steven Bauer
    Steven Bauer
    • Pinero
    Joe Spano
    Joe Spano
    • Stenner
    Tony Plana
    Tony Plana
    • Martinez
    Stanley Anderson
    Stanley Anderson
    • Rushman
    Maura Tierney
    Maura Tierney
    • Naomi
    Jon Seda
    Jon Seda
    • Alex
    Reg Rogers
    Reg Rogers
    • Connerman
    Kenneth Tigar
    Kenneth Tigar
    • Weil
    Brian Reddy
    Brian Reddy
    • Woodside
    Christopher Carroll
    • M.C.
    • Regie
      • Gregory Hoblit
    • Drehbuch
      • William Diehl
      • Steve Shagan
      • Ann Biderman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen426

    7,7264K
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    Empfohlene Bewertungen

    8Maverick1962

    My first opportunity to comment on a film

    Riveting courtroom drama, starring Richard Gere, with occasional flashes of action. New to me faces that impressed are Laura Linney and Edward Norton, both of whom give outstanding performances against the ever reliable Gere, a sometimes underated star actor.

    Kept me on the edge of my chair throughout. One of the best of the courtroom genre films that I have seen.

    A coherent script, well directed and edited, leaving me guessing to the end, with a really neat twist in the final stage. Excellent.
    9jjnxn-1

    Exceptionally good all around

    If you want to see excellent acting in the service of an involving well told story this is a good place to start. Across the board there is not one weak performance. Gere has one of his very best roles as a fame loving attorney who chases a headline case that is more than he bargained for. He and the Laura Linney spar and parry both in and out of court with wonderful brio, she is his equal even if he is loath to admit it and the actress's personal strong persona fits the role perfectly. In a star making performance Edward Norton grabs his part by the throat and runs with it, a brilliant job and one that marked him as a true talent to watch. Each secondary roles is filled with top drawer character actors-Frances McDormand as an understanding therapist, Maura Tierney and Andre Braugher as Gere's assistants and on and on all deliver quality work. Alfre Woodard deserves special mention as the no nonsense slightly cantankerous judge who tipples a little on the side. She takes what could have been a throwaway part and makes her both memorable and humorous. A little overlong you won't notice so good is the acting and once it gets going the story keeps the interest level high.
    9disdressed12

    stunning performance by Edward Norton

    this is one of the best murder mystery,psychological suspense films i have ever seen.this thing will keep you riveted and guessing right down to the end.this movie belongs to Edward Norton,who plays an alter boy accused of murdering a priest.this is an early film with Norton,in fact his first feature(big screen)film.his talent is undeniable even back then(1996).there a lot of layers to this movie and a lot going on.there are also a lot of plot twists and some red herrings(false clues)to help lead you to the wrong conclusions.Richard Gere is also in the film and he does good in his role,as does Laura Linney in her role.but like i said,this is an Edward Norton film.the success of the movie hinges on his performance.he delivers in a big way,so the film succeeds.i don't think you can go wrong with this film.i urge you to check it out.for me "Primal Fear" is a 9/10
    8inkblot11

    Gere is wonderful, Norton is astounding in a spellbinding tale of secrets and lies

    Martin (Richard Gere) is a very successful attorney in the Chicago area. However, his workaholic and limelight-seeking tendencies ruined one relationship with an underling (Laura Linney). Now comes the case of all cases. The archbishop of Chicago has been brutally murdered and the suspect is an innocent looking vagrant named Aaron (Edward Norton). Martin decrees that he MUST represent Aaron so he offers the young man his services pro bono, knowing the publicity for the trial will place them both squarely in the news for weeks and weeks. Yet, there is much evidence against Aaron. Despite his stuttering and guiltless demeanor, is Aaron truly not the killer? And, what is more important, justice or winning a case? This is a great, great movie, in many diverse ways. First, the performances are outstanding, with Gere giving a fine turn as the hotshot lawyer and Norton truly jawdropping as the murder suspect who looks like a choirboy. Linney does a nice turn as the district attorney and the other cast members are very well chosen, too. The Chicago setting shows the place as it is, a mixture of both wealthy and dismally poor neighborhoods. Costumes, especially Gere's lawyer garb, are very nice. Then, too, the script, based on a novel by William Diehl, is first rate and full of twists and turns, with a stunning maneuver at the finale. There are a few brief scenes of graphic violence, as the murder itself comes quite near the film's beginning, so there may be moments when you need to look away from the screen, if you are a bit squeamish. Also, if you are Catholic, there may be some parts of the story that are a bit offensive. But, all in all, if you love Gere or you long for interesting, intelligent thrillers, you should not miss Primal Fear. Why don't you speed off toward the video store and pluck this winner from the shelves tonight?
    9bkoganbing

    The Smartest Guy In Town

    Although Richard Gere has one of his juiciest roles in Primal Fear, the best performance by far is that of Edward Norton who got the film's only Oscar nomination for Best Supporting Actor in a stunning debut picture. It's the kind of debut that any player would like to make and the trick is to keep up a high standard you've already set for yourself. Which Norton to his credit certainly has in his career.

    But as to Gere he plays Martin Vail, a top criminal defense attorney who will let everyone know it if they haven't figured it out. It's a tricky part because a guy this arrogant has to maintain some kind of surface likability or else you'd never believe he'd ever win a case in front of a jury. As for movie viewers they must have a rooting interest for him as well. But Gere's definitely a guy who they make lawyer jokes about.

    A young altar boy has murdered the archbishop of Chicago, a mush mouth kid with a Kentucky twang played by Edward Norton. He's part of a choir of street kids that the Chicago archdiocese shows off on many an occasion. It was a particularly brutal murder, multiple stabbings and the carving of a cryptic message in the chest of the deceased.

    Gere makes no bones about it, he's wanting this case because of the headlines it will bring him. But when F. Lee Bailey or Johnnie Cochran offers to defend you for nothing, you don't ask questions.

    Which brings us to Norton who has you might have gathered is not all he seems. He's a street kid and he's used to getting over on people himself. It's one of the darkest characters ever done on screen, maybe a bit too dark for Academy tastes. That might have been the reason that Cuba Gooding beat out Norton for Best Supporting Actor with his much lighter role in Jerry Maguire.

    One in this film you will notice are Laura Linney as the Assistant District Attorney who Gere was once involved with and is getting a lot of pressure to bring in a guilty verdict for understandable political reasons. I also liked Alfre Woodard as the very patient judge at Norton's trial and Frances McDormand as the psychiatrist who examines Norton.

    If you think you've figured out what's behind Primal Fear, rest assured you haven't from this description. Let's just say everyone gets good and played here.

    Which brings to mind the dedication for this review. Gere's attorney character is likable, but arrogant. Back in the day I knew an attorney who was arrogant without any real reason for the arrogance. He'd love to have been Richard Gere, I'm sure he saw himself that way. So to you Ron D'Angelo this review is dedicated to.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      This is Edward Norton's motion picture debut.
    • Patzer
      (at around 1h 19 mins) It is stated by several characters that a plea cannot be changed mid trial. However, it is entirely possible to change a plea before sentencing.
    • Zitate

      [last lines SPOILER]

      [while in a holding cell in the back of the courthouse]

      Roy: Mr. Vail?

      Martin Vail: Yeah?

      Roy: [stammering] Will you t-tell Miss Venable I'm sorry? Tell her I hope her neck is okay.

      Martin Vail: Yeah... I will.

      [begins walking away, then turns back]

      Martin Vail: Wait... What did you just say? What? You told me just a few minutes ago that you didn't remember. You blacked out. You "lost time" yet again. So, how do you know about her neck?

      Roy: [slow clapping sardonically; sneers] Well... good for you, Marty. I was going to let it go at that. You was looking so happy just now. I was thinking, hmmm God. But to tell you the truth, I'm glad you figured it out, because I have been dying to tell you. I just didn't know who you'd wanna hear it from, you know? Aaron or Roy... or Roy or Aaron. Well, I'll let you in on a little secret. A sort of a client-attorney-privilege type of a secret, you know what I mean? It don't matter who you hear it from. It's the same story.

      [stammering as Aaron]

      Roy: [in a southern accent] I j-j-just... had to kill Linda, Mr. Vail.

      [normal voice as Roy]

      Roy: That cunt just got what she deserved. But... cutting up that son of a bitch Rushman? That was just a fucking work of art.

      Martin Vail: You're good. You are really good.

      Roy: Yeah. I did get caught, though, didn't I?

      Martin Vail: So there never... there never was a Roy?

      Roy: Jesus Christ, Marty. If that's what you think, I am disappointed in you, I don't mind telling you. There never was an Aaron... counselor! Come on, Marty! I thought you had it figured, there at the end. The way you put me on the stand like that? That was fucking brilliant, Marty! And that whole thing like "act-like-a-man"? Jesus, I knew exactly what you wanted from me. It was like we were dancing, Marty!

      Martin Vail: Guard!

      Roy: [as Vail walks away] Oh come on, don't be like that, Marty. We did it, man. We fucking did it! We're a great team, you and me. You think I could've done this without you? You're just feeling a little angry here, because you started to care about old Aaron, I can understand that, but... you know, love hurts, Marty. What can I say? Hey, I'm just kidding, bud! I didn't mean to hurt your feelings! What else was I supposed to do? Hey, you're gonna thank me down the road, because this is gonna toughen you right up, Martin Vail! You hear me? That's a promise!

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Sgt. Bilko/Jack and Sarah/A Family Thing/Carried Away/From the Journals of Jean Seberg (1996)
    • Soundtracks
      Introitus: Cibavit Eos
      by William Byrd

      Performed by The Voices of Christ Church Cathedral Choir

      Conducted by Stephen Darlington

      Courtesy of Nimbus Records

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 20. Juni 1996 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Spanisch
    • Auch bekannt als
      • La raíz del miedo
    • Drehorte
      • Chicago, Illinois, USA
    • Produktionsfirmen
      • Paramount Pictures
      • Rysher Entertainment
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 30.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 56.116.183 $
    • Eröffnungswochenende in den USA und in Kanada
      • 9.871.222 $
      • 7. Apr. 1996
    • Weltweiter Bruttoertrag
      • 102.616.183 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 9 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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