Ein Präsident für alle Fälle

I just finished watching this movie on Netflix and I really enjoyed. I started watching it because I thought it was a historical movie but I was wrong and I'm happy about it. First of all I know Dan Aykroyd from many movies including Driving Miss Daisy. And of course I know Jack Lemmon from Grumpy and Grumpier Old Men. I also know James Garner from The Ultimate Gift. These three are very great actors in their own way and this movie was perfect for all three. But to me it did get a little confusing right around the middle but when the ending happened it cleared it all up. I suggest if your looking for a movie to watch but don't know which, go to Netflix and watch My Fellow Americans!

When this film first came out, the trailers did not interest me in the least. I actually avoided seeing it so as to avoid seeing two cool actors make asses out of themselves (in a bad way). The film was rather poorly marketed, in other words. It looked like Beavis and Butthead with two old guys (in a bad way).

In other words, I'm glad this was the film shown on an Amtrak train a few years back. I think I was laughing harder than anyone else in my car. Frankly, I think a few jokes sailed over people's heads. I remember in particular that the hilarious mispronunciation of "facade" by Dan Ackroyd's clueless VP didn't merit a titter. A few people looked at me oddly when I laughed at it.

This isn't brilliant film-making, mind you. It's simply a vehicle for a lot of very talented comic actors to have fun with some ripe material. It may dip into preachiness now and again, but that is always redeemed ASAP by an entertaining round of rapid-fire bickering.

On an aside, I have to say that I've been in love with Lauren Bacall since I saw The Big Sleep for the first time. It was great to see her in this and even greater to see that she still has a knack for the sharply delivered one-liner. Also, for someone born in the 20s she looks amazing. You heard me right. At 82 years, Lauren Bacall is still hot. Bogie was a very lucky man.

"My Fellow Americans" boasts a well-crafted and quite funny script about two former presidents and longtime political rivals who must team up to expose a criminal scheme in which the sitting chief executive is implicated. Along the way, their efforts result in numerous farcically-staged attempts on their lives. That the screenplay works quite well in political thriller terms, with dramatically satisfying plot twists throughout, is rewarding enough; it's so much icing on the cake that the accompanying gags are equally strong, making this one of the most facile blends of suspense and comedy since the films of Colin Higgins. The screenplay's considerable entertainment value -- particularly for a political junkie -- is enhanced and brought to its full potential by solid direction and cutting, as well as the unassailable professionalism of a first-rate cast. The on screen chemistry and formidable comic timing of Jack Lemmon and James Garner as the former presidents, in their first and only screen pairing, is delightful, and thankfully so: one or both dominate almost every scene in the film. They receive equally expert support from Lauren Bacall, demonstrating her rarely-exploited talent for comedy; Dan Aykroyd in an uncharacteristically restrained performance; and the always-solidly professional John Heard, as well as an extraordinarily sharp supporting cast studded with many familiar faces -- such as Wilford Brimley ("China Syndrome"), Sela Ward, and Esther Rolle of "Good Times" fame -- though not all are necessarily household names. Any lover of political satire or action-oriented farce will find this film's running time to be time well spent, and C-SPAN addicts -- provided that they have a sense of humor about their passion – will be richly rewarded.

So many professional actors, so much sophomoric humor. You gotta love it.

"My Fellow Americans" features Jack Lemmon and James Garner as ex-presidents on the run when they discover a cover-up with the present Chief of Staff (Dan Aykroyd) in the middle.

This isn't a movie anyone's going to take seriously, and well they shouldn't. There are lots of moments here that will elicit a laugh or two, maybe three. And what plot there is whizzes by at such a fast pace that there's more time to concentrate on the guffaws.

Lemmon and Garner play their parts as you'd expect. That they go the dumb route is no surprise; in fact, it makes their presence here all the more entertaining. Aykroyd basically plays the heavy here, so there's no real chance for him to generate any laughs. A shame, since he's usually so good at that.

Then there's the fact that real gems like Bacall and Brimley and Ward are just given throw-away parts; it's good to see them, of course, but you'd figure they'd have more to do (especially Bacall!!).

Kudos, though, to John Heard as the dim-witted Vice President. Some of the biggest laughs in this movie (for me) came from him. His eulogy at the funeral scene early in the movie always makes me laugh out, as does his pithy observations such as "Hey, a hat!". Beats me why he isn't in more movies.

As I said, the laughs are there, and if you demand nothing more from a comedy than to laugh, you'll want to do your political duty and rent "My Fellow Americans" - the one movie that insults both parties equally.

Seven stars, plus one extra for putting up an excellent "fakade".

In the 1990s there were a slew of films in which Jack Lemmon and Walter Matthau appeared together. The first two were GRUMPY OLD MEN, and it's sequel GRUMPIER OLD MEN, both of which had good box office. Then came THE GRASS HARP, which is technically one of their joint films, but is actually a dramatization of a fine novel by Truman Capote that had an excellent ensemble cast, and that only had one scene with the two actors together. OUT TO SEA was another Lemmon and Matthau romp, and finally came THE ODD COUPLE II, which was a weak (but amusing) sequel.

Technically, between THE GRASS HARP and OUT TO SEA there was to be this film. It was to star Matthau as a Democratic ex-President, whose one term in office was following the one term of his rival, Republican ex-President Lemmon, and both would be followed by Republican incumbent Dan Ackroyd. But Matthau could not be in the film, presumably due to health problems. Instead, his role was filled in by James Garner. Although one likes watching the chemistry of Matthau and Lemmon in their comedies, the substitution of Garner is probably for the best. Garner's character is like Bill Clinton or John Kennedy, a ladies' man type. In fact, his wife is divorcing him during the film (we only see her briefly when he is elected President). Somehow Matthau could not have fit that type of role.

The 1990s also saw several pictures that tackled the problems of the Presidency. The best of these was THE American PRESIDENT, wherein Michael Douglas tries to balance his job's duties, with his performance ratings, and his falling in love with a woman whose political agenda can be used to bash him (Annette Benning). There was also DAVE, which was a variation on an old Akim Tamiroff film THE MAGNIFICENT FRAUD, wherein a double (KEVIN KLINE) finds he must continue to play the role of the President when the President (who is corrupt) has a devastating stroke. There the double finds himself falling in love with the First Lady (SIGOURNEY WEAVER - who reciprocates), and fighting an unscrupulous, power-hungry chief of staff (FRANK LANGELLA). MY FELLOW Americans fits in with this pair of films in continuing the trend.

Lemmon wins his term as President by defeating his Democratic rival Garner. But four years later Garner defeats incumbent Lemmon. But four years after that Garner is defeated by Lemmon's former Vice President Ackroyd. In the third year of his term, Ackroyd is told by his chief of staff, Bradley Whitford (ironically a member on the television series THE WEST WING currently), that a major financial scandal involving Ackroyd is about to be revealed, and will finish him politically. Ackroyd and Whitford decide to kill the scandal by framing Lemmon for taking the bribes involved. But Lemmon is tipped off about the scandal by news reporter Sela Ward (seeking an exclusive), and Garner learns of it from Democratic Party head Wilfrid Brimley (and encouraged to check into it with the possibility of being renominated for the Presidency again). When the key man in the scandal is shot and killed by a rogue CIA man (Everett McGill, in an exceptionally good, creepy performance), the lives of the two ex-Presidents are in danger. They are forced to join forces to prove Ackroyd's perfidy. They are also forced to confront each other and their own failings.

The reason the film works is it forces the audience to think of what is wrong with the political system. The initial ten minutes, with it's rapid turnover of one term Presidents, mouthing the typical clichés, reminds us that our leaders (with rare exceptions) rarely do more than protect their political hides by not doing anything that would really rock things. This is similar to the situation in THE American PRESIDENT where Douglas will not confront his Republican rival, Richard Dreyfus, who is questioning the influence of Benning on the President's policies, and who is willing to make a deal to pass some cosmetic, worthless "crime bill" instead of tackling the pro-gun lobby.

In MY FELLOW Americans the moment of truth is when both ex-Presidents learn that their mediocre policies cost a nice family their job and their home. Garner finally shows how fed up he is, towards the end, when he tells Lemmon that he is sick of thinking of how little he really accomplished in the four years he was President, and how he wants to demolish Ackroyd's corrupt administration because it is what the starry eyed believers of Democracy expect their Presidents to do.

The cast was quite in the film, but one wishes Lauren Bacall had had more scenes with Lemmon (her husband in the movie), and that Esther Rolle had been in a few more scenes as the White House cook. But otherwise it is a good Garner/Lemmon comedy, even though it was to have been a Matthau/Lemmon film.