Maachis

Maachis depicts the true situation of the Punjab in India today. The story explains how common people are turned into terrorists by the corrupt policing system. The story revolves around one man's revenge against an unofficial police state due to his friend being arrested and beaten to the brink of death. He leaves his home and finds by chance (the only coincidence in the film) people who have had similar experiences to him. There are only three songs in the film which makes the film extremely watchable to non-indian viewers, as generally this figure could easily be doubled in a bollywood movie. Overall a very well made and truthful movie.

This film should be re-released in the light of the Nanavati commission findings (2005). Though I do not justify the action of the characters in this film, directed by one of the well-known lyrist and director Gulzar, this reflects the magnitude of corruption in bringing the perpetrators of the 1984 riots to justice.

Above all, this film is one of Vishal Bharadwaj's earliest hits as a music director (yes, the same man who has made "Makdee", "Maqbool" as a film director) His music score blends very well with the story, screenplay... especially the natural scenic shots of the mountains of Kashmir and Punjab.

All the songs are hummable; one can easily understand the implications of the lyrics and the tenor of the musical beats.

Maachis (matches) is one of the most realistic Hindi film I have seen and I must say the film is engrossing from the very first frame. Gulzar saab is one of the greatest filmmakers of his time and his artistic ability are not to be doubted here as well. The way he has handled most of the scenes in this film is really mind blowing. Maachis is one of the few films where the narrative is of secondary importance while the performances of the actors are the primary focus. I never liked Tabu until I saw Maachis and I was assured that this girl is not just merely an eye candy in films, she was really irritating in Sajaan Chale Sasural. Chandrachur Singh has given his career best performance as Kripal Singh before sinking into oblivion. Jimmy Shergill was good. Om Puri and Kulbhushan Kharbanda are excellent. Raj Zutsi was also good. Some scenes like the brutality of the policemen who use the anti- Sikh insurgency only as an excuse to beat innocent people up really shock you. The climax is explosive and leaves you to ponder on the aftermath of the 1984 anti-Sikh insurgency. A brilliant movie with wonderful performances and a strong story. A must watch!

Made on the pathetic political situation in Punjab state of India, this is an excellent movie to watch. Though hampered by Sensor boards narrowmindedness, it is an almost cruel depiction of the reality of Punjab.

Gulzar's 'Maachis' depicts the tension and terror in Punjab post the 1984 riots. During this period tension exacerbated as terrorist actions took place and alleged suspects were tortured and murdered during fake encounters. 'Maachis' follows Kripal and Veera as circumstances force them to walk the path of crime. Poet that he is, Gulzar's storytelling is lyrical and this effectively highlights the harsh irony and tragedy of the situations. Not for one moment does the story feel unreal.

The sets and costumes look authentic. The landscape is brilliantly captured. The cinematography is superb. Manmohan Singh makes efficient use of the camera as he alters between various techniques such as long shots, static and hand-held. Vishal Bharadwaj's score (that includes Gulzar's own lyrics) beautifully contributes to the film.

The performances are topnotch. Om Puri, Raj Zutshi, Kulbhushan Kharbanda, Suneel Sinha and Jimmy Shergill are excellent. Chandrachur Singh is very good. But, it is Tabu who steals the show with a transcendent heartbreaking performance. Even in the simpler moments, like a particular scene during the song 'Paani', within seconds her face subtly changes from smile to tears and it looks so natural.

1996 saw at least four other such cinematic treasures in the form of Shyam Benegal's 'The Making of the Mahatma', 'Sardari Begum', Mahesh Bhatt's 'Tamanna' and Sanjay Leela Bhansali's 'Khamoshi: The Musical'. During a time when Bollywood was churning out trash, few directors like Gulzar, would give us some gems. I wish he would make a comeback like Shyam Benegal.