Al Pacino's Looking for Richard

Al Pacino brings Shakespeare to the common man in this documentary exploring the complexities of Richard III. If you can get past the insinuation that the "every day ordinary man (or woman)" is too slow to understand the intricacies of Shakespeare, you are left with quite an interesting, entertaining film. I have to be honest and say that many people do find Shakespeare a little bewildering, and tackling Richard III, one of his deepest, confusing plays, is no easy task. Therefore, let down your guard, and let the actors and scholars give us their interpretation of this most fascinating play. I found much irony in this simple effort, which made the film all the more enjoyable. In telling us of a story of a man, who wants so badly to become king as to betray all those he knows and loves, we learn the story of a singular, power hungry man, with an urge to rule his people. In his own admission, Pacino himself is on a quest to be the ultimate monarch of his own film, and tell us all, us commoners, the true meaning of this classic work. Whether or not the parallel is intentional, I don't know, but it still makes for interesting story telling. And the ultimate irony of all is that some of the deepest and most intelligent quotes come from interviews with Joe Q. Public; the man on the street.

Like Ian McKellen's unconventional RICHARD III, this film brings us into Shakespeare in an unusual and effective way. Al Pacino gathers a number of well-known non-Shakespearian actors and they not only stage several of the more important scenes in the play, but they also discuss the meaning of the scenes and the motivations of the characters. These discussion act as a prelude to the scenes and thus make the scenes not only much clearer but also far more powerful than the traditional productions in which the audience may be lost in the dusty old politics that saturate the play. See this one before you see any of the more traditional versions.

Who would have thought that an Italian from New York City could play Richard the 3rd. ? Al Pacino is marvellous as he searches the stage and beyond for the true Richard the 3rd. Kevin Spacey, Winonna Ryder, and Alex Baldwin are just some who join him in the journey as he wonders the streets of New York and London for the true love of Shakespeare.

To me, "Looking for Richard" is about one man's love of Shakespearean plays. This film is his vehicle to share that admiration with as many people as possible. I'm glad Mr. Pacino made this film, because he is so well-respected by such a wide variety of people, that his presence will draw them first to this film and then hopefully to the theatre.

I found the film extremely interesting. If you're at all interested in theatre, you'll enjoy watching the cast debate during rehearsals. It gave me a greater insight into what's involved in actually putting on a play. Usually, you just see the finished product, and they make it look so easy. I was relieved to learn from the film that the actors and directors struggle with the text of the plays too. So you don't have to feel bad if you don't understand all the dialogue - you will get the gist of it. The film is simply urging people to give Shakespeare another chance. You might like it, or you might not, but at least you'll have given it a shot. And if you do like it, it'll keep you busy for years.

Since most people are initially exposed to Shakespeare in high school, I imagine that's where their phobia originates. I had an English teacher who was passionate about Shakespeare, and he instilled that appreciation in me. Unfortunately, everyone isn't as lucky. Boring classes turned them off, and that's all they'll ever experience of Shakespeare. They are missing so much. I hope all the English teachers out there who are less than comfortable with teaching Shakespeare will show this film to their classes to counteract any Shakespeare phobia-inducing incidents.

Looking for Richard frames the essential postmodern question in its own terms: Is this a film about Richard III, or is this a film about a film about Richard III? Cameras follow Al Pacino as he wanders New York, sometimes on foot, but more often in the back of a limousine. We're not sure what he's doing, except it has something to do with Shakespeare's play Richard III. There are rehearsals with familiar actors, and actual performances, some seemingly on stage, some on sets, some on location, all of it interspersed with discussion about the play. Is the play actually to be staged, or is it all a show for the film? We don't know, and really, it doesn't matter. For the most part, this is a pleasant meditation on its subject.

Pacino has chosen a treacherous path: on one side stands the dauntingly complex Shakespeare play, and on the other the patronizing attempts to simplify it for the modern audience. There were several times when I felt talked down to by the actors, but just as many where I felt I benefited from the expanded explanation. Also, with Pacino so vibrantly at the center of every scene and little attention given to others, the film unavoidably has the flavor of a vanity project.

What the film does convey effectively is the power of theater to transport people intellectually and emotionally. The contrast between Pacino's stuttering attempts to summarize certain plot points and his magnificent animation as Richard is fascinating. Like the story (possibly apocryphal) about how Picasso, when asked to explain the meaning of one of his paintings, replied that if he could do that, he wouldn't need to paint, even inarticulate actors possess remarkable powers when inhabiting their roles. This insight was the film's central revelation for me.