IMDb-BEWERTUNG
5,7/10
21.605
IHRE BEWERTUNG
Ein Geschworener in einem Mafia-Prozess muss die anderen Geschworenen davon überzeugen, einen brutalen Gangster für nicht schuldig zu erklären.Ein Geschworener in einem Mafia-Prozess muss die anderen Geschworenen davon überzeugen, einen brutalen Gangster für nicht schuldig zu erklären.Ein Geschworener in einem Mafia-Prozess muss die anderen Geschworenen davon überzeugen, einen brutalen Gangster für nicht schuldig zu erklären.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Empfohlene Bewertungen
This movie is enough to recommend on the strength of the acting from Moore, Gandolfini, and especially Alec Baldwin but it is a shame that some of the excesses and superfluousness (especially the unsatisfying escapade in Guatemala) could not have been cut out. Instead of more action it would have been interesting if the ethical aspect of a compromised juror (albeit unwillingly) could have been explored in the spirit of 12 Angry Men. Anyway, this movie still rates a 7/10 on the strength of some undeniable suspense and very strong acting especially from Baldwin.
I thoroughly enjoyed this movie and am at a total loss as to why it scored such a low vote. I guess these days a movie just can't be a big hit unless it has lots of fancy special effects and sex scenes. 'The Juror' has a strong, easy to follow plot and some really great acting; Alec Baldwin's role was terrifyingly real! I'm no fan of Demi Moore, but she played her part very well. And the kid that played her son was equally great -- I remember him from the TV series 'Third Rock from the Sun' and always liked him. To anyone thinking of renting this flick, I say pay no attention to the naysayers and go for it!
Obviously aimed for those who love the John Grisham type of thriller, THE JUROR has all the elements for a suspenseful film about jury tampering amid the trial of a Mafia boss, but doesn't quite reach its full potential. Perhaps the climactic showdown in Guatemala is where the story really runs into trouble finding a proper conclusion.
DEMI MOORE remains rather detached in her role as a young woman who is approached by ALEC BALDWIN for seemingly innocent purposes, when it turns out that he is actually someone called "The Teacher" assigned to get her to sway the others on the jury to vote for an acquittal.
He's so menacing (and Baldwin does "menacing" as well as any method actor available), that she reluctantly does her best to persuade the jurors to change their votes. Fortunately, these lamebrains have no capacity for thinking because it seems the lawyers have done an excellent job of finding the dumbest panel imaginable. But the story doesn't end with Moore influencing the verdict. That's just the beginning of even more peril for her.
It's the kind of film that works up to a point. But once the plot deals with further issues, it really gets out of hand. MOORE gives one of her less impressive performances, barely looking like a damsel in distress at any point. However, it's ALEC BALDWIN who makes the deepest impression with his sadistic villainy. He's never been one of my favorite persons (off the screen) but I have to admit he can play lowlifes with the best of them.
It's an average thriller, too lengthy for its own good and with an ending that should have been rewritten to make it more believable.
DEMI MOORE remains rather detached in her role as a young woman who is approached by ALEC BALDWIN for seemingly innocent purposes, when it turns out that he is actually someone called "The Teacher" assigned to get her to sway the others on the jury to vote for an acquittal.
He's so menacing (and Baldwin does "menacing" as well as any method actor available), that she reluctantly does her best to persuade the jurors to change their votes. Fortunately, these lamebrains have no capacity for thinking because it seems the lawyers have done an excellent job of finding the dumbest panel imaginable. But the story doesn't end with Moore influencing the verdict. That's just the beginning of even more peril for her.
It's the kind of film that works up to a point. But once the plot deals with further issues, it really gets out of hand. MOORE gives one of her less impressive performances, barely looking like a damsel in distress at any point. However, it's ALEC BALDWIN who makes the deepest impression with his sadistic villainy. He's never been one of my favorite persons (off the screen) but I have to admit he can play lowlifes with the best of them.
It's an average thriller, too lengthy for its own good and with an ending that should have been rewritten to make it more believable.
This is an A list cast with matching performances. The story is run of the mill but it works. The right level of nastiness, tears, agony, despair and surprise. This is Baldwin in his prime.
I've just watched this again and know for definite that it sits around a rating of 7 without doubt. I can only assume the lack of shootouts and explosions has meant it gets a lower score. But this is a solid 7 and I do recommend it.
I've just watched this again and know for definite that it sits around a rating of 7 without doubt. I can only assume the lack of shootouts and explosions has meant it gets a lower score. But this is a solid 7 and I do recommend it.
Excellent: Demi Moore, cinematography. The suspense-parts are generally well done, for example where it is not clear whether the boy on the bicycle will be killed or not.
General plot: Unfortunately the genre where the good person does nothing right and the bad person does nothing wrong. And innocent friends also get killed in the process. Then suddenly in the last 5 minutes the good person amasses incredible logistics and action, and the bad guy dies. Better would have been some more intellectual input throughout the film from the heroin, such as that she gradually finds out where he hid microphones, and realises that he has her address list, and so warns her friends what is going on.
General plot: Unfortunately the genre where the good person does nothing right and the bad person does nothing wrong. And innocent friends also get killed in the process. Then suddenly in the last 5 minutes the good person amasses incredible logistics and action, and the bad guy dies. Better would have been some more intellectual input throughout the film from the heroin, such as that she gradually finds out where he hid microphones, and realises that he has her address list, and so warns her friends what is going on.
Wusstest du schon
- WissenswertesThis film features both James Gandolfini and Michael Rispoli playing mob/ underworld figures. Three years later, Gandolfini and Rispoli would appear together in HBO's acclaimed mafia series Die Sopranos (1999) with each actor portraying the boss of the DiMeo crime family at varying times. When casting the series Sopranos' creator David Chase almost gave the lead role of Tony Soprano to Rispoli before finally giving it to Gandolfini.
- PatzerJurors are sequestered, especially in high-profile cases where members of organized crime are involved, in order to avoid juror tampering.
- SoundtracksThe Sidewinder Sleeps Tonite
Written by Bill Berry (as William Berry), Peter Buck, Mike Mills & Michael Stipe
Performed by R.E.M.
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products
Top-Auswahl
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Details
Box Office
- Budget
- 44.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 22.754.725 $
- Eröffnungswochenende in den USA und in Kanada
- 8.411.178 $
- 4. Feb. 1996
- Weltweiter Bruttoertrag
- 22.754.725 $
- Laufzeit
- 1 Std. 58 Min.(118 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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