Independence Day

I don't usually comment on this, I don't like to portray a movie as being good or bad just on my opinion, as everyone has their own tastes and needs when it comes to cinema. But god damn, why do so many people hate this film.

Firstly, this is not a serious film, it has never happened nor will it ever. This film is just damn good fun to watch...the explosions, the suspense, the cheesy one-liners...its not trying to tell you that aliens are coming to blow the s**t of of us...its entertainment. To all the people here that have said this is the worst movie ever...you guys need need to watch more movies, because if this is the worst movie ever then im Santa clause! To put it simply, this is 2 and a half hours of fun filled, edge of the seat (occasionally have a laugh) action...and nothing else.

Why cant people just enjoy a independence day for what it is (as mentioned above)...not why its improbable etc etc etc we all know that duh! This film is entertaining, full stop!! and thats all its supposed to be.

This is a very entertaining movie for sure. I think this is a good line to begin with, because from a movie perspective I see it as a big old B film, hehe... But I enjoyed the movie from start to end, even with all the clichés, the americanish touch, the sometimes laughable dialog. This is a movie where you just turn your brain off, and just enjoy the fun ride it is, and root for the humans, and especially the Americans (:p) to win over evil!...

The movie I must say has a lot of memorable moments... A lot of them comes from the great special effects. I remember when watching this as a kid, I was woved by the effects, and they still look pretty good to this day! So to end it all, if you are a movie viewer who watches movies for character development, clever dialog, etc. This movie is not for you. If you just want a good time, and a good feeling after watching a movie, I recommend this very much! Thanks for reading, and have a great day!

Independence Day is the sort of film that's best appreciated on a big screen, preferably a massive great plasma television that is so huge you had to cut the roof off your house and get airlifted in by helicopters just to get it in the living room. You should also have the most state of the art surround sound possible, with bass pickups so deep they cause earthquakes on the Eastern seaboard. Not because Dean Devlin and Roland Emmerich's alien invasion flick is a masterpiece of cinematic art or anything, but because it's loud. Very loud. And if the windows in your house don't shatter when the spaceship flies over New York then well, you're just not experiencing it properly.

Taking the 1950's invasion narratives and pro-tooling them for 90's audiences, Independence Day is an absolute blast of visual flare and gung ho heroism. The plot is so straightforward as to be superfluous (aliens invade, fights ensue) but even so, it remains an invigorating watch purely because of the spectacle it provides. Back in 1996, the sight of that giant blue laser tearing apart lower Manhattan made jaws drop and while it's unlikely to do the same to today's overstimulated audiences, it's still an incredible visual feast. What's more, the ensemble cast makes it surprisingly unpredictable - we all know that the aliens will be defeated at the end, but what isn't so obvious is which characters are going to be alive to see it. Except for the kid and the dog. They're relatively safe bets.

Watching it now though, it does possess a cheerful naivety in the face of world politics. After all, this was 1996, the Cold War was over and 9/11 a long way off, so the entire world uniting against a common foe without being bogged down with petty arguments and personal agendas still seemed believable. Hell, even the gun-toting Arabs that briefly appear on screen are more than happy to rally behind Uncle Sam in the name of freedom. That's right folks, it's an Americans Save The World movie, complete with a snapshot of British officers drinking tea in the desert and waiting for those silly yanks to get a bally move on and show us what to do.

Needless to say, this is blockbuster entertainment through and through. The aliens are apparently here to strip mine the planet of all her natural resources, but they're quite happy to put that off for a bit in order to blow things up for the entire running time. Fans of in-depth characterisation, intelligent story telling and emotional engagement with the protagonists are wasting their time, but if you want to watch tourist attractions, jet planes and space craft exploding for three hours, you can't really go wrong. That business about a computer virus bringing down the mother-ship is a bit daft though, not once did they try switching everything on and off again.

Giant, hostile, alien spaceships appear overnight to move on Earth's natural resources; humanity's last, desperate hope is a shaky plan involving a captured UFO from the 1950s and an old PowerBook laptop. Seems like this one was a guilty-pleasure classic from opening day. ID4 isn't well-written and constantly bathes itself in dense layers of cheese, but it tries hard, most the character arcs connect and the big special effects hold up quite well, despite their age.

For a movie that's so thoroughly reliant on spectacle, that last point is pretty important. The power of watching the White House or Empire State Building burst into a billion bitty pieces is still there, irresistible, while the magnitude of the invading fleet remains immense, and I think both can be attributed to the production's choice to eschew then-new CG techniques in favor of a large, intricately detailed stable of miniatures. We get a few hiccups, like the obviously green-screened fighter jets or the absurd visual of a golden retriever leaping to slow-motion safety through a fiery inferno, but for the most part it all looks great and it's still easy to get sucked into the experience.

Of course, the whole thing is over-acted to death. Roland Emmerich has never been one to bring out nuance from his cast, and this is an awfully shallow effort, even by his standards. Bill Pullman nails the big motivational speech, set to a telegraphed swell of patriotic symphony, but otherwise lacks conviction as a limp, reactive PotUS. Randy Quaid is a cheap xerox of every alien abduction stereotype to ever enter pop culture. Jeff Goldblum is naturally quirky enough to make his role worthwhile, but it takes every bit of his innate charismatic magnetism to overcome the dumb plot developments. Will Smith is the only unequivocal success, barking and fist-pumping his way to bonafide action hero status in a simple but essential role as a beefy marine / pure force of will.

From a critical perspective, this is cinematic junk food. Big bangs and shiny lights to dazzle the box office crowd, with a few easy jokes to lighten the mood. But yet, there's something else to it, something essential and inexplicable. It's just raw, simple fun, I suppose, that makes no apologies for how it acts or what it aims to be. It won't make you think or weep, but you'll feel, and that's worth something.

I wonder why Arthur C. Clarke wasn't given a nod for the idea of the scene seems to have come directly from 'Childhood's End'. I haven't read all the reviews, but it seems some points have not been addressed; for example, world unity. The world is so divided by ideologies, language, beliefs, economic conditions, currency, etc. that it would take a world-wide threat (like an alien attack or another black plague) to unify all the people. This film, shallow as it is in other respects, illustrates that. Also, this film was 'centered' in America, so the film makers naturally concentrated on America, with 'cameos' of members of other countries. I resent being told that 'the worst part of the movie was America' (see above comment about divisiveness, negativism and just plain rudeness). Obviously, I am American, but I have Swedish and English (and other) roots. I consider myself a citizen of Earth. The Earth, this little blue planet is my home. So, let's try to take that phrase 'think globally' seriously. I rather liked the movie with it's humor and special effects (I guess I'm easily entertained), and my wife always cries at the sad parts. Movies are like beauty - in the eye and ear of the beholder. It's easy to find fault with things, but much harder to find the good, the higher ground, the motivation. That's why it's easy to be a critic! Makes you wonder what kind of movies the reviewers rave over...