Wenn Lucy springt

Essentially, I found this movie meaningless. Even though I do like Sarah Jessica Parker, Joe (played by Eric Schaeffer) seemed like an unnecessary jerk. He who has been watching through a telescope supermodel Elle MacPherson, suddenly becomes turned off by her when she admits to having fantasized about him. Dissapointing ending.

I saw this in the movies. I think it was the one and only time in my entire life I've fallen asleep in public. But that might have been my date. Either way, this movie was terrible. Now, I've seen it again. It wasn't just age or what was going on with my life - or who I was with. This is a terrible movie. The two lead characters who are supposed to be best friends are mean to each other and do not communicate clearly. Joe, the lead "male" and writer of the movie, dresses like a girl - complete with headband and dresses and leggings. In fact, he dresses like a little girl in the 1980's. The lead woman, played by SJP, who I can never hate, is just not likable. Nor does she make sense. One second she likes Ben Stiller's pointless character, the next she's rolling her eyes at him like the rest of us. The base story is interesting and one of my favorites, I won't spoil what that is, but suffice it to say there was plenty of potential. This movie doesn't carry it off. The editing is bad - but perhaps that's mostly the fault of a shallow script and unlikeable characters. The actors can't be faulted. They do their best with virtually no material.

...to Eric Schaeffer, but he's not the leading man type. He's a decent actor, writer, and director, but should stick to acting parts that fit his persona. The handsome, desirable leading man is not his strong suit.

Beyond that, the movie is predictable. We knew the ending right from the beginning. It is an inoffensive, puff piece of a movie, easily forgotten once it is over.

The only slightly interesting part is seeing Scarlett Johansson in one of her earliest roles. Beyond that, there's nothing original here.

"If Lucy Fell" tells of a man and woman who have known each other since childhood, live together platonically, and are both single and looking for love unsuccessfully. Hmmm...what do you suppose is going to happen??

Schaeffer's shot at telling this old no-brainer in "If Lucy Fell" doesn't distinguish itself in any way and though it has it's moments they are few and far between. The film has many deficits with the most obvious being the lack of sincere sentiment and the usual gushing emotional crescendo at the end. What sentiment there is seems forced and awkward. A so-so little indie romcom which is watchable but not recommendable. (C)

Platonic best friends and roommates Sarah Jessica Parker (a New York City therapist bored with her clients) and Eric Schaeffer (a struggling artist who also teaches art to kids) are frustrated over their lackluster love lives and recall a pact they made years before: if they're both without partners at the age of 30, they will jump off the Brooklyn Bridge together. Romantic comedy alternates between being jaded and sentimental; it has flashes of satirical wit--but only flashes. Parker doesn't have much of a character here; perhaps sensing this, she compensates for the lack of substance by doing silly bits of business (stretching, giggling, making faces). The most natural performance in the film is turned in by Elle Macpherson as Schaeffer's dream girl; the role is an enigma, but Macpherson's offhand appeal and easy manner gives this fantasy figure some personality, whereas Parker is stuck in a vacuum. Ben Stiller overdoes his small part as a celebrity artist and a young Scarlett Johansson turns up as one of Schaeffer's students (looking like a pint-sized Lolita). Schaeffer, who also wrote the screenplay and directed, runs hot and cold as an actor; wearing funny hats and talking in different rhythms, he doesn't overplay or underplay--he's just a goofy mensch, but not a dynamic one like Albert Brooks or Woody Allen. He's careful to give his character some shading, yet all the little quirks--like much of the serious dialogue--are strictly superficial. *1/2 from ****