I Shot Andy Warhol

Lili Taylor plays Valerie Solanas, an educated loose cannon, guerrilla female activist and self-described 'bull dyke', who was taken into custody in June 1968 after shooting and wounding Andy Warhol at his New York City office/hangout The Factory. Good-looking movie investigates a hazy chapter in history, yet leaves some unanswered questions in its wake (I wasn't aware that apparently an assistant was also shot, though the film makes no attempt to explain what happened to him). However, this small-budgeted film captures a decadently apathetic, coolly indifferent time and place quite vividly, as good as any post-'60s movie has yet managed. Taylor is appropriately forceful and ungainly in her role, which is more complex than one might think, and yet hers is the least interesting or intriguing character on display. Stephen Dorff does a pretty terrific job as transvestite Candy Darling, Tahnee Welch is unrecognizable as Warhol's most famous starlet Viva, and Jared Harris is flawless as Warhol (he nails it). Terrific art direction and composition, but the film lags a bit in the narrative department, with Solanas meeting an anti-bourgeois activist which doesn't come to much and has a facetious, puzzling relationship with publisher Maurice Girodias which seems half-baked. **1/2 from ****

If you shoot someone whom others consider "important" I suppose some filmmaker will want to make a movie about you. I can think of no other reason why anyone would want to make a film about Valerie Solanas (Lili Taylor), the spunky, chain-smoking, foul-mouthed, self-centered, lesbian feminist who, in the summer of 1968, shot Andy Warhol (Jared Harris). Warhol was a New York City painter/artist ... or something ... and guru of all things avant-garde, who attracted the chic and the trendy to his New York City "Factory", the center of counterculture pop art.

In the film Solanas, who harbors an enormous grudge against men, comes across initially as assertive and resourceful. She makes a living hustling the streets: "Pardon me sir, you got 15 cents? Pardon me sir ..." On the rooftop of a high-rise she types her S.C.U.M. "manifesto", outlining her complaints against the male species.

But whereas Solanas is passionate about her cause, Warhol is a study in emotional detachment and indifference. He, and those in his orbit, sees Solanas more as a hanger-on. At one point, Solanas shows Warhol her typed manifesto. Warhol flips through it and responds in a deadpan manner: "Did you type this yourself? I'm so impressed. You should come type for us." Marvelous.

The film's best element is the acting. Lili Taylor is terrific. She really gets into the Solanas persona. Jared Harris also gives a splendid performance. The film's tone teeters between seriousness and tongue-in-cheek humor. Costumes, prod design, music, and lighting are all credible.

For modern day feminists, "I Shot Andy Warhol" probably is required viewing. For others, the film offers a cinematic study into the mindset of a quirky, sincere, but ultimately self-deceptive and delusional young woman who got her fifteen minutes of fame by carrying her political cause a little too far.

I Shot Andy Warhol, is based on the true life story of Valerie Solanas, who was a female radical in the 60's and was a lesbian and very against men. She wrote a play and came to New York, with a friend of hers who is a drag queen named Candy Darling to meet Andy Warhol. Valerie, gives Andy Warhol's company (called the factor) her play and soon she comes back and talks to Andy about it and Andy gets her to star in a couple of movies that he directs. Soon, Valerie gets a place and meets a publisher who inspires her to write a novel about her revolution and he plans to publish it. But soon Valerie starts to get paranoid and thinks that Andy Warhol, has to much impact on her life and thinks that he and the book publisher are setting her up so she plans to make herself famous by shooting him. Andy Warhol survived the shooting but died several years later due to complications and Valerie, was sent to a mental hospital and was homeless for quite awhile until she died of pneumonia. Her book SCUM Manifesto, is now published all over the world. Winner of the award for Best Art Direction at The Gijon International Film Festival, The Golden Space Needle Award for Best Actress (Lili Taylor, who plays Valerie Solanas) at The Seattle International Film Festival, The Best Actress Award at The Stockholm Film Festival and the special recognition for Lili Taylor at The Sundance Film Festival. I Shot Andy Warhol, has good direction, a good script, good performances from everybody involved, good original music, good cinematography and good production design. I Shot Andy Warhol, is a fascinating character study and a very interesting film. It shows the many different stages in a time of Valerie's life and it is compelling and played very well by Lili Taylor and all of the other actors. Also being a fan of Andy Warhol, I found the scenes with his factory and underground lifestyles with his films and art to be really interesting as well. This film shows a lot of different lifestyles and gives these characters interesting personalities and gives them good character development. The film is also a good looking film and looks like it probably would have back then. A very entertaining and fascinating look at an interesting person who you might not know of and of someone you do know of.

Lili Taylor, as I think I've said here before, is one of my favorite actresses, but I have to admit I was hesitant about seeing this film, especially when a friend told me he found it overrated. I have a hard time with people who type people in general terms, and this movie seemed, at first, to say "All men are scum." And the opening 15-30 minutes seem to indicate this is just going to be a rant. However, you do gradually get to empathize with all the people involved, and you do get an idea of how things were at that time. Taylor and Jared Harris were fine as Valerie Solanas and Andy Warhol, respectively, but the real surprise for me was Stephen Dorff as Candy Darling. I've never thought much of Dorff, but he really shone through here, refusing to stereotype Candy or inject too much pathos.

On 1968, Valerie Solanas (Lili Taylor) shots Andy Warhol (Jared Harris) and turns herself in to the police. Her reason lies in her anti-male Society for Cutting Up Men (SCUM) manifesto. She was molested as a child. She attended University of Maryland from 1954 to 58 where she developed her theory of the superiority of women. She prostituted herself and became a lesbian. Homeless in 1966 NYC, Valerie and friend Stevie (Martha Plimpton) meet transvestite Candy (Stephen Dorff). Candy is invited to Warhol's Factory. Valerie tags along hoping to get Warhol produce her play. Valerie meets avant-garde publisher Maurice Girodias while doing her aggressive panhandling.

Lili Taylor is absolutely amazing. However Valerie's aggressively grating character makes it difficult to fully embrace this movie. There is no real tension. The ending is already shown. It's basically an one-woman show. It goes a long way but for me, it doesn't go far enough for greatness. It's one note played over and over again.