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Guy

  • 1996
  • R
  • 1 Std. 34 Min.
IMDb-BEWERTUNG
6,1/10
605
IHRE BEWERTUNG
Vincent D'Onofrio, Hope Davis, and Kimber Riddle in Guy (1996)
Drama

Füge eine Handlung in deiner Sprache hinzuA young woman with a camera follows a man around to make a documentary about him, something he is not very happy with.A young woman with a camera follows a man around to make a documentary about him, something he is not very happy with.A young woman with a camera follows a man around to make a documentary about him, something he is not very happy with.

  • Regie
    • Michael Lindsay-Hogg
  • Drehbuch
    • Kirby Dick
    • Renée Missel
  • Hauptbesetzung
    • Vincent D'Onofrio
    • Hope Davis
    • Kimber Riddle
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    605
    IHRE BEWERTUNG
    • Regie
      • Michael Lindsay-Hogg
    • Drehbuch
      • Kirby Dick
      • Renée Missel
    • Hauptbesetzung
      • Vincent D'Onofrio
      • Hope Davis
      • Kimber Riddle
    • 11Benutzerrezensionen
    • 2Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos3

    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung10

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    Vincent D'Onofrio
    Vincent D'Onofrio
    • Guy
    Hope Davis
    Hope Davis
    • Camera
    Kimber Riddle
    • Veronica
    Diane Louise Salinger
    Diane Louise Salinger
    • Gail
    • (as Diane Salinger)
    Richard Portnow
    Richard Portnow
    • Al
    Valente Rodriguez
    Valente Rodriguez
    • Low Rider
    Michael Massee
    Michael Massee
    • Mark
    John F. O'Donohue
    John F. O'Donohue
    • Detective
    Lucy Liu
    Lucy Liu
    • Woman at Newstand
    • (as Lucy Lui)
    Sandy Martin
    Sandy Martin
    • Regie
      • Michael Lindsay-Hogg
    • Drehbuch
      • Kirby Dick
      • Renée Missel
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen11

    6,1605
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    Empfohlene Bewertungen

    10bursem

    a movie that makes you think

    This is a great movie, it gave me so much to think about. It provides an insight about feeling safe while you are being watched, in this film it's a movie producer but although it doesn't directly tell it, or maybe it doesn't tell it at all, it could have referring to your parents watching you or why some people believe in god and feel safe with the thought of god watching over them. And the best part is that it doesn't dictate anything, this movie is nearly like a poem, you can understand it in many different ways, and everyone watching it can understand or see something different from it. And the best part is that it has an open ending and you ask yourself what may have happened. I believe the writer knows the human psychology very well.
    4B24

    Neurotic Exhibitionism

    Experimental films are praiseworthy for being just that. In the present instance, however, there is little else to recommend this one.

    Since most films are by nature dramatic, going beyond the commonplace by way of revealing truths requiring vivid action or language, one important measure to be kept in mind is that they are also selective of this or that bit of new or unique presentation allowing us to appreciate the art of the author, the director, or the actors themselves. Just aiming the camera and saying "action" and then allowing the thing to develop sans editing defeats any purpose intended.

    Guy is an example of home video run amok. Moreover it denigrates women in general by featuring a main character whose sole reason for existing seems to be draping his doughy body over every female in sight before vanishing into the mist. It just begs the question to try to justify this cinematic gambit by claiming how "true to life" or deeply introspective it might, as if by accident, be. Second-guessing the experiment, however novel it may at first seem, is not my idea of fun at the movies.
    1dedcat

    as painful to watch as a rectal root canal

    It really bugs me when some lame piece of tripe like this, under the guise of 'art' gets puked up on a screen before me. Pretentious nonsense like this which pretends to be insightful and intelligent tends to ruin the reputation of the few good 'artsy' films that manage to get made. My only hope is that they put MST3K back on the air, so if anybody ever has to suffer through this pain parade can at least have a somewhat enjoyable time.
    9Cervaise

    Complex, Topical, Riveting... and Brutal

    Two years before "Truman Show" hit the screen, this small, little-known production examined similar issues of voyeurism and viewer obsession. Call this the flip side of "Truman Show" -- he KNOWS he's being filmed, and eventually starts to enjoy it in a twisted fashion. Far from the feel-good dynamic of "TS," this is rough, mean, sometimes brutal and perverse storytelling, but it is no less deeply profound because of it.

    D'Onofrio is brilliant, as always. Director Lindsey-Hogg makes the fantastic choice of having "Camera" actor Hope Davis be present for the whole shoot, and the story's dynamic is immeasurably enhanced. Highly, highly recommended for adventurous viewers.
    8surfandski-1

    A serious trip into your own mind.

    i just saw Guy on Sundance and I was completely flatten by it. That someone can make a movie of such impact with just one camera is amazing. Guy also succeeds because Vincent D'Onofrio puts out one Awesome performance as the subject of Hope Davis's camera. I cannot recall any actor putting it all out there like he does in this film. He gets striped of any artifact. You know you are not watching a real person, yet it is really fascinating to watch him, because as the camera follows you know that the ante is going to be raised with each passing hour. The movie is quite visionary in what was yet to come (reality TV). But this is more than that, Guy explores the subject of voyeurism from a complete different angle because this is not just an image of a person, you get the full character with all his pathos, and it pulls you right in as you start analyzing the need to be watched and the value of being watched. The movie is very clever in the interaction between the subject and the film maker. You really want to know more of the woman behind the camera, she speaks very few words and yet the few she says are very revealing. The urgency of certain statements reveals that this is not just a camera rolling, but that the cameraman is fulfilling some deep needs within her. This is not a movie for everyone, it will also get very polarizing opinions, you either love it by its rawness and its power to engage you and suck you into it, or you will find it as boring as following a pedestrian, but if your taste is a bit out of the ordinary watch it.

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    Handlung

    Ändern

    Wusstest du schon

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    • Zitate

      Guy: Sex is healthy, don't you think? And necessary?

      Camera: Why is that?

      Guy: Well, to put up with all this shit around us, y'know? I mean, y'know, it's good to get fucked. That's why when it's really good, people say, y'know, "She fucked my brains out," or "he fucked my brains out." You wanna get your brains fucked out?

    • Verbindungen
      References Out of the Blue (1947)

    Top-Auswahl

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    FAQ17

    • How long is Guy?Powered by Alexa

    Details

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    • Erscheinungsdatum
      • 17. Dezember 1997 (Vereinigte Staaten)
    • Herkunftsländer
      • Deutschland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Tod vor der Kamera
    • Drehorte
      • Los Angeles, Kalifornien, USA
    • Produktionsfirmen
      • Filmstiftung Nordrhein-Westfalen
      • KRRWH Inc.
      • Pandora Filmproduktion
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 4.134 $
    • Eröffnungswochenende in den USA und in Kanada
      • 2.132 $
      • 21. Dez. 1997
    • Weltweiter Bruttoertrag
      • 4.134 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 34 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 1.85 : 1

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    Vincent D'Onofrio, Hope Davis, and Kimber Riddle in Guy (1996)
    Oberste Lücke
    By what name was Guy (1996) officially released in Canada in English?
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