Füge eine Handlung in deiner Sprache hinzuThe boxing champ's promoter thinks change is needed. He finds the one man who's beaten his champ, a white man now in a rock band. Like Rocky, he trains heavily whereas the champ slacks.The boxing champ's promoter thinks change is needed. He finds the one man who's beaten his champ, a white man now in a rock band. Like Rocky, he trains heavily whereas the champ slacks.The boxing champ's promoter thinks change is needed. He finds the one man who's beaten his champ, a white man now in a rock band. Like Rocky, he trains heavily whereas the champ slacks.
- Regie
- Drehbuch
- Hauptbesetzung
- Bambi
- (as Salli Richardson)
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And it's a comedy yet it's decidedly un-funny. Wayans elicits a laugh or two, and Foxx is amusing...but these two guys should be good for non-stop laughs! And Jackson is almost *too* smooth for this role. He's also much too brilliant an actor...he's poorly suited for a role that's not nearly as competent as he is.
All in all: I actually liked this better the second time I saw it (which isn't saying that much). It's more amusing than I remember it to be. But that's still not enough. It's hardly a keeper - with this kind of cast (oh, by the way - nice cameo by Method Man but someone shoot Brian Setzer PLEASE!!!) it could be SO SO SO much better! 5/10.
The casting is the movie's biggest hit; everyone was in the right place. The script is lissome, coming to its point without any elongation. The characters are made in a way that suits the desired in this drollery of a movie. It harmonies smartly, carrying out itself as enjoyable, being an enough compensation from director (Reginald Hudlin) for his previous, real bad, movie (Boomerang - 1992).
It was so good to an extent that forces you to ask why it was that short? Why the gifted supporting actors (Jon Lovitz, Cheech Marin, Jamie Foxx,..) didn't have more on-screen time with more material? Actually, it's not basically a comedy inasmuch as a satire; that could bother some I suppose, since the funniness wasn't as high as the sarcastic criticism, with comic actors around while not making many laughs. However, it said all what (Oliver Stone)'s surely heavier, louder, and longer movie (Any Given Sunday - 1999) stretched and overload, 3 years later, and in focused nice way as well.
(The Great White Hype) is a jest where the substance is itself the surface totally unlike the world it sneered at. It's only imperfect point is that some jests can't be used more than once. So, despite how I liked it, I may find nothing in it to be re-watched again, except for (Damon Wayans) running after the ice cream's van of course!
Finally, do I smell a point of view in the title about how the great hype is "white" in the first place?!
TGWH was funny and entertaining especially if you are a boxing fan. It's particularly funny if you can see certain personalities in the various characters. Reverend Fred Sultan (Samuel L. Jackson) was a Don King type of promoter who was fleecing his fighters. James "The Grim Reaper" Roper (Damon Wayans) was a Mike Tyson type of fighter, almost too dominant. Terry Conklin (Peter Berg) was pretty much every white heavyweight in the 80's and 90's. And all of the rest of the characters, from the entourage, to the challenger, to the various other boxing industry characters--they were all lampoons of the real deal.
As a boxing fan, and as a fan of all of the actors in this movie, I enjoyed it.
Wusstest du schon
- WissenswertesReverend Fred Sultan (Samuel L. Jackson) greets a man with shoulder length black hair and a black suit, with "Hey Vincent, Vincent, where's Jules man?", a reference to Jackson's character in Pulp Fiction (1994).
- PatzerWhen Roper is watching the soap opera, and throws the ring away to watch his entourage chase it, it clearly falls out of the box as it skips on the floor. Yet, when Rollo puts it on, before Roper takes it, he takes it out of the box.
- Zitate
Rev. Fred Sultan: if there isn't a white heavyweight out there for you, I'm going to create you one.
James Roper: [Confused] "white heavyweight?", The words don't even go together, it's like saying "black unity"
- Crazy CreditsWhile walking back to dressing room after fight, Conklin is followed by two little people from his entourage.
- SoundtracksMovin' On
Performed by DJ U-Neek (as D.J. U-Neek) featuring Nyt Owl
Written by Annie Lennox, David A. Stewart (as Dave Stewart), DJ U-Neek (as D.J. U-Neek), Nyt Owl
Based on "Sweet Dreams (Are Made Of This)"
Written by Annie Lennox and David A. Stewart (as Dave Stwart)
Produced by DJ U-Neek (as D.J. U-Neek) for U-Neek Entertainment, Inc.
D.J. U-Neek and Nyt Owl appear courtesy of U-Neek Entertainment, Inc./King Pin Records, Inc.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Eine K.O.mödie
- Drehorte
- Hoover Dam, Arizona-Nevada Border, USA(Location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 8.008.255 $
- Eröffnungswochenende in den USA und in Kanada
- 3.349.481 $
- 5. Mai 1996
- Weltweiter Bruttoertrag
- 8.008.255 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1