Gonin 2

This sequel to the surprise hit Gonin features a largely female cast, but like the first Gonin movie, the blood and slaughter are not gratuitous - a rare thing in Japanese cinema - but rather the inevitable result of somewhat justified anger at a flawed society. Unlike the first film, in which five unemployed men tried to rob the Yakuza out of desperate need, the motivations here are not economic. The women all have grudges related to the role of women in Japanese society and the callousness of those around them. It is the social awareness of gender roles that gives the drama its power here, and makes this movie something other than just another shoot-it-out-with-the-Yakuza thriller. The action centers on a jewelry store in the middle of a robbery, where chance throws five women together; how they respond puts them onto a downward spiral of inevitable violence. The grim tone is well counterpointed by the monochromatic visuals; everything has a dusty look to it, and the world of the film seems always to be in half darkness. Bright lights and friendly colors are for other people, just as happy, fulfilling lives are for other people.

Awful just awful. Some terrible scenes with poor acting bad directing and incomprehensible plot-line. The interesting cohesion between the two plot lines was destroyed by plot flaws in both. Rape scenes and ridiculous pseudo-feminism also add to this movies lack of believability. Awful, just awful.

Gonin 2 (1996), directed by Takashi Ishii, serves as a powerful and intense follow-up to the original film, expanding on the themes of revenge, morality, and personal redemption. The film follows a man deeply in debt who, after his wife is assaulted, embarks on a quest for vengeance, eventually crossing paths with the Gonin thieves from the first film. With a fresh narrative that focuses on loss and retribution, the sequel delivers a darker, more emotional experience while maintaining the suspense and gritty realism that made its predecessor so compelling.

The performances in Gonin 2 are outstanding, with Ken Ogata, Shinobu Ôtake, and Kimiko Yo leading a cast that brings depth and intensity to their roles. Ogata, in particular, delivers a gripping portrayal of a man consumed by grief and revenge, adding layers of emotional complexity to his character. His journey from desperation to vengeance is believable and heartfelt, and it's his performance that drives the emotional core of the film.

Ishii's direction maintains the same atmospheric tension present in the first film, but he takes a more introspective approach with this sequel. The pacing is slower, allowing for more emotional development and providing the audience with a deeper understanding of the protagonist's inner turmoil. This slower pace also contributes to the film's weighty, melancholic atmosphere, which complements the story's exploration of moral dilemmas and the cost of revenge.

The cinematography is as gritty and raw as the first film, using dark and shadowy visuals to reflect the internal struggles of the characters. The film's bleak visual style reinforces its themes of revenge and emotional decay, creating an atmosphere of inevitability that builds toward a tragic conclusion. The use of silence and stillness in key scenes heightens the emotional tension, making the violent outbursts feel all the more impactful.

While Gonin 2 retains the suspense and action that fans of the genre appreciate, it stands out for its more intimate, emotionally-driven narrative. It's a sequel that expands the world of its predecessor while deepening the characters and their motivations. The film may not have the same immediate impact as the first, but its slow burn and exploration of vengeance make it a worthy follow-up.

Rating: 8/10. A gripping and emotionally charged sequel that delves deeper into the characters' psyches, offering a darker and more poignant narrative while maintaining the tension and suspense of the original.

Fun movie with a new original story. It isn't a continuation of the previous movie, but the themes are still relatable enough to make it feel like a sequel. The catchy theme song is also back. Characters are not as memorable as in the original (the girls seem to have very similar looks and personalities, also no Kitano this time), but the performances are pretty convincing to make me feel all the tension and the action is cool. Glad I gave this a rewatch, this movie deserves a little more attention.

Gonin 2 suffers from its narrative's aimlessness and implausibilities; paper-thin, mostly unsympathetic characters; and cinematography, lacking the first film's precision and slickness. Ken Ogata is squandered. Bottom line: Notwithstanding a handful of admirable moments, it's a slightly exploitive crime caper flick that appears insipid and sloppy next to the first.