Bakuto gaijin butai
- 1971
- 1 Std. 33 Min.
Eine Yakuza-Bande wird von einer großen Bande aus Tokio aus Yokohama vertrieben. Sie ziehen nach Okinawa um, um gewaltsam neu anzufangen.Eine Yakuza-Bande wird von einer großen Bande aus Tokio aus Yokohama vertrieben. Sie ziehen nach Okinawa um, um gewaltsam neu anzufangen.Eine Yakuza-Bande wird von einer großen Bande aus Tokio aus Yokohama vertrieben. Sie ziehen nach Okinawa um, um gewaltsam neu anzufangen.
- Regie
- Drehbuch
- Hauptbesetzung
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But about this movie:
It's about a gangster who gets out of prison and strikes up a plan to take over a city in Okinawa with the remnants of his previous gang. Unfortunately, they've never been to Okinawa, and the natives are tougher than they look.
Lots of quick edits, freeze frames and groovy hippie music (with a surf beat) provide the kitsch factor.
Highly recommended!!!
my grade: 8.5/10
If Yakuza films are anything like their predecessors, Samurai movies, the genre is huge and varied. In this one from 1971, director Kinji Fukusaki tells the story of a Yakuza boss getting out of jail. All his trappings of power are gone. All he's got are his brains and some very loyal friends.
Among the Extras on the DVD I rented, there are excerpts of an interview with the Director's biographer, a man named Sadao Yamane. It's a very informative interview, where he explains the rise of the organized crime genre. Post World War II Japan began in chaos. Those who could leave the past behind and exploit the present tense could rise to power. The protagonist of Sympathy for the Underdog had been there, done that. Now he has to do it all over again.
While the genre must be very formulaic, there's got to be room for fresh takes. Fukusaku's s style consists of quick takes: the dialogue is curt, information is conveyed in a multimedia of ways; the editing is very tight. And then came a big surprise for me. Towards the end, a moment of genuine tenderness poetically expressed. That's when I heard the quality of writing in this film.
So let's just say Sympathy for the Underdog helped define the art of its type. If you like movies about the world of men, this one's well worth watching.
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Yonabaru - Koza downtown boss: You Daitokai's guard dog? Let me warn you. You better cut the crap and get the fuck back to the mainland. Otherwise, it's gonna start raining blood around here.
Shigeru Kaizu: Wow. You're up to all that?
Yonabaru - Koza downtown boss: You tellin' me I'm not? Try pulling that monkey business parading around town again tomorrow. I swear to God I'll bust it up with a bazooka.
- VerbindungenFeatured in Yakuza-Kino: Der japanische Gangsterfilm (2009)
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Details
- Laufzeit1 Stunde 33 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1