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4,7/10
1518
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Füge eine Handlung in deiner Sprache hinzuA moral college ethics professor plans to kill his neighbor, a Nazi death camp commander.A moral college ethics professor plans to kill his neighbor, a Nazi death camp commander.A moral college ethics professor plans to kill his neighbor, a Nazi death camp commander.
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I got quite a lot of chuckles out of this movie. But does that make it a really good flick? Not necessarily. It's better than most people say it is (well, the few people who've seen it). Hell, I figured "Jack Lemmon's in the cast. How bad can this movie be?" Dan Aykroyd's career definitely isn't as successful as it was in the seventies--his SNL days. I still think he's very talented, but like Chevy Chase he's starting to fall into that ditch with other has-been SNL alumni of the seventies. Lily Tomlin is another veteran comic, but let's face it--what was the last big movie she was in? I love Dan and Lily, but they're two people who wouldn't surprise me if they were to do a bad movie, despite their talents.
But actually, this isn't a bad movie at all. People may criticize the subject matter involving Nazi Genocide, but I'm flexible when it comes to comedy. I have a pretty dark sense of humor myself, and I don't mind dark humor at all and believe that almost anything can be made funny if handled in the right manner. "All in the Family" is one of the most successful sitcoms of all time, and the show constantly dealt with the subject of racism.
There are a good deal of funny moments, though worthy of chuckles and not laughs. But the movie just lacks a certain energy. I can't point out exactly what could've been done better, but the film just has a bland feeling to it. It needed more bite.
The acting is great, though. Aykroyd gives an enthusiastic performance. Lemmon performs the same way he would in any of his Oscar-winning films. And Tomlin is impressive as well, in a role that requires her to be somewhat dramatic and not the goofball she usually plays. So basically, what we have is a first-rate cast in a second-rate movie.
As I said, not a bad movie--just needed more bite.
My score: 6 (out of 10)
But actually, this isn't a bad movie at all. People may criticize the subject matter involving Nazi Genocide, but I'm flexible when it comes to comedy. I have a pretty dark sense of humor myself, and I don't mind dark humor at all and believe that almost anything can be made funny if handled in the right manner. "All in the Family" is one of the most successful sitcoms of all time, and the show constantly dealt with the subject of racism.
There are a good deal of funny moments, though worthy of chuckles and not laughs. But the movie just lacks a certain energy. I can't point out exactly what could've been done better, but the film just has a bland feeling to it. It needed more bite.
The acting is great, though. Aykroyd gives an enthusiastic performance. Lemmon performs the same way he would in any of his Oscar-winning films. And Tomlin is impressive as well, in a role that requires her to be somewhat dramatic and not the goofball she usually plays. So basically, what we have is a first-rate cast in a second-rate movie.
As I said, not a bad movie--just needed more bite.
My score: 6 (out of 10)
I found this movie not as bad as everybody says it is. I think its pretty entertaining. I really liked the plot of the film.
Maybe it's just because I like Dan Aykroyd: I have never seen a movie with him that I did not enjoy. I decided to put in a few lines of appreciation for this one, considering the bad reviews read here. It certainly is not the ultimate masterpiece of comedy but I found it thoroughly enjoyable, and despite the fact that I was very tired it kept watching it until 2am.
Dan Ayrkoyd, looking boxy and well-scrubbed, plays a college professor in Massachusetts who is caught up in the media frenzy surrounding elderly German neighbor Jack Lemmon, who has been accused of being a notorious Nazi war criminal living under an assumed identity; when Lemmon tells Aykroyd he intends to leave the country in protest, Aykroyd plots to poison him as a form of historical justice. Writer-director Harvey Miller probably intended this dark-hued comedy to be a twisted hoot, in the "Eating Raoul" vein. He apparently gained the trust of his talented performers--and comedy vet Penny Marshall was swayed enough to co-produce--but something must have gotten lost in the translation from screenplay to film, because there are hardly any laughs in this scenario. The cast plays it poker-faced...perhaps they weren't sure just how over-the-top the presentation should be. Results are curiously lukewarm, and full of dumb jokes like one involving Lemmon's dog being attracted to Aykroyd's crotch--which Miller then repeats, as a TV director might. *1/2 from ****
I'm only reviewing this because of all the bad reviews. I gave it a 7 though I may change it to a 6 later. I really don't see why people had such a major problem with this movie. It was fun. "You call this justice?!?!?!"
Basically, don't go into the movie expecting some crazy comedy with an intricate plot line. This movie is just a light-hearted movie to have a few laughs though; no masterpiece, but certainly not a 3.4 either. (That's what it was rated when I wrote this review.)
Basically, don't go into the movie expecting some crazy comedy with an intricate plot line. This movie is just a light-hearted movie to have a few laughs though; no masterpiece, but certainly not a 3.4 either. (That's what it was rated when I wrote this review.)
Wusstest du schon
- WissenswertesIn the end credits, the credit "Shower Curtain Rings - Del Griffith" is a reference to the movie Planes Trains and Automobiles..
- Zitate
Psychiatrist: I want to see you six days a week.
[looks at his appointment book]
Psychiatrist: I can't. How about every other Thursday?
- Crazy Credits"Shower Curtain: Marion Crane"
- SoundtracksThe Boys In The Back Room
Written by Frank Loesser & Friedrich Hollaender (as Frank Hollander)
Used by permission of EMI Robbins Catalog Inc.
All rights reserved
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Getting Away with Murder
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 197.322 $
- Eröffnungswochenende in den USA und in Kanada
- 127.691 $
- 14. Apr. 1996
- Weltweiter Bruttoertrag
- 197.322 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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