IMDb-BEWERTUNG
6,6/10
9792
IHRE BEWERTUNG
Nach dem Tod seines Bruders tritt Ray die Führung des Tempio-Clans an und begibt sich unverzüglich auf die Suche nach dem Mörder.Nach dem Tod seines Bruders tritt Ray die Führung des Tempio-Clans an und begibt sich unverzüglich auf die Suche nach dem Mörder.Nach dem Tod seines Bruders tritt Ray die Führung des Tempio-Clans an und begibt sich unverzüglich auf die Suche nach dem Mörder.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 7 Nominierungen insgesamt
Gian DiDonna
- Ray Sr.
- (as Gian Di Donna)
Dmitri Prachenko
- Sentieri
- (as Dmitry Prachenko)
Gregory Perrelli
- Young Chez
- (as Gregory Pirelli)
Empfohlene Bewertungen
The lives of gangster brothers Ray, Chet and Johnny are changed forever when Johnny is killed. His funeral acts as a time to look back at the past but also to look inwardly and to the future. The story is told in flashbacks that mix the past and present to see a gangster life style in all it's glory.
The story here is straightforward however it's multi-layered flashbacks and subplots make it too confusing at times. In simple terms it is two stories Johnny before he is killed, and the lives of his brothers afterwards. The characters make it come to life but the drama inherent in the subject matter helps as well. The story mixes `real' lives, violence and some black humour to good effect the overall point being the point made by Sciorra when she says `there's nothing romantic about it at all'.
The cast are good in particular the Ferrara regulars. Walken gives a more emotional version of his King of New York character and carries much of the moral debate with himself and others. Penn is also good as the self destructive brother and gives a powerful performance without becoming OTT (a la Nice Guy Eddie). Gallo is good although his character is not fully explained why did he look for trouble, why the interest in worker's rights? Rossellini, Argo and Soprano's Ventimiglia are all good and del Toro does yet another quiet cool role.
Overall this is a good film it is graphic and dark, but not as much as some of his other films. The subject matter will appeal to the mass audience (most people seem to like mobster movies) and his unromantic spin on the genre makes up for the occasionally bitty storyline.
The story here is straightforward however it's multi-layered flashbacks and subplots make it too confusing at times. In simple terms it is two stories Johnny before he is killed, and the lives of his brothers afterwards. The characters make it come to life but the drama inherent in the subject matter helps as well. The story mixes `real' lives, violence and some black humour to good effect the overall point being the point made by Sciorra when she says `there's nothing romantic about it at all'.
The cast are good in particular the Ferrara regulars. Walken gives a more emotional version of his King of New York character and carries much of the moral debate with himself and others. Penn is also good as the self destructive brother and gives a powerful performance without becoming OTT (a la Nice Guy Eddie). Gallo is good although his character is not fully explained why did he look for trouble, why the interest in worker's rights? Rossellini, Argo and Soprano's Ventimiglia are all good and del Toro does yet another quiet cool role.
Overall this is a good film it is graphic and dark, but not as much as some of his other films. The subject matter will appeal to the mass audience (most people seem to like mobster movies) and his unromantic spin on the genre makes up for the occasionally bitty storyline.
The Funeral is a dark and gritty story that plumbs the characters in a New York band of criminal brothers. It doesn't have the romantic sweep of a Godfather movie, nor the rawness of Scarface. But it does have great acting: the cold, sinister aloofness of the leader-brother(Christopher Walken); the raging insanity of the bartender-brother(Chris Penn); and, the cockiness of the younger communist-influenced brother. Annabella Scioria as the wife with a tortured psyche who "had two years of college", and Bennissio del Toro, as the suave and slick rival mobster round out the terrific cast.
But the movie does have some problems. The abrupt, "surprise" ending is consistent with the arcs in the movie, and is supported by trends in the characters' developments, but seems unsatisfying. Also, long philosophical conversations between killer and victims seems unrealistic. While these conversations(and flashback sequences) give insight into characters, it just doesn't seem likely.
Watch this movie if you are a fan of crime/Mafia films, and you can enjoy a thoughtful introspection of characters and relationships between characters. Don't watch it if you want to see a "thrill-a-minute", or explosions every other scene.
But the movie does have some problems. The abrupt, "surprise" ending is consistent with the arcs in the movie, and is supported by trends in the characters' developments, but seems unsatisfying. Also, long philosophical conversations between killer and victims seems unrealistic. While these conversations(and flashback sequences) give insight into characters, it just doesn't seem likely.
Watch this movie if you are a fan of crime/Mafia films, and you can enjoy a thoughtful introspection of characters and relationships between characters. Don't watch it if you want to see a "thrill-a-minute", or explosions every other scene.
When it comes to cult film-maker Abel Ferrara, people seem to either love his work or hate it. I think some of his films are great but some are just rubbish. Fortunately "The Funeral" is far from being rubbish, but then it's not great either.
Set in New York in the 1930s, the film centres on an organised crime family, headed by brothers Ray (Christopher Walken) and Chezz (Chris Penn) who are set to bury their younger brother Johnny (Vincent Gallo). As Johnny's wake progresses the two remaining brothers reflect on his life and try to track down his killer.
The film is pretty well made, and benefits from strong performances all round. It's main defect is that the film tends to lose focus and go off at tangents (scenes where Johnny attends a Communist rally were pretty pointless). Also, as in many Ferrara films, there is a very blatant religious subtext which sometimes gets in the way of the drama. Also, be warned that there is a lot of pretty brutal violence in this film.
If you like gangster films (and obviously if you're a Ferrara fan) give this a go. It's worth trying anyway just for the quality of the performances.
Set in New York in the 1930s, the film centres on an organised crime family, headed by brothers Ray (Christopher Walken) and Chezz (Chris Penn) who are set to bury their younger brother Johnny (Vincent Gallo). As Johnny's wake progresses the two remaining brothers reflect on his life and try to track down his killer.
The film is pretty well made, and benefits from strong performances all round. It's main defect is that the film tends to lose focus and go off at tangents (scenes where Johnny attends a Communist rally were pretty pointless). Also, as in many Ferrara films, there is a very blatant religious subtext which sometimes gets in the way of the drama. Also, be warned that there is a lot of pretty brutal violence in this film.
If you like gangster films (and obviously if you're a Ferrara fan) give this a go. It's worth trying anyway just for the quality of the performances.
In the 30's, in New York, the coffin of the leftist gangster Johnny Tempio (Vincent Gallo) is brought to the house of his older brother Ray (Christopher Walken) for the wake of family and friends. Ray is a cold gangster that likes to read and is married to Jean (Annabella Sciorra). His brother Chez (Chris Penn) is a hot head that runs a bar and is married to Clara (Isabella Rossellini). Ray decides to revenge the murder of his younger brother and believes the gangster Gaspare (Benicio Del Toro) is the one who killed Johnny. Meanwhile Chez has a breakdown with tragic consequences for the Tempio brothers.
"The Funeral" is a violent movie directed by Abel Ferrara with great characters that are developed through flashbacks along the main storyline. There are great performances and scenes but unfortunately, it seems that neither the writer nor the director knew how to end the story that has an unsatisfactory conclusion. My vote is six.
Title (Brazil): "Os Chefões" ("The Bosses")
"The Funeral" is a violent movie directed by Abel Ferrara with great characters that are developed through flashbacks along the main storyline. There are great performances and scenes but unfortunately, it seems that neither the writer nor the director knew how to end the story that has an unsatisfactory conclusion. My vote is six.
Title (Brazil): "Os Chefões" ("The Bosses")
I found this an interesting movie, admittedly a bit slow at points, but if you're out for another "crime gone wrong" or "gangster crime war" film, forget it. Several reviews complain about a lack of action. It's not an action film. Several reviews complain about a lack of plot. It's more an examination of characters than a story. The movie would have been much better had I been able to hear more of it. The sound editing is truly abysmal. People's shoes make more noise than their raised voices do. I actually stopped and rewound a few times to try and catch what people said. It's not the fault of the actors. It's simply a bad mix job.
7/10
7/10
Wusstest du schon
- WissenswertesJohnny is the youngest of the three brothers, while Chez is the middle child. However, Chris Penn was in fact four years younger than Vincent Gallo.
- PatzerJohnny is dead in his coffin, but he flinches when someone brushes his eyebrows.
- Zitate
Johnny Tempi: I would say life is pretty pointless, wouldn't you, without the movies?
- SoundtracksGloomy Sunday
Written by Rezsö Seress (as Rezso Seress) and László Jávor (as Laszlo Javor)
Performed by Billie Holiday
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Funeral?Powered by Alexa
Details
Box Office
- Budget
- 12.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.227.324 $
- Eröffnungswochenende in den USA und in Kanada
- 41.768 $
- 3. Nov. 1996
- Weltweiter Bruttoertrag
- 1.227.553 $
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen