Eine verdrehte Version von "Rotkäppchen".Eine verdrehte Version von "Rotkäppchen".Eine verdrehte Version von "Rotkäppchen".
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 6 Gewinne & 4 Nominierungen insgesamt
Guillermo Diaz
- Flacco
- (as Guillermo Díaz)
Empfohlene Bewertungen
Reese Witherspoon has never made a better movie than Freeway...Although I respect her for wanting to do more romantic/family oriented movies because of her daughter, I don't think even she realizes how amazing she was playing this role...She was completely foul mouthed and hot tempered, but her timing and attitude was fantastic..I recently realized how this movie is and has been potential for cult classic....Reese Witherspoon never mentions this movie in any interviews and I wish she would because I would like to hear her thoughts on playing Vanessa Julia Lutz...
In my opinion, this was hands downs Reese Witherspoon's best role before Legally Blonde. I wished she played more roles like this, (urban, raunchy, touch, the trailer pk side wasn't bad at all neither). After watching this, You can see she has been hollyweird whitewashed (the only way to get an academy award) now. But this role in Freeway truly tells me that she has depth of character for the film industry. This is one of my oldies but goodies I've seen now more than ten times already. Hey Reese, can you bless with a role like this again? No harm in asking.
I remembered Kiefer Sutherland played a psychotic killer....and IMDB lead me right to this one. I had seen bits and pieces of this movie on cable and couldn't believe how good it was, but back in those days we didn't have "channel info". This movie is wickedly funny, and Reese Witherspoon plays the most hilarious, bad-girl, tough trailer trash role I've ever seen and plays it fantastically. The slutty makeup and outfits she wears as well as the endless stream of profanity she swears are definitely a lot different than her "modern day" good girl roles she seems stuck in now. This movie is funnier than you can possibly imagine, as things keep happening that just blow you away or shock the pants off you and no main character is what they seem to be at first. Definitely unpredictable, this dark comedy is a rare lost gem I was glad to find again.
I know, it may seem ridiculous to some, but actually, even after all these years (now well into 2012), this is still a film to watch, and no one could have delivered the key role more perfectly than Reese Witherspoon. She is simply spectacularly spot on with her characterization of the theme and culture that is her character here.
The story is a bit hard edged for some, but sadly, not entirely outside the realms of reality in the current world.
Do characters like hers in this film really exist as portrayed? Absolutely yes. Do characters like that portrayed by Sutherland, the predatory pedophile sociopath who appears to be so acceptably "normal" to the outside world? Absolutely yes, as recent history has shown only too clearly.
On the surface this may have appeared to be a sort of whacky, creepy crime thriller, but actually, if one actually takes the time to watch this film, there is much more to this than the ad copy may have suggested at the time.
It is still currently viable, to this very day . . . has stood the test of time.
And it is absolutely one of Reese's best ever performances.
Sadly, her more recent work has sort of flattened out into much less risky, complex roles, but hey, a great actress she is.
The story is a bit hard edged for some, but sadly, not entirely outside the realms of reality in the current world.
Do characters like hers in this film really exist as portrayed? Absolutely yes. Do characters like that portrayed by Sutherland, the predatory pedophile sociopath who appears to be so acceptably "normal" to the outside world? Absolutely yes, as recent history has shown only too clearly.
On the surface this may have appeared to be a sort of whacky, creepy crime thriller, but actually, if one actually takes the time to watch this film, there is much more to this than the ad copy may have suggested at the time.
It is still currently viable, to this very day . . . has stood the test of time.
And it is absolutely one of Reese's best ever performances.
Sadly, her more recent work has sort of flattened out into much less risky, complex roles, but hey, a great actress she is.
This film is somewhat deceptive, in that the characters seem so outwardly stereotypical of the kind of the sub class of the under-educated, drug or sex addled teenagers and the people who prey on them, which makers of slasher films have doled out in the last couple of decades. But Witherspoon brings a fighting charm to the lead character, Venessa Lutz, who has just about everything bad thrown at her that a young person can have thrown at them while growing up. She survives and prevails with grittiness, will and humor. As far from an angel as you can get she becomes vigilante and enforcer of her own brand of justice to a particularly malevolent form of evil visited on by Bob Wolverton (Kiefer Sutherland) and an uncaring and unbelieving law enforcement system. It's really a small classic and should be viewed without any predjudice of youth crime. It then becomes an eloquent statement for better and more rational treatment of young offenders.
Wusstest du schon
- WissenswertesReese Witherspoon used an exaggerated version of her natural Tennessee accent for the role of Vanessa Lutz.
- PatzerIn the opening scene, Vanessa can hardly read the simple sentence "The cat drinks milk", but she seems to have no trouble reading the menu in the "Hi-Way Cafe".
- Zitate
Vanessa Lutz: Holy shit! Look who got beaten with the ugly stick! Is that you, Bob? I can't believe such a teeny weeny little gun made such a big mess out of someone! You are so ugly, Bob! And, hey, I heard you have one of those big poop bags that's like attached to where the shit comes out the side, you're just a big old shitbag ain't you, Bob! You just think of me every time you empty that motherfucking thing, motherfucker!
- Crazy CreditsThe beginning credits play over a series of color drawings (in a style similar to cartoonist Robert Crumb) in a hip retelling of the Little Red Riding Hood story.
- Alternative VersionenThe UK version suffered two cuts, totalling about 7 seconds. The first occurs when Mimi Wolverton discovers her husbands porn magazine collection. The missing footage briefly showed the cover of a magazine "Cock Sucking Toddlers". The second missing shot is of Vanessa's murdered grandmother in her trailer home. The cuts were fully waived for the 2007 Blackhorse DVD release.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Encuentro con el lobo
- Drehorte
- Sunland, Los Angeles, Kalifornien, USA(EB I-210 at Sunland Blvd., Vanessa's car breaks down)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 295.493 $
- Eröffnungswochenende in den USA und in Kanada
- 14.945 $
- 25. Aug. 1996
- Weltweiter Bruttoertrag
- 295.493 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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