From Dusk Till Dawn

George Clooney should have stuck will this kind of role. He did fine in Out of Sight and Ocean's Eleven, but he really dominated this movie with a fury that we may never see again. Almost every line he delivers is memorable and that is not all Tarantino's doing. The rest of the cast is dominated by cool cameos and veteran cult and mainstream names. The exception being Ernest Liu who does a good job of holding his own. No Tarantino film would be complete without a good soundtrack. This one, as with Desperado, features songs by Tito and Tarantula. Although I have only heard four songs by them, I consider them one of my favorites. I will never forget what my parents told me after they watched this without me. "You sure can pick 'em," my mother blurted with distain. Do not make my mistake, watch it with your parents to see them squirm.

Coming into this I knew it would be action over content - after all it was directed by Robert Rodriguez. The fact that the script was written by Tarantino didn't really mean anything since I had gathered from various sources that this was Tarantino's homage to the "splatstick" genre (of Evil Dead, etc.) and as a result the script probably wasn't so hot compared to Pulp Fiction.

For the most part this is true. The first half of the movie IS really good in terms of cleverness and Tarantino-style stuff - good dialogue, interesting plot and unlikeable characters...unique. The second half, after they cross the border into Mexico - as others here have pointed out - becomes the Evil Dead segment of the film, where everything turns into some over-the-top, bizarre, gross-out vampire blood-'n-guts movie with bad special effects and cheesy scenes. (Albeit fun ones.) Some have complained that the transformation from seriousness to sudden vampire comic book content is too fast and the story would have been far more interesting had it been rooted in realism for its entire duration. Yes, and no. Rodriguez set out to make an homage to the spaghetti western/Evil Dead genre and did so. Tarantino's script is just the baseline for it all. It's like a bunch of friends got together and decided to make a movie - albeit friends with fairly good reputations as filmmakers. George Clooney, Harvey Keitel, Tarantino - not a bad cast! Had this been presented as an epic crime movie Tarantino would have helmed it. However due to the fact that he provided Rodriguez with the script and even performed a commentary track on the film's DVD release (something he does on none of his own directed films) just goes to show that Tarantino wasn't in it for the praise - he was in it for the fun and experience. Ditto for everyone else.

And in that regard this is a pretty fun movie. Like Rodriguez' DESPERADO, it's a guilty pleasure for viewers and cast - a bunch of highly esteemed actors get together and have a blast.

So no, this is not a great movie. The second half could be replaced with a more serious half and I think it would probably be one of the best thrillers ever if this was done. (Just imagine how great it could have been if it had been brought to a poetically justified ending with some sort of Gecko Brothers/law enforcement shootout a la Butch Cassidy/Bonnie and Clyde.) However I understand that's not what Rodriguez and crew set out to do with this movie - they just wanted to make an entertaining cult popcorn blockbuster flick.

And they succeeded. It's entertaining and hip and stylish. Recommended.

When the movie started, I was sold to a crime movie. The intro was the perfect setup for a Tarantino film. Two criminal brothers on the run trying to get to Mexico. Simple and brilliant.

The movie introduced two hot-headed brothers, so you know crap was gonna hit the fan and duels were gonna go down. It had everything I wanted: black comedy, crime, suspense, drama, thriller, even Salma Hayek.

At that point, everything was perfect... but then, the vampires appeared and the whole film had a 180 degree turn. It just didn't fit with the rest of the movie.

I'm not gonna lie, the different ways of how they killed the vampires were pretty cool and creative, but I felt like the first half of the movie was made by Tarantino and the second half was made by Rodriguez.

This movie had a lot of potential if it stuck with the first plot. I would've rated higher if they would've continued Gecko Brothers' adventure.

Anyone trying to do a 'serious review' of this movie needs to lighten up. George Clooney and Quentin Tarantino are the Gecko brothers, two bad, bad men on their way to Mexico. Along the way they pick up a preacher played by Harvey Keitel and his two kids. They're supposed to meet a partner at a bar called The Titty Twister, and once they get there madness ensues. From there it takes a turn that many seem to find infuriating but I personally find highly entertaining. It's humming along like a typical Tarantino picture, and then- BOOM. Out of nowhere, it becomes all too clear that these two bad, bad men are not by a longshot the baddest in *this* bar. All of this can- and *will*, given the right attitude on the part of the viewers- read as a loving high-five to 70s zombie flicks, a homage to the campy fun of those movies. The tough guy dialog continues throughout, the gore level is astounding, and we see via Kate- the preacher's daughter, played by Juliette Lewis- that sometimes a p***ed-off virgin with a crossbow can more than hold her own. On top of that, it has a hella-cool biker-bar soundtrack and Salma Hayek in a bikini. What's not to like?

Directors Robert Rodriguez and Quentin Tarantino are probably the two most recognizable faces of the generation of filmmakers who had their start in the independent scene of the early 90s. Rodriguez had a tremendous success with his western-inspired action movie "El Mariachi" while Tarantino reached fame and glory after updating heist movies in "Reservoir Dogs". Their friendship lead them to make movies together starting with "Four Rooms", but together with make-up masters Kurtzman, Nicotero and Berger the two young directors crafted one of the most original movies of the 90s: "From Dusk Till Dawn".

The plot starts with the escape of two criminal brothers, Seth (George Clooney) and Richard Gecko (Tarantino himself) and their effort to reach Mexico kidnapping the family of a faith-less preacher named Jacob Fuller (Harvey Keitel) who was traveling with his daughter Kate (Juliette Lewis) and his son Scott (Ernest Liu). In their escape the group will arrive to a Mexican strip club where nothing is what it seems.

The story (by Kurtzman) is a very good mix of action, western and horror cleverly put together in Tarantino's witty script. Rodriguez direction gives the film the a 70s feeling that gives the movie a Drive-In spirit pretty much in tone with the plot. In fact, at times the film feels like an updated version of exploitation action films of that era. This lack of pretensions makes it even more enjoyable as it never tries to be something else than pure entertainment.

The movie is interestingly divided in two, the first half dedicated to establishing the relationships between the characters, particularly the complicated clash of the Geckos and the Fullers, in a typical Tarantino style crime/drama fashion; on the other hand, the second half is an action packed thrill ride on the style of 70s action movies that clearly shows John Carpenter's influence over Rodriguez. While it is definitely a tribute to their influences, the Rodriguez/Tarantino team create a solid movie that stands on its own as a very original take on horror movies.

The acting is very effective, with George Clooney carrying the film as the cool-headed older brother who has to take care of his psychotic younger brother. Tarantino is average, but he was certainly having fun with the role. Keitel is terrific as always and is perfect as the faithless pastor who doesn't trust in God anymore. Apearances by Salma Hayek and make-up virtuoso Tom Savini have small but unforgettable roles. Savini steals the film in his role as a biker that brings back memories of his part in Romero's classic "Dawn of the Dead". All in all is a very complete and solid cast that certainly gives the movie a very special flavor.

The special effects by KNB are top-notch, but the CGI used in some scenes is poor when compared to the traditional prosthetic make-up employed in the rest of the film. While the violence is never intended to be realistic, the poor CGI at times make it look more cartoon-like than what it was supposed to be, but it is not a real damaging flaw and the film is still highly enjoyable.

Rodriguez has always done films to have fun, and this is what has set him apart from other filmmakers (Tarantino included). His lack of pretensions and his dedication to his craft seem to transmit the fun he has making movies to the audience who watches them. While his films may not have an introspective depth or a high philosophical meaning, they work perfectly as entertainment of the highest quality. This underrated film is probably among his best and most enjoyable films of his young career. 8/10