Der Hochzeitstag

"Faithful" is a worth-watching film, somewhere between comedy and drama, but not tragicomedy. It stars Cher as a rich but rejected wife who wants to take her life on her 20th anniversary. But then a hitman hired by her husband gets into her house. He ties her to a chair and they start to talk - as it's an adaption of a play - and slowly Cher's wish to live on is growing. The dialogue is quite spirited and also funny, you shouldn't miss it. And it's pretty cool when the hitman is making phone-calls to his psychiatrist and vice versa, again and again. You have to enjoy this, it's almost 'tarantinoesque', but better, because there is no celebration of violence here. Nevertheless, in the end it gets kind of disturbing and boring. Now the movie finally suffers from the fact that basically only three actors are involved. Cher's acting is very good in the beginning, her facial acting is fabulous when portraying the desperate woman meeting her killer. But from the moment when her husband (Ryan O'Neal) returns, her character is much less convincing and her face of vivid emotion turns a face of a pale mask of make-up, which - forgive me - she may think makes her look one or two decades younger. Now my vote: 7 out of 10!

Comcast cable gave "Faithful" just 2 stars, so I wasn't sure I wanted to see it. But I love films Cher has starred in, so I watched it not expecting too much. It's a small but delightful film about the interaction of a woman and the hit-man hired to kill her.

Maggie (Cher) is an extremely wealthy housewife. She drives a Rolls, and lives in a modern mansion that seems large enough to house a hotel or resort. But she is depressed. Her husband of 20 years, Jack (Ryan O'Neal), has been neglecting her. They haven't had sex for months and she is sure he is having an affair. A hit-man, Tony (Chazz Palminteri), sneaks into her house and ties her to a chair. He explains that her husband hired him to kill her, but he has to wait until the husband signals (by phoning and hanging up after two rings) that he has reached his alibi location.

While waiting, Maggie tries to convince Tony to work for her instead of her husband. Tony becomes distressed and calls his psychotherapist, Dr. Susskind (Paul Mazursky, who also was the film's Director).

While this does not sound like a comedy, in what drama does a hit-man call his therapist during a job? Besides, there is the anticipation that Maggy will come out on top. She is Cher after-all!

Chazz Palminteri is excellent as the troubled hit-man. He also wrote the play the film is based on, and wrote the screenplay. Robert De Niro is listed as the Producer.

There are some minor problems that I didn't think about until writing this review. They don't really matter:

1. Maggie considers herself a housewife. But how does she spend her days? Wouldn't such a person have a circle of girlfriends who discuss each others family problems?

2. Shouldn't such a large home have a staff to run it? It has an elaborate security system but no staff to respond to intrusions? A cook? A maid to keep the many rooms clean? 3. Cher's acting seemed to me to somehow to be a little off, as if she didn't put her full effort into it. In other films she has been a superb actress.

The film was adapted from a play, so it is not surprising that nearly all the scenes are in the mansion.

I have to admit, I enjoyed this movie tremendously when I watched it alone, and later when a group of friends watched it in my house I was embarrassed by how much they hated it. You have to be in the mood for it.

Cher must be commended, to carry off a movie when you spend exactly half of your screen time tied to a chair is pretty remarkable. The interplay between Tony and Margaret is much better when it is just the two of them, Ryan O'Neal doesn't bring much of anything to his part and the film declines somewhat when he enters the home.

The only real annoyance is the HORRIFIC injections of Mazurski as some kind of freak shrink that is supposed to be funny; it may well be the single unfunniest and most unnecessary character in the history of film. You could totally fast forward through every second Masurski is on the screen and it would only improve the film.

I think women will like this a lot better than men, but it's a good film and very underrated. For most of 1996 it was my favorite film.

"Faithful" directed by Paul Mazurski doesn't add anything to his otherwise prestigious resume. As a comedy director, Mr. Mazurski has done better. Unfortunately, he doesn't appear to have been inspired, by the story or by his cast.

In fact, one of the worst things in the film is the overbearing role of Chazz Palmentieri, whose Tony is one of the most obnoxious things he has played in the movies. Cher, as Margaret, the redheaded woman, married to a rat fink, doesn't bring anything new to the screen. She could do much better, but unfortunately, not here. Finally, Ryan O'Neal doesn't have much to do.

The best thing about "Faithful" is its 91 minutes running time! Sorry Mr. Mazurski, you need to stay away from whoever told you Chass Palmentieri's screen play had possibilities.

I just love this film. First, Paul Mazursky is one of my all time favourite directors and the performances (other than Ryan O'Neal's) are just top notch. It's a great screenplay, the editing is on point.. there is little not to love here. I say it when it came out and I can still quote it years later. It's a small film, no special effects, no spectacular stunts. But Cher and Chazz Palminteri have great chemistry both deserve much praise here and Mazursky handles it with his usual understanding of how people interact in real life. His "Next Stop Greenwich Village" is in my top 10 films of all time. But this is my second favourite film of his. A great director in really fine form... and it's worth a watch.