Emma

For those JASNA devotees (Jane Austen Society of North America), this adaptation of Jane Austen's "Emma" will truly send them running for the hills.

But if you're willing to view Emma with the belief that this movie is loosely based on the novel, and enjoy it on its own merits, you'll truly enjoy yourself.

Emma (Gwyneth Paltrow) is the apple of her aged father's eye and spends her ample free time trying to play matchmaker. Having achieved some success by matching her own governess with the widowed Mr. Weston, Emma sets out to match easily persuaded, impoverished newcomer Harriet Smith (Toni Collete) with hilarious results.

Some have complained that the casting is "all wrong" but I don't agree. I think for the comedic spirit of the film, the actors were well chosen. Sophie Thompson nearly steals the show as the muddled but happy Miss Bates. Her silent mother, Mrs. Bates (played by Sophie Thompson's real-life mother Phyllida Law), also steals a few scenes. In my humble opinion, anybody who prefers Mark Strong (the A&E version) over Jeremy Northam in the role of Mr. Knightley has to be "addled in the attic" as it were. Not tall enough? I'm sorry but I wasn't watching how tall he was but that mesmerizing smile. I'm sure I wasn't the only one swooning in my seat.

This is no literary classic (the movie NOT the book!) so let's not make it something it isn't. What Emma truly IS..is an enjoyable romp with a healthy dollop of romance. Viewed in this light, you're in for a good time.

And yes, Ewan McGregor's wig IS hideous. My friends compared it to a dead cat but that would do the cat an injustice.

I was so impressed with Doug McGrath's film version of the Jane Austen novel "Emma," and I loved the music score by Rachel Portman so much, that when I went to the video store one day and discovered the two had re-united for "Nicholas Nickleby" I immediately rented it without any other consideration.

I have read the book, and for those overly-critical fans of this Jane Austen adaptation, I don't know what else McGrath could have done to more perfectly capture the spirit and major plot elements of Miss Austen's work, especially given the limitations of a two hour movie (which some have complained about being too long!). And as far as Gwen Paltrow's accent is concerned, I must confess I wasn't too familiar with her when I saw this at the theater initially, and I was absolutely convinced at the time that she was an English actress!

I am taken aback by those who criticized the film for its lush scenery. That is one of the things I enjoy and look forward to seeing in period pieces set in the English countryside. The film's beautiful backgrounds are a major contributor to its appeal and success. If your idea of escapist fare is something bleaker, then perhaps you should rent something like "Death Wish III!"

The English country settings are as attractive and charming as the cast, and combine with the story and soundtrack for entertainment that makes you not tire of repeat viewings. McGrath is a wonder at choreographing the interplay of subtle expressions that are so essential in conveying the complicated romantic intrigue that occurs in this story.

This refreshing movie could also be a clinic on how enjoyable a film can be minus sex, violence or even a villainous antagonist. The story is often amusing, endearing, and at times, quite touching.

I have seen many competent Jane Austen book adaptations but this is without question my favorite.

This is a good adaptation of Austen's novel. Good, but not brilliant.

The cinematography is inventive, crossing at times the border to gimmickry, but it certainly avoids the trap of making this look like a boring TV soap in costumes, given that the entire story is dialogue-driven.

The acting is competent. Ms Paltrow is aloof, as her character requires, but the required distance from the other characters is accompanied by a much less appropriate detachment from her own actions. In other words, she does not seem to care enough of the results of her match-making endeavours. Some of the supporting cast is guilty of over-acting - very much in the style that is appreciated on stage but out of place in motion pictures. Personally, I had problems accepting Alan Cumming as Mr Elton - to no fault of his own, except for having left such an impression as a gay trolley-dolly in "The High Life" that it is now difficult to accept him playing any serious part. Acting honours go to Toni Collette who manages to radiate warmth, and Jeremy Northam who pitches his character at just the right level.

Romance is in the air and love is in bloom in Victorian era England, in this light-hearted story set against a society in a time in which manners were still in vogue, the ladies were charming and elegant, and the gentlemen dashing. `Emma,' based on the novel by Jane Austen and written for the screen and directed by Douglas McGrath, stars the lovely Gwyneth Paltrow in the title role. A self-appointed matchmaker, Emma takes great delight in the romantic notion of playing Cupid and attempting to pair up those she feels are suited to one another. Coming off a successful matching that ended in marriage, she next sets her sights on finding a mate for her friend, Harriet (Toni Collette), but the outcome of her initial attempt proves to be less than satisfying. Meanwhile, her endeavors are tempered by by the handsome Mr. Knightley (Jeremy Northam), whose insights into matters of the heart often seem to be a bit more astute than Emma's, and lend some needed balance to the proceedings. And Emma, so concerned with what is right for others, neglects the heart that is actually the most important of all: Her own. The world goes ‘round and love abounds, but Emma is about to miss the boat. Luckily for her, however, the is someone just right for her waiting in the wings. Now, if she can but stop long enough to realize it. But as everyone who has known true love knows, matters of the heart can go right or wrong in an instant, depending upon the slightest thing; and while romance is at hand for Emma, she must first recognize it, and seize the moment.

McGrath has crafted and delivered a delightful, feel-good film that is like a breath of fresh air in our often turbulent world. There may be an air of frivolity about it, but in retrospect, this story deals with something that is perhaps the most important thing there is-- in all honesty-- to just about anyone: Love. And with McGrath's impeccable sense of pace and timing, it all plays out here in a way that is entirely entertaining and enjoyable. It's a pleasant, affecting film, with a wonderful cast, that successfully transports the viewer to another time and another place. It's light fare, but absorbing; and the picturesque settings and proceedings offer a sense of well-being and calm that allows you to immerse yourself in it and simply go with the flow.

The winsome Paltrow, who won the Oscar for best actress for `Shakespeare In Love' two years after making this one, seems comfortable and right at home in this genre. She personifies all things British, and does it with such naturalness and facility that it's the kind of performance that is easily taken for granted or overlooked altogether. She's simply so good at what she does and makes it look so easy. She has a charismatic screen presence and an endearing manner, very reminiscent of Audrey Hepburn. Yet Paltrow is unique. As an actor, she has a wide range and style and has demonstrated-- with such films as `Hard Eight,' `Hush' and `A Perfect Murder'-- that she can play just about any part effectively, and with that personal touch that makes any role she plays her own. But it's with characters like Emma that she really shines. She is so expressive and open, and her personality is so engaging, that she is someone to whom it is easy to relate and just a joy to watch, regardless of the part she is playing. And for Emma, she is absolutely perfect.

Jeremy Northam also acquits himself extremely well in the role of Knightley, and like Paltrow, seems suited to the genre-- in the right role, that is; his performance in the more recent `The Golden Bowl,' in which he played an Italian Prince, was less than satisfying. Here, however, he is perfect; he is handsome, and carries himself in such a way that makes Knightley believable and very real. Like Colin Firth's Mr. Darcy in the miniseries `Pride and Prejudice,' Northam has created a memorable character with his own Mr. Knightley.

Also excellent in supporting roles and worthy of mention are Toni Collette, as Emma's friend Harriet Smith; and Alan Cumming, as the Reverend Elton. Respectively, Collette and Cumming create characters who are very real people, and as such become a vital asset to the overall success of this film. And it demonstrates just how invaluable the supporting players are in the world of the cinema, and to films of any genre.

The supporting cast includes Greta Scacchi (Mrs. Weston), Denys Hawthorne (Mr. Woodhouse), Sophie Thompson (Miss Bates), Kathleen Byron (Mrs. Goddard), Phyllida Law (Mrs. Bates), Polly Walker (Jane Fairfax) and Ewan McGregor (Frank Churchill). An uplifting, elegant film, `Emma' is a reminder of civilized behavior and the value of gentleness and grace in a world too often beset with unpleasantness. And even if it's only through the magic of the silver screen, it's nice to be able to escape to such a world as this, if only for a couple of hours, as it fulfills the need for that renewal of faith in the human spirit. And that's the magic of the movies. I rate this one 9/10.

Emma (1996)

I like Gwyneth Paltrow, and I love Jane Austen. (That sounds bad. Sorry Gwyneth.)

And this is a great movie for its writing, and a stiff and imperfect movie for its acting. And for Austen fans (and fans is an understatement for some of them) this is almost awful movie. Awful if you love sublime writing and can't stand to see it so wooden.

Paltrow is good. She's pretty. She's appropriately upright. But she insists on "delivering" her lines. She has them memorized, yes. But she doesn't inhabit the character. And Emma, the character, is one of the best of all literature, filled with sassy individualism and social blindness due to ordinary teenage arrogance. The material is there, and it's a great story (if you like early 19th Century melodramas bordering on soap opera of the highest level).

So, it's not a terrible presentation of the movie, but it is, to be sure, a presentation. I honestly think (and don't tremble in rage here) that Alisha Silverstone in "Clueless" gets the spirit of Emma much closer. There is of course a gap of sensibilities here that I'm ignoring—a girl in 1995 (Silverstone) is no match for a girl in Austen's time. I'll leave that one vague.

About "Emma" it's worth saying that the sets and costumes are so convincing you don't really think about them. Everything is brightly lit (which I suppose is a reasonable choice, though it flattens the film emotionally as opposed to, say, the Merchant-Ivory approach). The whole spectacle is spread before the camera lovingly, if a bit predictably.

In the end it's Austen who wins. The writing, both in the specific dialog and in the general plot outline, are delicate and witty and insightful. Nothing sensational here, just drawing room observation at its best. Kudos for that much, and a reasonable translation to film. It's Austen who wins all those stars.