Während der Partnersuche für Freunde und Nachbarn verpasst eine junge Engländerin des 19. Jahrhunderts fast ihre eigene Chance auf Liebe.Während der Partnersuche für Freunde und Nachbarn verpasst eine junge Engländerin des 19. Jahrhunderts fast ihre eigene Chance auf Liebe.Während der Partnersuche für Freunde und Nachbarn verpasst eine junge Engländerin des 19. Jahrhunderts fast ihre eigene Chance auf Liebe.
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- 1 Oscar gewonnen
- 3 Gewinne & 7 Nominierungen insgesamt
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But if you're willing to view Emma with the belief that this movie is loosely based on the novel, and enjoy it on its own merits, you'll truly enjoy yourself.
Emma (Gwyneth Paltrow) is the apple of her aged father's eye and spends her ample free time trying to play matchmaker. Having achieved some success by matching her own governess with the widowed Mr. Weston, Emma sets out to match easily persuaded, impoverished newcomer Harriet Smith (Toni Collete) with hilarious results.
Some have complained that the casting is "all wrong" but I don't agree. I think for the comedic spirit of the film, the actors were well chosen. Sophie Thompson nearly steals the show as the muddled but happy Miss Bates. Her silent mother, Mrs. Bates (played by Sophie Thompson's real-life mother Phyllida Law), also steals a few scenes. In my humble opinion, anybody who prefers Mark Strong (the A&E version) over Jeremy Northam in the role of Mr. Knightley has to be "addled in the attic" as it were. Not tall enough? I'm sorry but I wasn't watching how tall he was but that mesmerizing smile. I'm sure I wasn't the only one swooning in my seat.
This is no literary classic (the movie NOT the book!) so let's not make it something it isn't. What Emma truly IS..is an enjoyable romp with a healthy dollop of romance. Viewed in this light, you're in for a good time.
And yes, Ewan McGregor's wig IS hideous. My friends compared it to a dead cat but that would do the cat an injustice.
The cinematography is inventive, crossing at times the border to gimmickry, but it certainly avoids the trap of making this look like a boring TV soap in costumes, given that the entire story is dialogue-driven.
The acting is competent. Ms Paltrow is aloof, as her character requires, but the required distance from the other characters is accompanied by a much less appropriate detachment from her own actions. In other words, she does not seem to care enough of the results of her match-making endeavours. Some of the supporting cast is guilty of over-acting - very much in the style that is appreciated on stage but out of place in motion pictures. Personally, I had problems accepting Alan Cumming as Mr Elton - to no fault of his own, except for having left such an impression as a gay trolley-dolly in "The High Life" that it is now difficult to accept him playing any serious part. Acting honours go to Toni Collette who manages to radiate warmth, and Jeremy Northam who pitches his character at just the right level.
Jeremy Northam, as the hero. how shocked are you? I never looked upon him as overtly handsome but heck! What the right role can do for you! He looks so good as the sensible, regal Mr. K, that i am literally looking at him in a new light. He makes and excellent romantic lead. The charm and character that he brings to his role is wonderful!
Ewan McGregor, Greta Sacchi brings in the rest. a good cast. A good movie. If you are a fan of Jane Austen, see this movie, along with Pride and Prejudice - AND MOST IMPORTANTLY, buy the books. It enhances the movie to heights that are extraordinary
McGrath has crafted and delivered a delightful, feel-good film that is like a breath of fresh air in our often turbulent world. There may be an air of frivolity about it, but in retrospect, this story deals with something that is perhaps the most important thing there is-- in all honesty-- to just about anyone: Love. And with McGrath's impeccable sense of pace and timing, it all plays out here in a way that is entirely entertaining and enjoyable. It's a pleasant, affecting film, with a wonderful cast, that successfully transports the viewer to another time and another place. It's light fare, but absorbing; and the picturesque settings and proceedings offer a sense of well-being and calm that allows you to immerse yourself in it and simply go with the flow.
The winsome Paltrow, who won the Oscar for best actress for `Shakespeare In Love' two years after making this one, seems comfortable and right at home in this genre. She personifies all things British, and does it with such naturalness and facility that it's the kind of performance that is easily taken for granted or overlooked altogether. She's simply so good at what she does and makes it look so easy. She has a charismatic screen presence and an endearing manner, very reminiscent of Audrey Hepburn. Yet Paltrow is unique. As an actor, she has a wide range and style and has demonstrated-- with such films as `Hard Eight,' `Hush' and `A Perfect Murder'-- that she can play just about any part effectively, and with that personal touch that makes any role she plays her own. But it's with characters like Emma that she really shines. She is so expressive and open, and her personality is so engaging, that she is someone to whom it is easy to relate and just a joy to watch, regardless of the part she is playing. And for Emma, she is absolutely perfect.
Jeremy Northam also acquits himself extremely well in the role of Knightley, and like Paltrow, seems suited to the genre-- in the right role, that is; his performance in the more recent `The Golden Bowl,' in which he played an Italian Prince, was less than satisfying. Here, however, he is perfect; he is handsome, and carries himself in such a way that makes Knightley believable and very real. Like Colin Firth's Mr. Darcy in the miniseries `Pride and Prejudice,' Northam has created a memorable character with his own Mr. Knightley.
Also excellent in supporting roles and worthy of mention are Toni Collette, as Emma's friend Harriet Smith; and Alan Cumming, as the Reverend Elton. Respectively, Collette and Cumming create characters who are very real people, and as such become a vital asset to the overall success of this film. And it demonstrates just how invaluable the supporting players are in the world of the cinema, and to films of any genre.
The supporting cast includes Greta Scacchi (Mrs. Weston), Denys Hawthorne (Mr. Woodhouse), Sophie Thompson (Miss Bates), Kathleen Byron (Mrs. Goddard), Phyllida Law (Mrs. Bates), Polly Walker (Jane Fairfax) and Ewan McGregor (Frank Churchill). An uplifting, elegant film, `Emma' is a reminder of civilized behavior and the value of gentleness and grace in a world too often beset with unpleasantness. And even if it's only through the magic of the silver screen, it's nice to be able to escape to such a world as this, if only for a couple of hours, as it fulfills the need for that renewal of faith in the human spirit. And that's the magic of the movies. I rate this one 9/10.
Wusstest du schon
- WissenswertesToni Collette had to gain weight to portray "the Rubenesque Harriet" and she explained, "I think it's important for people to look real in films. There's a tendency to go Barbie doll and I don't agree with that at all."
- PatzerFrank Churchill's hair changes length in the scenes when he says goodbye to Emma - shorter when he arrives and longer when he leaves.
- Zitate
Mr. Knightley: Emma, how could you be so unfeeling to Miss Bates? How can you be so insolent to a woman of her age and situation? I had not thought it possible.
Emma Woodhouse: How could I help saying it? I daresay she did not understand me.
Mr. Knightley: I assure you, she felt your full meaning. She cannot stop mentioning it. I wish you could have heard her honour your forbearance in putting up with her when her society is so irksome.
Emma Woodhouse: I know there is no better creature in all the world, but you must allow that blended alongside the good, there is an equal amount of the ridiculous in her.
Mr. Knightley: Were she prosperous or a woman equal to you in situation, I would not quarrel with you about any liberties of manner. But she is poor, even more so than when she was born. And should she live to be an old lady, she will sink further still. Her situation being in every way below you should secure your compassion! Badly done, Emma. Badly done. She has watched you grow from a time when her notice of you was an honour to this, humbling her, laughing at her in front of people who would be guided by your treatment of her. It is not pleasant for me to say these things, but I must tell you the truth while I can, proving myself your friend by the most faithful counsel, trusting that sometime you will do my faith in you greater justice that you do it now.
- Crazy CreditsThanks to ... the people of Evershot.
- SoundtracksDeck the Halls with Boughs of Holly
Traditional tune, lyrics by Thomas Oliphant (uncredited)
Arranged by Rachel Portman
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Jane Austens Emma
- Drehorte
- Evershot, Dorset, England, Vereinigtes Königreich(Highbury village)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 22.231.658 $
- Eröffnungswochenende in den USA und in Kanada
- 240.649 $
- 4. Aug. 1996
- Weltweiter Bruttoertrag
- 22.231.658 $
- Laufzeit
- 2 Std.(120 min)
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1