IMDb-BEWERTUNG
6,6/10
7282
IHRE BEWERTUNG
Ein prototypisch verbesserter Mensch, der auf der Flucht vor chinesischen Auftragskillern ist, schließt sich mit einem dreadlocked bystander zusammen, und die beiden entkommen ihren Verfolge... Alles lesenEin prototypisch verbesserter Mensch, der auf der Flucht vor chinesischen Auftragskillern ist, schließt sich mit einem dreadlocked bystander zusammen, und die beiden entkommen ihren Verfolgern jedes Mal nur knapp.Ein prototypisch verbesserter Mensch, der auf der Flucht vor chinesischen Auftragskillern ist, schließt sich mit einem dreadlocked bystander zusammen, und die beiden entkommen ihren Verfolgern jedes Mal nur knapp.
- Auszeichnungen
- 1 wins total
Ron Yuan
- Razor Scarred
- (as Ron Winston Yuan)
'Evil' Ted Smith
- Joss
- (as Ted Smith)
Cece Tsou
- Leung Communication
- (as CeCe Tsou)
Empfohlene Bewertungen
The straight to video action genre must be the fastest expanding percentage of the home video market I swear not. So these days with so much out there, it's hard to figure out what's worth your time, money and what's best left on the shelf for eternity. Yes it may be a stereotype that guys like car crash movies, guns 'n babes flicks and any movie with the words "death" "kill" or "gun" in it's title, but it rings sorta true. It's on this simple premise many movies come out each year with titles that you expect to know what you're getting. The box naturally trying it's hardest to win you over too. Let's take a hypothetical situation. There's three movie boxes in front of you. All action titles.
(1) First one stars a familiar face or two, but nobody special. The movie's box is predominately pretty plain looking (cheap). Two guys on top of a car firing guns right at us. The title screams "boring". The kind of box you've seen a hundred times before on your local video shelves.
(2) A pair of sexy blondes (dillinger in stockings: optional) stand off to the side of the b-movie star holding a silenced handgun. In the background, an overlay of a building blowing up and a helicopter whistling through the air with a man hanging out. The box is suggestive and the art sells it.
(3) Box displays a fallen Hollywood star now resigned to doing B-movie leads lying in the grass in full cameo fatigues with a sniper's rifle. A sexy brunette assassin in the background showing ample cleavage, a mighty sharp blade and all of this is surrounded by one large red rifle sight.
The visual creatures we men are - chances are you're thinking about (2) or (3). Alas in my deepest hopes of saving you from another disappointment, I recommend Drive.
An absolute gem for all of us action movies junkies. The kinda flick that makes up for the ten or so dog piles you've gone through previously. It's quite the action experience for direct-to-video fare. The fight choreography is great, Dacascos is at the top of his form and is better than anyone I've seen in the kick-kick genre of late. The explosions work, the acting is surprisingly decent for this sort of nonsense and the start, middle and end are entertaining. Yeah the story is somewhat of a test pattern, but everyone involved make it work and god it's about time. A quasi buddy movie - Kadeem Hardison and Dacascos put together some fun stuff and if this is low budget it's not showing. The production values are crisp. All except maybe that fake, prosthetic arm.
This is definitely a movie I could live with a sequel from. It deserves one because it overcame the odds. Do yourself a favor. Rent this. If you're a fan of DTV action fare and you want it tight and refreshingly done then this is your meal ticket. Oh yeah and before I forget ... remember that hypothetical situation with the movie boxes? Drive was (1). The irony.
(1) First one stars a familiar face or two, but nobody special. The movie's box is predominately pretty plain looking (cheap). Two guys on top of a car firing guns right at us. The title screams "boring". The kind of box you've seen a hundred times before on your local video shelves.
(2) A pair of sexy blondes (dillinger in stockings: optional) stand off to the side of the b-movie star holding a silenced handgun. In the background, an overlay of a building blowing up and a helicopter whistling through the air with a man hanging out. The box is suggestive and the art sells it.
(3) Box displays a fallen Hollywood star now resigned to doing B-movie leads lying in the grass in full cameo fatigues with a sniper's rifle. A sexy brunette assassin in the background showing ample cleavage, a mighty sharp blade and all of this is surrounded by one large red rifle sight.
The visual creatures we men are - chances are you're thinking about (2) or (3). Alas in my deepest hopes of saving you from another disappointment, I recommend Drive.
An absolute gem for all of us action movies junkies. The kinda flick that makes up for the ten or so dog piles you've gone through previously. It's quite the action experience for direct-to-video fare. The fight choreography is great, Dacascos is at the top of his form and is better than anyone I've seen in the kick-kick genre of late. The explosions work, the acting is surprisingly decent for this sort of nonsense and the start, middle and end are entertaining. Yeah the story is somewhat of a test pattern, but everyone involved make it work and god it's about time. A quasi buddy movie - Kadeem Hardison and Dacascos put together some fun stuff and if this is low budget it's not showing. The production values are crisp. All except maybe that fake, prosthetic arm.
This is definitely a movie I could live with a sequel from. It deserves one because it overcame the odds. Do yourself a favor. Rent this. If you're a fan of DTV action fare and you want it tight and refreshingly done then this is your meal ticket. Oh yeah and before I forget ... remember that hypothetical situation with the movie boxes? Drive was (1). The irony.
Ah, now I saw this film whilst browsing as you do, and thought I'd make a comment as this is a favourite of mine.
Now it's no Oscar winner and the plot is ridiculous really, straight out of a comic book. But lets face it, this film is all about the action. The kung-fu sequences show you in this film what a wasted talent Mark Dacascus is. He never gets the credit he deserves, and whilst not a great actor, he is very likable and a talented martial artist. It's such a shame we don't see him in more enjoyable movies; If you only ever watch Mark in one movie, make it this one. There's a great cast, who seem to be having a lot of fun, the film pays homage to Jackie Chan movies at points plus the fight choreography is well thought out.
The fight sequences are filmed in a very unique way, with the camera moving at very sharp, precise angles, which gives it a unique style. You never miss a move and the fighting does go at a fast pace. At the end of the day, a kung-fu movie lives or dies on the strength of it's fight scenes. Although not the best scenes you will see, the combination of humour and good action direction, really show off the skills on offer here.
So if you're a martial arts movie fan, and not seen this, give this it a whirl! It might just pleasantly surprise you.
Now it's no Oscar winner and the plot is ridiculous really, straight out of a comic book. But lets face it, this film is all about the action. The kung-fu sequences show you in this film what a wasted talent Mark Dacascus is. He never gets the credit he deserves, and whilst not a great actor, he is very likable and a talented martial artist. It's such a shame we don't see him in more enjoyable movies; If you only ever watch Mark in one movie, make it this one. There's a great cast, who seem to be having a lot of fun, the film pays homage to Jackie Chan movies at points plus the fight choreography is well thought out.
The fight sequences are filmed in a very unique way, with the camera moving at very sharp, precise angles, which gives it a unique style. You never miss a move and the fighting does go at a fast pace. At the end of the day, a kung-fu movie lives or dies on the strength of it's fight scenes. Although not the best scenes you will see, the combination of humour and good action direction, really show off the skills on offer here.
So if you're a martial arts movie fan, and not seen this, give this it a whirl! It might just pleasantly surprise you.
I stumbled upon this film about 7 or so years ago in the video store, and on a whim picked it out. I must admit to being fairly entertained with what I saw. The fight scenes are gloriously over the top and well choreographed, so much so I think I was laughing at several points during the film.
The plot is about as complex as a glass of water, but forget that for now, this is a film you watch for the action, for the cheesy comedy factor, for the hyper-kinetic, lighting quick scenes of martial arts mayhem. The fight scenes come frequent enough and do not disappoint. There are killer ninja robots, gun wielding assassins who burst through windows on stunt bikes, and a large supply of hapless henchmen who couldn't shoot a barn door at 3 paces.
Marc Dacascos shows of his talents in the lead role as Toby Wang, the hero and scene stealer of the film, Kadeem Hardison is on hand as Malik, the out of luck barfly who gets caught up in the ordeal, then there is Brittany Murphy in one pre-famous roles as a the ditsy daughter of a Motel owning couple.
The plot is about as complex as a glass of water, but forget that for now, this is a film you watch for the action, for the cheesy comedy factor, for the hyper-kinetic, lighting quick scenes of martial arts mayhem. The fight scenes come frequent enough and do not disappoint. There are killer ninja robots, gun wielding assassins who burst through windows on stunt bikes, and a large supply of hapless henchmen who couldn't shoot a barn door at 3 paces.
Marc Dacascos shows of his talents in the lead role as Toby Wang, the hero and scene stealer of the film, Kadeem Hardison is on hand as Malik, the out of luck barfly who gets caught up in the ordeal, then there is Brittany Murphy in one pre-famous roles as a the ditsy daughter of a Motel owning couple.
My wife and I both liked this action thriller, which is a fast-paced, witty road movie about a super assassin (Dacascos) hunted down by his own people, teaming up with Hardison and trying to get to Los Angeles. There's little plot but the action scenes and the dialogue more than make up for that. It was a sort of cross between the Bourne Identity and the Rush Hour films (without all the yelling!), and if you liked those, you will probably like this.
Murphy's character added some additional female humour to what was otherwise a male-dominated thriller.
I saw the director's cut, so I don't know what scenes were missing from the original. 8 out of 10.
Murphy's character added some additional female humour to what was otherwise a male-dominated thriller.
I saw the director's cut, so I don't know what scenes were missing from the original. 8 out of 10.
I consider myself a connoisseur of crap cinema. Whether it's an overblown, big budget misfire or low budget, straight-to-video B movie, I love to watch filmmakers fail. Not to revel in their defeat, but rather to learn from their mistakes. To quote the Scottish reformer Samuel Smiles "We learn wisdom from failure much more than from success." Drive however is a surprising success.
When I first discovered this film I was shocked that I hadn't seen or even heard of it. It's a sci-fi/action/Kung fu movie, which is maybe my favorite genre (semi kidding) and it stars Kadeem Hardison, one of my favorite comedic actors from childhood and Mark Dacascos, who is (in my opinion) the most overlooked action star of his era. Drive is the exact type of obscure film I make it my business to know all about and it let slip through the cracks for decades. For shame.
The second shock came when I searched the title on IMDb and discovered it had a 6.8 rating. I have never seen a low budget, direct-to-video, action film with such a high rating. 6.8 is a great rating for any film. There are movies that have been nominated for the Oscar for best picture that don't have a 6.8 rating. Now I was intrigued.
The final shock came when I was viewing the credits and I saw another familiar name: Koichi Sakamoto. Koichi was the long running fight coordinator for the TV show Power Rangers, a show I watched religiously from ages 2 to 14. 14 was probably too old to watching Power Rangers but Koichi's amazing fight choreography, which just got more elaborate and impressive as the series went on, made it well worth the ridicule.
With this film Mark, Kadeem, and Koichi handedly prove you don't need a big budget, gaudy special effects, and A list actors to elevate a film beyond it's ridiculous premise.
And the premise is ridiculous. It's like Rush Hour mixed with Iron Man. But director Steve Wang, who's work is obviously inspired by tokusatsu superheroes, is in a clear but strange comfort zone. Wang, who moved to the United States from Taiwan when he was 9, masterfully blends Eastern and Western influences more effectively than most directors.
This film moves with the brisk, breakneck pace of the best American action movies, features some of the most inventive fight choreography in any movie I've see , low budget or blockbuster, and the actors performances, while not Oscar worthy, are certainly solid.
As I was watching this movie, listening intently to the dialogue, scanning the faces of every performer, looking for something to grumble about. To criticize. To roll my eyes at...and I found nothing. Drive is a rare gem and totally deserves it's 6.8 rating. Drive was cheaply made but not poorly made. Everyone from the visual department, to the stunt team, to the actors brought their A game and it shows.
Lastly... Rush Hour is a complete rip off of this film. Watch Drive and then Rush Hour. Or vice versa. The similarities are obvious and devastating . Shame on you Brett Ratner. Shame.
When I first discovered this film I was shocked that I hadn't seen or even heard of it. It's a sci-fi/action/Kung fu movie, which is maybe my favorite genre (semi kidding) and it stars Kadeem Hardison, one of my favorite comedic actors from childhood and Mark Dacascos, who is (in my opinion) the most overlooked action star of his era. Drive is the exact type of obscure film I make it my business to know all about and it let slip through the cracks for decades. For shame.
The second shock came when I searched the title on IMDb and discovered it had a 6.8 rating. I have never seen a low budget, direct-to-video, action film with such a high rating. 6.8 is a great rating for any film. There are movies that have been nominated for the Oscar for best picture that don't have a 6.8 rating. Now I was intrigued.
The final shock came when I was viewing the credits and I saw another familiar name: Koichi Sakamoto. Koichi was the long running fight coordinator for the TV show Power Rangers, a show I watched religiously from ages 2 to 14. 14 was probably too old to watching Power Rangers but Koichi's amazing fight choreography, which just got more elaborate and impressive as the series went on, made it well worth the ridicule.
With this film Mark, Kadeem, and Koichi handedly prove you don't need a big budget, gaudy special effects, and A list actors to elevate a film beyond it's ridiculous premise.
And the premise is ridiculous. It's like Rush Hour mixed with Iron Man. But director Steve Wang, who's work is obviously inspired by tokusatsu superheroes, is in a clear but strange comfort zone. Wang, who moved to the United States from Taiwan when he was 9, masterfully blends Eastern and Western influences more effectively than most directors.
This film moves with the brisk, breakneck pace of the best American action movies, features some of the most inventive fight choreography in any movie I've see , low budget or blockbuster, and the actors performances, while not Oscar worthy, are certainly solid.
As I was watching this movie, listening intently to the dialogue, scanning the faces of every performer, looking for something to grumble about. To criticize. To roll my eyes at...and I found nothing. Drive is a rare gem and totally deserves it's 6.8 rating. Drive was cheaply made but not poorly made. Everyone from the visual department, to the stunt team, to the actors brought their A game and it shows.
Lastly... Rush Hour is a complete rip off of this film. Watch Drive and then Rush Hour. Or vice versa. The similarities are obvious and devastating . Shame on you Brett Ratner. Shame.
Wusstest du schon
- WissenswertesAt 12 mins.) the car sideswipe actually crushed the right front wheel, knocking it off the axle, and left the car essentially dead. This was bad news for a low budget film as they needed to shoot more scenes with it the following day. Luckily, a bystander watching the filming was a mechanic and approach them after the stunt to offer his assistance. He came through, and the car was ready the next day.
- PatzerObvious stunt double when Toby kicks Madison out the garage door.
- Zitate
Malik Brody: I knew these guys weren't real cops.
Toby Wong: They're real... Real Dirty.
- Alternative VersionenThe original cut of the movie was about 20 minutes longer and had a different soundtrack than the one heard throughout the movie. When the production company saw the movie was longer than they expected, they recut the film and added a techno soundtrack to it.
- VerbindungenReferenced in Rush Hour 2 (2001)
- SoundtracksHe Remembers She
Written by Chanté Moore and Jonathan Robinson
Top-Auswahl
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- How long is Drive?Powered by Alexa
Details
Box Office
- Budget
- 3.500.000 $ (geschätzt)
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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What is the Spanish language plot outline for Drive - Keiner schlägt härter (1997)?
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