Cosi

This movie is really awesome. Someone recommended it to me since she knew I loved Muriel's Wedding and Strictly Ballroom, and I was dubious at first, then the first scene where Barry Otto acts so crazy was so funny! Toni Collette is rather dark in this movie, but eventually she shines through. I have to admit I was pulling for the characters which Toni and Ben Mendelsohn plays to get together, but I am glad that Lewis' girlfriend (played by Rachel Griffiths, another wonderful actress) finally got some sense into her head. Wonderful ending, and very hilarious at the play itself!!! Recommended.

Mark Joffe is a not so known director but the kind of director who happens to make movies you can't help falling in love with. Forget all the sentimentality that is given by Oscarblockbusters or the usual crap with Hugh Grant as this is where the heart beats. It's a simple human story in where there is place for tears and laughter, it's about some psychiatric patients who have decided to make their own operaversion of Mozart's "Cosi". It are the little things in life that deserve attention and that's what Joffe is showing us, and the real star in "Cosi" is as said before Toni Collette, simply wonderful what the star of "Muriel's wedding" is doing here.

I agree with most of the reviews already posted, but would like to add that I found the characterizations to be what endeared me most to this production. I'm a recent explorer of opera and have seen movie versions of some of them. This can stand toe to toe with any movie version of an opera in terms of its ability to reach gut level. I cried when the house lights went down and the curtain up as the six on stage were transformed into something bigger than themselves and so participated in the healing mystery that mankind has been experiencing since the first dramatizations and plays were enacted.

When it comes down to it, Così is a film about the right to dream and the tragedy of dreams being lost. The characters outside the institution, Lewis included, are a pragmatic lot. They have pragmatic views on life, pragmatic humor, and are cynically short of ideals. Nick, in particular, suggests that doing away with loyalty in a relationship is a valid concept, not because of any devotion to an ideal of 'free love' but simply because it does away with all the complications over infidelity.

The actors, however, are far less restrained in their grips on reality, (however clichéd that may sound, trust me, these characters are not) and thus are allowed to dream. It isn't so much that they are delusional, (none really are) it's simply that they don't seem to have been indoctrinated with a grim view of reality. Roy doesn't just lie about his childhood to others, he allows himself to dream that he really did have a childhood that was remarkable and marvelous. More subtly, Henry is permitted to idolize his father in a way Nick never could. And sure enough, when the two's views on life collide, there are sparks, with Henry delivering most.

Lewis, of course, must gradually progress from one to the other, but this is done in a way which is subtle and beautiful. His dream is the play itself, and he progresses from dreading his own misfortune in getting the job of making these nutcases perform a play successfully; to dreaming of making a perfect play with beautiful costumes and wonderful responses. What matters is that they dreamt of it and had the lack of sense to follow that dream.

The film has a sterling wit and proceeds nicely, following the course of the patient's dreams and the friend's pragmatism and lack of dreams. (For a good contrast showing this message, check out the overdone, amazingly clichéd and unimaginative performance by Nick, and compare it to the dream laden performance of the patients.)

In the end, the film is delightfully unrealistic in its applications. Plot devices do appear to be coming out of left field. But in a film about dreaming, surely that can be excused?

I found this film by accident the other night, occupying the late-night slot on terrestrial. I'd never heard of it, but from the first few moments of watching it - it was already 20 minutes in - I was rolling with laughter, and completely keyed-in to the fine display of ensemble acting, occasional surreal moments, lovely characterisations and brilliant humour. The film was touching too without ever being mawkish.

A real treat.