IMDb-BEWERTUNG
6,0/10
16.863
IHRE BEWERTUNG
Ein junger Mann, der frisch von der juristischen Fakultät kommt, versucht, für seinen rassistischen Großvater, der im Todestrakt sitzt, eine Begnadigung zu erwirken.Ein junger Mann, der frisch von der juristischen Fakultät kommt, versucht, für seinen rassistischen Großvater, der im Todestrakt sitzt, eine Begnadigung zu erwirken.Ein junger Mann, der frisch von der juristischen Fakultät kommt, versucht, für seinen rassistischen Großvater, der im Todestrakt sitzt, eine Begnadigung zu erwirken.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Raymond J. Barry
- Rollie Wedge
- (as Raymond Barry)
- …
Greg Goossen
- J.B. Gullitt
- (as Gregory Goossen)
Empfohlene Bewertungen
On the surface "The Chamber" is about a young lawyer named Adam Hall (Chris O'Donnell) who is trying to save his grandfather (Gene Hackman) from the death penalty. But really the movie is about breaking the cycle of racism, hatred, and bigotry that got his grandfather put on death row to begin with.
Although not one of Grisham's best, he still deserves credit for daringly going into a dark and despised part of American history. This movie may have stirred many people the wrong way and touched a nerve with others. I saw an excellent depiction of a torn young man desiring to help his grandfather in spite of his and everyone else's despise of that same man.
The movie was compelling. Just one tale about the troubled history of Mississippi. As the character Nora Stark (Lela Rochon) said..."Mississippi has bodies buried everywhere."
Although not one of Grisham's best, he still deserves credit for daringly going into a dark and despised part of American history. This movie may have stirred many people the wrong way and touched a nerve with others. I saw an excellent depiction of a torn young man desiring to help his grandfather in spite of his and everyone else's despise of that same man.
The movie was compelling. Just one tale about the troubled history of Mississippi. As the character Nora Stark (Lela Rochon) said..."Mississippi has bodies buried everywhere."
Sam Cayhall (Gene Hackman) is set to be executed for a bombing thirty years ago in Mississippi that killed two Jewish boys. His grandson Adam (Chris O'Donnell) has been avoiding the hateful legacy of his Klan grandfather. The young lawyer takes on the case. His investigation reveals that others were involved and he struggles to stop the execution.
Gene Hackman is a great racist but his character is irredeemable. Chris O'Donnell has his boyish looks but I don't sense the substance. Faye Dunaway is simply horrible in this one. The story is flat. The legal thriller is ultimately meaningless. Other than Hackman, this movie doesn't have much.
Gene Hackman is a great racist but his character is irredeemable. Chris O'Donnell has his boyish looks but I don't sense the substance. Faye Dunaway is simply horrible in this one. The story is flat. The legal thriller is ultimately meaningless. Other than Hackman, this movie doesn't have much.
First, I should admit that I've never read any of John Grisham's novels. I've seen many of the film adaptations (which usually seem to be worthy, if absolutely nothing else). It seems like most critics - and much of the public - considered "The Chamber" the worst adaptation of a Grisham novel ever. When I saw the movie, I didn't find it terrible, though not a great movie either. Maybe it was just that many people - myself not included - counted "A Time to Kill" as one of the best adaptations, and dismissed this one.
Anyway, Gene Hackman makes a pretty ugly Klansman (well duh, he gets into any character), and I'd say that he overshadows Chris O'Donnell (who just looks a little out of place in this sort of movie). I can't tell whether or not Faye Dunaway is just there for show. But overall, what I like about this movie is that it doesn't lionize Hackman's character, but it shows why he became a Klansman - sort of like what "Dead Man Walking" does with Sean Penn's character. Obviously, "The Chamber" isn't in the same league as that one. But still, I think that most people need to reassess this movie. Also starring Robert Prosky, Raymond J. Barry, Bo Jackson and Lela Rochon.
Anyway, Gene Hackman makes a pretty ugly Klansman (well duh, he gets into any character), and I'd say that he overshadows Chris O'Donnell (who just looks a little out of place in this sort of movie). I can't tell whether or not Faye Dunaway is just there for show. But overall, what I like about this movie is that it doesn't lionize Hackman's character, but it shows why he became a Klansman - sort of like what "Dead Man Walking" does with Sean Penn's character. Obviously, "The Chamber" isn't in the same league as that one. But still, I think that most people need to reassess this movie. Also starring Robert Prosky, Raymond J. Barry, Bo Jackson and Lela Rochon.
It is to bad that a powerfull performance by Gene Hackman was wasted in a poor paced, slow moving drama. The remaining cast gave a good account of themselves but the script just lack any sense of direction or suspense. Being a die hard Grisham fan I was terribly disappointed in the end product.
Idealistic attorney Chris O'Donnell (as Adam Hall) goes down to Mississippi, to take on the "death row clemency case of his onetime Klansman grandfather" Gene Hackman (as Sam Cayhall). "With just 28 days before the execution, Adam sets out to retrace the events leading to the crime for which Sam was convicted. As the impending death sentence looms closer, Adam works quickly to uncover the family's history for any hidden clues. In a white-knuckle series of twists and turns, Adam discovers deceptions and dark secrets that ultimately lead him to the startling truth," according to the DVD sleeve's synopsis.
"White-knuckled"? Indeed not. "The Chamber" (as in gas chamber) starts off very well; and, Mr. Hackman's portrayal of the yellow-teethed racist is worth a look. Faye Dunaway (as Lee Cayhall Bowman) has a showy supporting role. All in all, the film's personnel portends a much better story than the one which appears on screen. Building up a romance between blue-eyed Mr. O'Donnell and brown-skinned Lela Rochon (as Nora Stark) seems like such an obvious way to improve the story (whether or not it was done in the John Grisham novel), you've got to wonder how on Earth they missed the obvious.
***** The Chamber (10/11/96) James Foley ~ Chris O'Donnell, Gene Hackman, Faye Dunaway
"White-knuckled"? Indeed not. "The Chamber" (as in gas chamber) starts off very well; and, Mr. Hackman's portrayal of the yellow-teethed racist is worth a look. Faye Dunaway (as Lee Cayhall Bowman) has a showy supporting role. All in all, the film's personnel portends a much better story than the one which appears on screen. Building up a romance between blue-eyed Mr. O'Donnell and brown-skinned Lela Rochon (as Nora Stark) seems like such an obvious way to improve the story (whether or not it was done in the John Grisham novel), you've got to wonder how on Earth they missed the obvious.
***** The Chamber (10/11/96) James Foley ~ Chris O'Donnell, Gene Hackman, Faye Dunaway
Wusstest du schon
- WissenswertesThe story of the freakish execution that Sam tells Adam, about a condemned prisoner beating his head against a metal pole inside the gas chamber, is a true story. It happened to Mississippian Jimmy Lee Gray in 1983.
- PatzerSam Cahall states that the new law allowing him to opt for lethal injection applied only to inmates convicted after 1984. Actually it was just the opposite: Those convicted after 1984 could only have lethal injection. Before 1984 convicts could choose between lethal injection and the gas chamber.
- Zitate
E. Garner Goodman: How much do you know about the death penalty?
Adam Hall: I've read everything there is.
E. Garner Goodman: Then you know nothing.
- SoundtracksTemenos (Here Come The Shakes)
Written by Shelby Tate
Performed by Remy Zero
Courtesy of DGC Records
By Arrangement with MCA Special Markets & Products
Top-Auswahl
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Details
Box Office
- Budget
- 50.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 14.551.359 $
- Eröffnungswochenende in den USA und in Kanada
- 5.612.095 $
- 13. Okt. 1996
- Weltweiter Bruttoertrag
- 22.540.359 $
- Laufzeit
- 1 Std. 53 Min.(113 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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