...und jeder sucht sein Kätzchen

This was a thoroughly enjoyable film, with a very interesting use of editing in parts... The film's main character, Chloe, lives with her gay flatmate, Michel, has few friends, and definitely no love life to speak of. She works as a make up artist, a job which she hates. One day, Chloe goes away on holiday, and leaves her cat with the local cat lady, Mme Renoir. Upon returning home, Chloe's cat, Gris-Gris, has disappeared. So starts a search for Gris-Gris that the whole neighbourhood is involved in. We are taken on a journey through a district of Paris quite distinct from any glamorised Hollywood image you'll ever see. This is the real, working, living Paris, with real people living in it, and this particular area is in a phase of 'urban development', with a lot of the traditional, working class aspects of the community being pushed aside to make way for the progress of bourgeois trends. We meet a whole host of this area's inhabitants along the way, each with their own eccentricities and foibles; characters that soon become part of Chloe's life. The disappearance of the cat instigates Chloe's search into her own life, to fill the gaps that are missing. This film centres around the hopes and desires of one character in particular (Chloe), but the backdrop is a vessel for expressing changes that are affecting real people in Paris. An interesting, arty approach to a film about the search to find oneself, and come to terms with an ever changing world that one may feel at odds with.

A peculiar depiction of Paris. The more ambiguous, the more interesting. No Eiffel Tower, No 'Musée Du Louvre', no 'lost in translation' tourists. Just life, life at its fullest. In a controversial neighbourhood of the 20th 'arrondissement' there is more to life than commercial Paris. Life lies here in graffiti, in demolition of buildings, in bars, in the inevitable gossip.

Chloé is our vehicle of discovering that exploring life leads to identity. The camera follows her around and illustrates the most banal daily routines. The film doesn't need special effects to captivate you; it replaces them with people dealing with absurdly normal situations. From recurring scenes of amnesic old ladies being brought back by the police to characters running after cats on the roof of a building, Cédric Klapisch transforms the trivial into something exciting. All characters are expected to develop their identity and reach a common ground with the society and with themselves. Just as lost things are frequently lying in front of us, their search is ephemeral.

What starts out initially as a rather dull drama, quickly picks up pace and sparkles.

A lovely little movie that hopefully will never be given a Hollywood remake this movie is a treat.

A wonderful insight into the types of characters we might meet in a rundown part of Paris which has seen better days and which is being demolished to make way for new and modern buildings. In some respects it's like a documentary about the concerns of the local populace for Gris-gris, a missing black cat. I think all the characters are well portrayed as a network of searchers comb the whole area and maintain daily reports over the telephone. I think the old lady Renee is absolutely priceless, not only as the recognized cat-minder but as a person who is able to express an opinion on every conceivable subject about Parisian life and attitudes. The search for Gris-gris takes us across rooftops and down alleyways to no avail and we ourselves become totally involved in the cat's whereabouts and hope he has come to no harm. It's amazing that such a simple theme can maintain our interest for 90 minutes, but undoubtedly it's the authenticity of the characters that makes this film so enjoyable.

The superb Al Green moaning one of his greatest songs : I'm so tired of being alone. That about sums it up. Klapish is quickly becoming one of my favourite directors, making great movies with small budgets like l'auberge espanol. I don't fall in love with actresses every time I see a movie but Garance Clavel will certainly haunt my daydreams for a few days... Credits to the other actors, especially Zinedine Soualem and Renée le Calm. This is a warm, sparkling and very true movie about real persons and real emotions, (and therefore) sometimes funny, sometimes tragic. A movie that makes one run out the door and ...