Carla's Song

Ken Loach is a remarkable storyteller. Notice how subtly Carlyle's George changes from a loveable lout to noble lover; now find a recent Hollywood film that accomplishes something even close. Moving dramatically from the grey grime of Glasgow to the green pandemonium of Nicaragua in 1987, this film charts a remarkable story of how international politics becomes an international dance of love becomes international politics.

The reviewer who argues that the film glorifies the Sandinistas has it all wrong (except perhaps in the world of doublespeak where simply to treat the Sandinistas with sympathy is to glorify them . . .) Loach rather glorifies the kind of loving devotion that leads George to make a remarkable self-abnegating gesture at the end of the film. Even as I believe that the film is primarily about the love between Carla and George, I am happy for the legions of viewers in the U.S. who, upon watching this film, might be inspired to investigate what the U.s. was up to in Nicaragua in the 1980's. As Noam Chomsky so calmly puts it, U.S. involvement in sponsoring terrorism against the Sandinista government is a completely "non-controversial" issue (underlying strong, though naturally unenforceable acts of censure against the U.S. from both the World Court and U.N.). In the film, Scott Glenn has a few nice moments articulating this position. Very worthwhile. And when we finally hear Carla's song, it is moving indeed.

George Lennox is a bus driver in Glasgow who tries to go about his business in a cheerful, helpful and understanding way. When a ticket inspector takes issue with a young woman over as little as 40p, George helps her out and lets her get away. Later, the Nicaraguan exile finds George and gives him a gift to say thanks, but doesn't stay around any longer than that. George is both concerned for her and attracted to her and keeps pushing, but she withdraws more and more. Messing up her lodgings, George gets Carla a new place and tries to get to know her, unaware of where his relationship with her will take him.

A hard sell back in 1996 when it was released, not many people paid to see this and in a way it is still a hard sell now, perhaps appealing most to those who will always make the effort to see Ken Loach's work. The reason that it perhaps failed to grab an audience is that the film itself isn't sure what it is trying to do – and as a result is a bit fragmented and split. The film opens in a faltering way and it didn't convince me in how quickly it brought along George and Carla in the first stages. After this their relationship is a bit more convincing as it is brought on naturally as trust grows. At this stage Nicaragua is part of her character rather than the whole story. Gradually then suddenly the film becomes more about Nicaragua and George & Carla's relationship becomes the device to get him (the audience's eyes) into the country to learn all about it. I felt a bit like my interest in the people had been thrown out the window, and the vague attempt to make it about them towards the end didn't convince me. Loach directs with earnestness but he cannot make this work as either a political education or a character piece; varying wildly between being preachy and being touching.

The cast try hard to find this middle ground and to their credit they do pretty well. Carlyle does well to bring out a real person in George, covering up the question marks early on. He is left a bit high and dry in the second half but does his best. The same could be said of Carla, who is a person in the first half and a journey in the second. Cabezas delivers the role as well as she can and is natural and convincing throughout. Glenn has an obvious role but he is a good presence. The rest of the support cast is solid enough but the problems is with the material, not with any of the cast.

Overall then a fairly mixed affair that is as affecting as it is preachy. Easy to see why it failed to get much of an audience as it makes for an uneasy mix of ideas that don't really come off – failing to educate much more than on a superficial level and failing to produce a real character piece (that would have been better).

I will always recommend a picture that reflects the reality of a place, and Carla's Song shows Nicaragua very authentically. That, in addition the fact that the film was a quality piece overall. You will see the Nicaragua that I saw, very faithfully represented (I'm not talking about the politics, an issue I will stay away from. Just the reflection on the feel of the country.) As the story developed in Scotland, I said to myself "I just know this is going to turn into a hokey travelogue when they get to Nicaragua". But that's not what happened. Bravo!

I really enjoyed the first part of this movie which takes place in Glasgow Scotland following Robert Carlyle as a double deck bus driver who falls for a Nicaraguan woman after she gets caught not paying the fare. "George" takes Carla under his care, finds her a place to live and her story slowly comes out as they fall in love.

Carla is emotionally tortured, as a Nicaraguan refugee she has witnessed much violence and devastation in her country's civil war. Eventually George buys them tickets back to Nicaragua so she can look for her family and a former lover, who was brutalized by the Contras during an ambush.

I didn't like the second half of this as much, although the volatile environment of the country is well portrayed it just didn't hold my interest. The characters got vague as this become more of a political vehicle then the drama/romance we had with in the first part.

In their search to find Carla's boyfriend they meet up with (Scott Glen), a bitter American aid worker who helps in the mystery of where her boyfriend is. As the war and violence takes over their lives, both of them have to make decisions. Ultimately I came away underwhelmed about the whole thing even though I think this movie was meant to move me on some level.

I always enjoy Robert Carlyle, he does a great job here and was the main reason I watched this. 3/18/16

It is easy to overlook this Ken Loach film. Critics had not been so kind about the excellent Land and Freedom as they had been in the past, and Carla's song didn't fare that well either. It seems difficult to understand why. The inimicable brand of social realism is there as is the focus on the experiences and emotions of the individual. There is even the trademark visual in-joke.

More than any other character in the recent past I cared for Carla. All performances are exceptional. What we have here is social realism that expands into political statement and ultimately human tragedy.

If at all possible, try to see this film. Carlisle's broad Scottish accent may make it difficult to follow for the non-initiated, but persevere, and you will be rewarded.