Brassed Off - Mit Pauken und Trompeten

I was lucky enough to catch this movie in the theater and still luckier to come across it again on video. How anyone can call it a comedy is beyond me. Yes there are some laughs, but there are far more tears; some of pain, some of joy. This is a drama with a sense of humor. You have to keep a sense of humor to survive when life kicks you in the gut.

I've read some reviews condemning the politics of this film. Well, I applaud the political message. I grew up near an industrial town; one centered on the auto industry, heavy machinery, and agri-business. As I got older, I watched it disintegrate, through the 70's and 80's, as the grain embargo, auto industry woes and recession bled the life out of the town. It has never recovered. Many of us felt that Reagan and Thatcher, and their descendants, were monsters who sold their people out for a quick buck; while the parties that were supposed to represent the workers and middle class joined in the takings. To us, this isn't an anti-Thatcher film; it's the truth.

The performances of this film, particularly Pete Postlethwaite and Stephen Tompkinson, as well as Ewan McGregor and Tara Fitzgerald are top notch. There is a sweet and painful romance here; but it is the community of the miners, through the life of the band, that is the center here. The music is beautiful and will move you. The piece played as the pit closure is finalized stirs so many emotions. The rendition of "Danny Boy" brings tears to your eyes. The review in our local alternative paper said the surprise near the end would reduce even the hardest heart to tears, and they were right.

There is so much to see and love about this film, regardless of your political beliefs. Music does matter, but the people who create it matter, too. Communities matter, love matters. This is what good filmmaking is all about. See this film. You'll laugh a bit, cry a lot, get angry, become sad; but, you'll never be bored.

'Brassed Off' came at just the right time for British politics, just as the death knell for the Conservative Party as the main political force sounded; the story fictionalises the troubles of the real-life Grimethorpe Colliery Band (who you hear playing the great brass band tunes throughout).

There are pit closures all over Yorkshire, and 'Grimley' Band has one last chance to triumph in the various band contests to end up playing at the Royal Albert Hall. This being drama of course the path to victory isn't a smooth one - there is bankruptcy, illness, broken marriages, and a clash with the new executive power (represented by Tara Fitzgerald, also taking a place in the band for her father). Romantic interest for Tara is present in cute Ewan McGregor - an unusually quiet role for him.

Say what you like about the way this film portrays the North of England, there is no denying the power of the final sequences as the triumph of 'William Tell' turns into Postlethwaite's power rant against the Government and into the trip home's 'Land of Hope and Bloody Glory'. It really couldn't have been done better.

I just want to correct a couple of things that the previous reviewer makes about the film.

Firstly, from a musical point of view, Gloria does not enter the Grimley bandroom with an obligato cornet, it's a flugelhorn.

The fact that a woman has entered the band room is important. For a long time, the brass band was the domain of men. Women weren't allowed to play in the bands and indeed, this is still the case today in two of the biggest names in the banding world.

Underpinning all this is the fact that the film is (at least) semi-biographical. The events unfolding in the film mirror in no small way the same events which befell the Grimethorpe pit in 1992, and impacted on the world-famous Grimethorpe Colliery band. Thatcher's Britain did result in the pit closing down, and threatened the band's future. The band did take the stage at the National Final, and so the reason that the band don't turn professional is because there is no room in the banding movement for a professional band.

For a point of information, there are 4 basses in a Brass Band, 2 Eb and 2 Bb (not 2 or 3). Oh yes, and bandsmen most certainly do carry there instruments through the street without a case, especially bass players.

On a slightly different point, Phil does not have a gambling habit. He is still paying off the loan that he took out in 1982 to cover the loss of earnings because "suspended I were. 18 b****** months it took that lot to sort it out. 18 b***** months on strike pay. That's how big a f***** deal it is mate."

The Colliery Brass Band has survived two world wars, depressions and is still playing. However the threaten closure of the pit itself puts the band under threat – although many of the band fear the wider implications. Danny Ormondroyd remains focused on his music despite sickness and his son's spiral of debt. While a relationship between of the band turns sour when she is found to be working with the pit's management. The band's music becomes an allegory for the plight of the workers.

Released a year before The Full Monty made working class British comedy a Hollywood hit, this has a lot more realism and a lot more heart. The story deals mainly with the plight of the miners – betrayed and deserted by the Tory Government – and the bands corresponding struggle to survive and overcome. The metaphors are good but not heavy – basically the story can work if you don't see the parallels. The story works best due to the level of emotion the story carries. This has a lot of heart and builds to a wonderful standoff that brings a message without being preachy.

The cast are excellent. Postlethwaite is top class as Danny and delivers a metaphor for the dying mine itself – not interesting in politics, just trying to keep producing the ethics he always has but all the time knowing his time is coming. Equally as good is Tompkinson – a complex role, full of emotion and he deasl very, very well with it – to me his was the performance of the film. Fitzgerald is a little weak but a pre-Jedi McGregor is solid in support. The rest of the band is fleshed out by solid UK faces and do well.

Overall this is a great little film. It deals with heavy politics but mixes human drama effortlessly. It delivers message without preaching or shouting and it is driven by a fantastic cast.

A superb film. A film which did not seek to glamourise the effect of long term unemployment and the break up of communities. And a film which WAS based very closely on a true story. The band members you see actually playing the music? That's the Grimethorpe Colliery Band, winners of the national Battle of the Bands competition in the year that the colliery closed down. And they did turn professional too!

Films like Brassed Off, which seek to present a view of a sensitive issue, are often derided for not offering a solution which can be written on the back of a cereal box. Personally, I take that as a recommendation!

The point of the film is this: put people in situations that most of us will happily never face, and they react in extreme fashions. There was little or no 'political' argument, other than the fact that the Conservative Government of the time did destroy an entire industry. That same government them spent millions of pounds a year buying coal from Europe and South America. Angry? I would be.

I saw characters portrayed in their entirety, which meant 'scabs' and 'sellouts' rubbed shoulders with the committed and poor. I saw unflattering portraits of basically decent people, prepared to risk friendships and relationships to keep alive an industry which was killing them but without which they could not live. It was a desperate time, and the fact that families have been split since the 1984 strike shows just how deep feelings can run on this issue.

And I saw no skipping over the holes in the logic either. No mention of the 4-1 vote in favour of closing the mine? Half of the chuffing film was about that! What about the fate of Gloria's report? What about Phil, a striker from 1984, voting for closure? Did no-one notice that he was one of the major characters?

I do think that there were some problems with the structure of the film (although it was dramatically more satisfying than the Full Monty). Gloria was unconvincing; the wives were underused, and the speech at the end, yes, I found it embarrassing too!

But please, before you attack the veracity of such a rounded and honest film as Brassed Off, take the time and trouble to watch it properly first!