Box of Moonlight

One of my favourite Films of all time. Top notch performances all round especially turturro and Sam rockwell.

Sad,funny,inspiring and always entertaining this is a film that stays in your mind forever and one to watch over and over again.

The Cinematography is sublime, while the screenplay is spot on.

For Film fans who like their films with a great story .

Not for the blockbuster merchants.

In short : A Classic.

Do yourself a favour and rent this movie out.

Tom dicillio at his best.

Sam Rockwell is an excellent actor. He also does not shy away from quirky roles that require liberal use of nudity. Just as in "Lawn Dogs," Sammy shows it all in "Box of Moonlight." The film is really an actor's showcase for John Tuturro too. He is perfect as the socially inept engineer who is "shown the (moon) light" by Rockwell. One can quibble about the choices the two characters make on their road to emotional "freedom," but the movie is charming none-the-less, and a nice companion film to "Lawn Dogs" in its depiction of life in south central America. This is an "Adult Fable," So suspend your need for action, and discover you have new needs: for character development, for dialog, for symbolism, for magic.

Director Tom DiCillo has all the attributes required for a top indie film maker. He displays a sharp humorous edge coupled with an all round smartness. But his advantage over his peers is that his works are permeated with a genuine and very winning romanticism (realized best in "Real Blonde").

The premise of "Box of Moonlight" is indeed a romantic one. Two complete opposites who by all accounts would steer clear of each other are instinctively drawn together when destiny wills a chance encounter. They will learn important life lessons from each other and part the richer. It is in effect a delightful spin on the buddy movie.

John Turturro and Sam Rockwell are the least likely buddies one could imagine. Turturro plays the rigid, time obsessive and orderly engineer against Rockwell's wild, irresponsible back to nature outcast. Turturro's Al Fountain senses much is not well in his life and subconsciously perceives that Rockwell's "The Kid" might just be what he is so much in need of; someone to release those parts of his personality which adulthood and its encumbering responsibilities has suffocated. "The Kid" indeed accomplishes this in a variety of ways including coaxing Al to reach his inner child in the wonderful tomato throwing scene and luring him into an touching adolescent one night stand with Floatie played beautifully by Catherine Keener, a DiCillo favorite. By the end of the movie Al will return home a far better husband and father.

Just how Rockwell's "The Kid" will be effected is less clear. He is clearly a severely deluded character functioning more as a symbol rather than a credible person. In lesser hands it could have come off ludicrous, but Rockwell nails it perfectly in what would be his break through role. There's a palpable chemistry between the buddies which is so vital for making this story work.

"Box of Moonlight" is a modern day fable, a cautionary tale reminding us not to allow adulthood smother us. It's a tale told with tremendous charm and a movie to be cherished.

Tom diCillo's most succesful film is the also great 'Living In Oblivion', but 'Box Of Moonlight' is my favorite one. This movie is really excellent, among all the films that deserved success but didn't get it, this film is the one that deserved it the most, a real life experience. Probably John Torturro best part ever and of his best performances too. This is his best film since Miller's Crossing (91, by Coen Bros.). If you wanna see a real masterpiece, go check this one out and, I bet, you'll remember it for the rest of your life.

I'd heard plenty of people tell me that I needed to see "Box of Moonlight" because it was filmed in Knoxville, TN (my hometown) and that it featured several signs and personalities familiar to Knoxvillians (the newscasters Gene Patterson and Kristin Hoke, the hot pink "Bambi's" bar/strip club, etc.), so I watched the movie almost entirely trying to pick up these things. I found myself enjoying a very subtle, lighthearted film about a man (John Turturro) struggling with a mid-life crisis, and eventually liberating himself from the normal stiff, "clockwork" persona he had become. Sam Rockwell gives a great performance as "Kid", and Catherine Keener is wonderful as the "simple southern girl" (a 180 degree turn from her role in "Being John Malkovich"). Turturro is excellent as Al, and you can feel the emotions he is having during his transformation. Everyone should be able to relate to his disappointment when he returns to the fictional Splatchee Lake, only to see that it is no longer what he remembers. You begin to understand how much he needs someone like Kid to break him free from the life that he so obviously loathes, but not until the final scene do you understand how much Kid needed him to stick around and be his friend (maybe Kid wasn't as slow-witted as we were made to believe?). The writing and acting in this film are wonderful, and I wish more filmmakers would make movies like this. It was a refreshing story, and one that is worth seeing.