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Davor und danach - Nichts ist, wie es war

Originaltitel: Before and After
  • 1996
  • 12
  • 1 Std. 48 Min.
IMDb-BEWERTUNG
6,1/10
10.990
IHRE BEWERTUNG
Edward Furlong, Liam Neeson, and Meryl Streep in Davor und danach - Nichts ist, wie es war (1996)
Trailer for Before and After: Blu-Ray Release
trailer wiedergeben0:22
1 Video
50 Fotos
DramaKriminalitätMystery

Zwei Eltern werden mit den Folgen konfrontiert, als ihr Sohn des Mordes an seiner Freundin beschuldigt wird.Zwei Eltern werden mit den Folgen konfrontiert, als ihr Sohn des Mordes an seiner Freundin beschuldigt wird.Zwei Eltern werden mit den Folgen konfrontiert, als ihr Sohn des Mordes an seiner Freundin beschuldigt wird.

  • Regie
    • Barbet Schroeder
  • Drehbuch
    • Rosellen Brown
    • Ted Tally
  • Hauptbesetzung
    • Meryl Streep
    • Liam Neeson
    • Edward Furlong
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    10.990
    IHRE BEWERTUNG
    • Regie
      • Barbet Schroeder
    • Drehbuch
      • Rosellen Brown
      • Ted Tally
    • Hauptbesetzung
      • Meryl Streep
      • Liam Neeson
      • Edward Furlong
    • 71Benutzerrezensionen
    • 40Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Before and After
    Trailer 0:22
    Before and After

    Fotos50

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 43
    Poster ansehen

    Topbesetzung30

    Ändern
    Meryl Streep
    Meryl Streep
    • Carolyn Ryan
    Liam Neeson
    Liam Neeson
    • Ben Ryan
    Edward Furlong
    Edward Furlong
    • Jacob Ryan
    Julia Weldon
    • Judith Ryan
    Alfred Molina
    Alfred Molina
    • Panos Demeris
    Daniel von Bargen
    Daniel von Bargen
    • Fran Conklin
    John Heard
    John Heard
    • Wendell Bye
    Ann Magnuson
    Ann Magnuson
    • Terry Taverner
    Alison Folland
    Alison Folland
    • Martha Taverner
    Kaiulani Lee
    Kaiulani Lee
    • Marian Raynor, Prosecutor
    Larry Pine
    Larry Pine
    • Dr. Tom McAnally
    Ellen Lancaster
    • Panos' Assistant
    Wesley Addy
    Wesley Addy
    • Judge Grady
    Oliver Graney
    • T.J
    Bernadette Quigley
    Bernadette Quigley
    • T.J.'s Mom
    Pamela Blair
    • Dr. Ryan's Assistant
    John Wylie
    • Dr. Trygve Hanson
    John Deyle
    • Doctor #1
    • Regie
      • Barbet Schroeder
    • Drehbuch
      • Rosellen Brown
      • Ted Tally
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen71

    6,110.9K
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    Empfohlene Bewertungen

    6lee_eisenberg

    "after" all, we're still here

    "Before and After" isn't any kind of great movie, but an interesting look at situations going out of control. Meryl Streep and Liam Neeson turn in their usual good performances, as does Edward Furlong. It's just that this story of parents having to deal with their son getting accused of murder is sort of routine (although some scenes are pretty intense). It seems like Streep and Neeson deserve something a little more than this. The people behind the movie probably could have developed things a little further.

    All in all, this movie's worth seeing, if only once. Also starring Alfred Molina, Daniel Von Bargen (Commandant Spengler on "Malcolm in the Middle") and John Heard.
    Wizard-8

    Overall well done

    I was pleasantly surprised by this movie. I had put off watching it for a long time because I thought it would fall on standard clichés in the telling of its murder mystery. But there's a lot to like here. For starters, the performances by the lead actors are first rate. Streep and Neeson come across as real people tackling a real problem. I should also add that Alfred Molina also gives a solid performance as the defense attorney. (Though the fact he looks like idiot movie critic Michael Medved gave me a few chuckles at times.)

    The script gives most of its characters a fair shake. The parents are sympathetic at times, but sometimes they make decisions we disapprove of. The townspeople and police are not one-note characters, showing off more than one side.

    The movie unfolds at a pace that keeps us interested and informed. It's directed with an appropriate bleak look that suits the subject matter.

    There is one flaw with the movie, however. I thought that Edward Furlong's character was repulsive, stupid, and hateful. I don't blame Furlong for this, but his direction and his parts of the screenplay. I think a better way the movie could have gone would be to give him a mixed view, neither overly sympathetic or hateful. This would make the viewer think long and hard about him, and wonder if his fate at the end of the movie is correct or not.
    4filipemanuelneto

    A reasonable but predictable melodrama with bad characters.

    In this film, a typical middle-class couple tries to cover up what they think is a homicide, after their son runs away without saying anything. Actors' work is consistent, but characters are so clichéd and annoying that it's hard to like them. Meryl Streep plays the good and naive mother, always in the shadow of her husband in a relationship that seems sexist and artificial. She is the portrait of the obedient housewife who does what the husband wants. I understand that the film is from the nineties, but even then there were other ideas about the role of women in the family. Liam Neeson is an impulsive and even violent father, whom its almost impossible to like, even though he shows that he likes his son and tries to protect him. Finally, Edward Furlong plays the teenager in revolt at who bad things happen, the idiot who dated a promiscuous girl who slept with anyone who appeared without pants in front of her. Ah, I almost forgot Alfred Molina, who played a lawyer who would be better off selling vacuum cleaners than in a courtroom. In short, it's a deep and engaging melodrama, but it makes the mistake of being totally predictable, like a TV movie.
    4Libretio

    'Truth' vs. 'Justice' in OK drama

    BEFORE AND AFTER

    Aspect ratio: 1.85:1

    Sound format: Dolby Digital

    A middle-class New England family is forced to confront a range of difficult issues when the eldest child (Edward Furlong) is accused of murdering his girlfriend (Alison Folland).

    Barbet Schroeder's earnest drama looks and feels like a big-screen TV movie, toplined by A-list stars and filmed with professional elegance on wintry New England locations. Schroeder struggles to avoid melodrama and mawkishness, resulting in a lack of tension, as parents Meryl Streep and Liam Neeson become torn between protecting their son and telling the truth about his possible involvement in Folland's death. Frustrated lawyer Alfred Molina makes the point that 'truth' has little or no bearing on the criminal justice system, where defence and prosecution teams become engaged in brinkmanship designed to sway the jury one way or another. Ted Tally's screenplay makes a number of similar points, but the narrative begins to drift around the halfway mark and never really recovers. Some will be won over by the cast and production values, others won't be so forgiving.
    5blanche-2

    should have been a Lifetime original movie

    This is an all too common problem: someone somewhere convinces bona fide movie stars, in this case Meryl Streep and Liam Neeson, no less, to appear in a feature film that, without movie star names attached, would have ended up as made for TV. This is a weak script with bad, predictable dialogue - very disappointing with such a cast. With some reworking, it might have been a very powerful family story, perhaps never as compelling as Ordinary People, for instance, but better than it was.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      In the scene where Meryl Streep enters a court room to appear in front of the grand jury in the front row (in the middle of the frame) sits a young Paul Giamatti as an extra his head turned around to have a look at her.
    • Patzer
      After Jake and his girlfriend pull over, their car gets stuck in the snow and the two are unable to drive away. It is unexplained how Jake is able to dive out of the rut alone after his girlfriend's fall if the two could not do the job while working together.
    • Zitate

      Jacob Ryan: That's juts a bunch of sentimental bullshit.

      Carolyn Ryan: Wait, sentimental bullshit

      Jacob Ryan: Yeah everyone's parents say that.

      Carolyn Ryan: Oh really, and do everyone's parent destroy evidence and lie... to the police?

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: City Hall/The Late Shift/Happy Gilmore (1996)
    • Soundtracks
      Crawling
      Written by Dave McClain and Phil Rind

      Performed by Sacred Reich

      courtesy of Hollywood Records

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 11. April 1996 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Davor und danach
    • Drehorte
      • Lee, Massachusetts, USA(downtown)
    • Produktionsfirmen
      • Hollywood Pictures
      • Caravan Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 35.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 8.797.839 $
    • Eröffnungswochenende in den USA und in Kanada
      • 4.023.815 $
      • 25. Feb. 1996
    • Weltweiter Bruttoertrag
      • 8.797.839 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 48 Min.(108 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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