IMDb-BEWERTUNG
6,2/10
9494
IHRE BEWERTUNG
Eine Komödie über den Durchbruch an der Wall Street. Vorurteile sind schwer zu brechen, und Laurel Ayres lernt schnell, dass sie für einen älteren weißen Mann arbeiten oder einer sein muss, ... Alles lesenEine Komödie über den Durchbruch an der Wall Street. Vorurteile sind schwer zu brechen, und Laurel Ayres lernt schnell, dass sie für einen älteren weißen Mann arbeiten oder einer sein muss, damit die Leute sie ernst nehmen.Eine Komödie über den Durchbruch an der Wall Street. Vorurteile sind schwer zu brechen, und Laurel Ayres lernt schnell, dass sie für einen älteren weißen Mann arbeiten oder einer sein muss, damit die Leute sie ernst nehmen.
Zeljko Ivanek
- SEC Agent Thompkins
- (as Željko Ivanek)
Colleen Camp
- Detective Jones
- (as Colleen Camp Wilson)
Empfohlene Bewertungen
Very funny. Very entertaining. Very well done movie. Excellent acting and a lot of fun. I enjoyed it. Whoopi Goldberg is perfect in the part of a financial analyst who seems to get no where in a man's world until she creates an maginary partner only to find that the imaginary partner--a man--is taking all the credit for her hard work. I thought the idea and the concept were imaginative and well done. Dianne Weist is perfect in her part as is Tim Daly. You know a movie is funny when Lanie Kazan is in it--remember her as Freida in the Nanny. I recommend The Associate for all. It's a family film as well and you will be glad you saw it!!!
Never having seen this film, we decided to take a chance with it. We were quite surprised to learn this Hollywood film is based on a French one, "L'associe", written for the screen by Jean Claude Carriere and based on Jenaro Prieto's novel "El Socio". Daniel Petrie, its director is working with Nick Thiel's adaptation, which appears to have been a vehicle for its star, Whoopi Goldberg.
Some comments have compared this movie with "Working Girl", a film that also dealt with a smart woman working in the financial world, one of the themes in "The Associate". We are introduced to an intelligent woman, Laurel Ayers, who happens to have three things going against her, she is black, a woman, and is intelligent enough to merit a promotion in the Wall Street firm she works for. Unfortunately, it comes as no surprise that Laurel is passed and her co-worker, Frank, gets the good job and becomes her boss.
The film is mildly funny, as Laurel goes to make a name for herself by creating a "silent" partner, Mr. Cutty, who is never seen. The financial world is all in a frenzy to meet him, and the hilarious appearance at the Plaza Hotel, instead of making things clear, contributes to his myth.
Ms. Goldberg is delightful to watch. Dianne Wiest makes an impressive appearance as the loyal Sally, who is an under appreciated woman. Timothy Daly is perfect as the egotistical Frank. The supporting cast is good. Bebe Neuwirth, Eli Wallach, Austin Pendelton, and a funny Lanie Kazan as a financial gossip writer.
While the film is predictable, it offers some funny moments.
Some comments have compared this movie with "Working Girl", a film that also dealt with a smart woman working in the financial world, one of the themes in "The Associate". We are introduced to an intelligent woman, Laurel Ayers, who happens to have three things going against her, she is black, a woman, and is intelligent enough to merit a promotion in the Wall Street firm she works for. Unfortunately, it comes as no surprise that Laurel is passed and her co-worker, Frank, gets the good job and becomes her boss.
The film is mildly funny, as Laurel goes to make a name for herself by creating a "silent" partner, Mr. Cutty, who is never seen. The financial world is all in a frenzy to meet him, and the hilarious appearance at the Plaza Hotel, instead of making things clear, contributes to his myth.
Ms. Goldberg is delightful to watch. Dianne Wiest makes an impressive appearance as the loyal Sally, who is an under appreciated woman. Timothy Daly is perfect as the egotistical Frank. The supporting cast is good. Bebe Neuwirth, Eli Wallach, Austin Pendelton, and a funny Lanie Kazan as a financial gossip writer.
While the film is predictable, it offers some funny moments.
Don't usually like Whoopie starrers, but she really does herself proud in this funny but sadly true account of discrimination against women in the business world (and others - academic, entertainment, etc.). Amusing and clever film, but you have to be a working woman to really appreciate its truth and poetic justice.
Watchable if nothing else, this Whoopi Goldberg vehicle doesn't reach for the stars, but instead weaves social commentary on the glass ceiling and racial prejudice into the comedy of a business whiz (Goldberg) who invents a fictitious business partner when she finds she can't advance on her own merits, apparently due to her gender and race. But the ruse becomes difficult to manage as various investors demand to meet the elusive "Mr Cutty", and Goldberg resorts to costumes and well-staged theatrics to hide the fact that Cutty doesn't exist.
Reasonable supporting cast features Tim Daly as a sleazy corporate type, ubiquitous to just about every film that depicts 'corporate America', Dianne Wiest as Goldberg's chronically under-appreciated right-hand woman, Eli Wallach as an old-school investor keen to meet the elusive Mr Cutty, and Austin Pendleton as a bookish inventor and CEO on the brink of bankruptcy until Goldberg can restore his standing. Blink and you'll miss Colleen Camp in a very minor role as a detective.
Occasional slapstick and farce, fused with the usual dry-wit for which Goldberg is accustomed, it's a studio picture with all the typical hooks and clichés, nevertheless, very mild and satisfying. And as a footnote, good to see Bebe Neuwirth in a particularly sultry role as an all-too-eager business associate to Wallach; she has a couple of scenes sans most of her wardrobe that are quite revealing.
Reasonable supporting cast features Tim Daly as a sleazy corporate type, ubiquitous to just about every film that depicts 'corporate America', Dianne Wiest as Goldberg's chronically under-appreciated right-hand woman, Eli Wallach as an old-school investor keen to meet the elusive Mr Cutty, and Austin Pendleton as a bookish inventor and CEO on the brink of bankruptcy until Goldberg can restore his standing. Blink and you'll miss Colleen Camp in a very minor role as a detective.
Occasional slapstick and farce, fused with the usual dry-wit for which Goldberg is accustomed, it's a studio picture with all the typical hooks and clichés, nevertheless, very mild and satisfying. And as a footnote, good to see Bebe Neuwirth in a particularly sultry role as an all-too-eager business associate to Wallach; she has a couple of scenes sans most of her wardrobe that are quite revealing.
I always enjoy Whoopi Goldberg in films, and the 1996 film "The Associate" is no exception. Based on a French film, it's the story of a Laurel Ayres (Goldberg) who is having trouble "making it" in a man's world, though she's smarter than all of them. After being manipulated and beaten out of a promotion at her old job by slick Frank (Tim Daly), Laurel starts her own company and quickly goes nowhere. She gets some help from an assistant at the old firm, Sally (Diane Wiest) and ultimately decides to make up a male associate, Robert Cutty. It works like a charm, and business is flying in the door. However, everyone is most anxious to meet Cutty, and there comes a point when she has to produce him. And when she does, he's obviously been based on Marlon Brando - the older Marlon Brando.
This is an amusing film that could have been hilarious. It does have some great moments, though, and likable characters in Goldberg and Wiest. Other fine performances include those of Daly, Lainie Kazan as a cutting columnist and Eli Wallach as a client.
The other problem I have with the film is that it is sorely dated. It's hard to believe that, while sexism still exists, Laurel would have so much trouble from the old boys' network in 1996. Sure enough, as I suspected, the film on which it is based was done in 1979. Remington Steele, a TV series based on the same premise, was produced in the '80s.
Surely in 1996, a woman of Laurel's obvious talent would have been more appreciated where she worked and could have launched a successful business without a fake male associate. Anne Mulcahy of Xerox and Ho Ching of Temasek Holdings are only two examples of such powerful executives from the 1990s.
Still, it's entertaining and fun, and a reminder that they don't make this kind of comedy anymore.
This is an amusing film that could have been hilarious. It does have some great moments, though, and likable characters in Goldberg and Wiest. Other fine performances include those of Daly, Lainie Kazan as a cutting columnist and Eli Wallach as a client.
The other problem I have with the film is that it is sorely dated. It's hard to believe that, while sexism still exists, Laurel would have so much trouble from the old boys' network in 1996. Sure enough, as I suspected, the film on which it is based was done in 1979. Remington Steele, a TV series based on the same premise, was produced in the '80s.
Surely in 1996, a woman of Laurel's obvious talent would have been more appreciated where she worked and could have launched a successful business without a fake male associate. Anne Mulcahy of Xerox and Ho Ching of Temasek Holdings are only two examples of such powerful executives from the 1990s.
Still, it's entertaining and fun, and a reminder that they don't make this kind of comedy anymore.
Wusstest du schon
- WissenswertesWhoopi Goldberg's final theatrically-released film where she received top billing as of 2023.
- PatzerThe output of an HP Laserjet 4 printer is shown emerging face-up, but should be face-down.
- Zitate
Frank: You better be premenstral.
Laurel Ayres: Baby, if I was premenstral, you'd be dead.
- Crazy CreditsOpening credits are presented like a stock ticker.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Associate
- Drehorte
- 22 Remsen St., Brooklyn, New York City, New York, USA(LAUREL Ayres apartment building)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 12.844.057 $
- Eröffnungswochenende in den USA und in Kanada
- 4.261.304 $
- 27. Okt. 1996
- Weltweiter Bruttoertrag
- 12.844.057 $
- Laufzeit
- 1 Std. 54 Min.(114 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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