Amityville - Das Böse stirbt nie

My interest was starting to fade with the Amityville franchise, especially after "Curse'… but I wanted to see all the films and "Dollhouse" is probably the best sequel since "The Evil Escapes". Somewhat minor in that regards, but still better. Again it's another cheaply produced TV movie, but this time the cursed object happens to be a replica dollhouse of the Amityville house. Odd choice, but it did create certain creepiness. It affects the household in the usual manner, especially possessing the family and turning them against each other while feeding on the fear and anger it creates. Nothing really surprises here, as again it's a mixture of the previous films with its own slant. However it moves by fast enough, entertains with its twisted shocks, an eerie score effortlessly fits in and the characters for most part are fairly agreeable. Some of the make-up FX (that of our demonic guests) and special effects are well done, especially when the dollhouse becomes the gateway to hell. It gets crazy, but fairly entertaining. The cast give dependable turns with the likes of Robin Thomas, Rachel Duncan and Starr Andreeff. Neat, cosy horror that amuses despite its lack of new tricks.

A perfect late-night sci-fi channel movie, and far more entertaining (for me) than the original Amityville.

The way the dollhouse creates different demons for each character, and the cheap but effective sfx, reminded me very much of the Creepshow or Graveyard Shift movies. Also, the 'fright' scenes skip along at a respectable pace and frequency, as opposed to other films which often plod through the middle.

Sure, the script contains some appalling lines and characterisation, and there are a few moments where more highly strung viewers would be screaming at the stupidity of the characters. I just smile.

With 15-20 years of further advances in sfx, and the cultural tendency of under 30's to confuse sarcasm with valid criticism, I can see why this film has such a low score on the IMDB. Individually, the elements don't stand up to a whole lot of scrutiny, but taken as a whole on its own merits (compared to similar films of the same period), I really enjoyed it. A few better lines, and better known actors, and there's no reason why people wouldn't look on this with the same sort of affection reserved for Poltergeist.

Don't miss if it's on TV.

Bill Martin (Robin Thomas) builds a house to raise a new family of his own with his teenage son Todd (Allen Cutler), his daughter Jessica "Jessie" Martin (Rachel Duncan), and Claire Martin (Starr Adreeff) and her nerd son Jimmy (Jarrett Lennon), an outcast boy that misses his father (Clayton Murray) and has the mouse Max as his only friend. Todd has a girlfriend, Dana (Lisa Robin Kelly), who is frequently with him.

Bill finds a doll house in the garage that is a replica of the infamous Amityville haunted house and he gives it to Jessie on her birthday. Soon the family experiences evil accidents and Bill's sister Marla (Lenore Kasdorf) and her husband Tobias (Franc Ross) discover that the doll house is possessed by demons that are threatening their lives.

"Amityville: Dollhouse" is another story of the franchise "Amityville" with a reasonable plot and terrible conclusion. I saw this movie for the first time on 15 Dec 1999 on VHS and today I have just seen it again. It is unacceptable that Tobias sacrifices his life to save the Martin family and Bill and Claire end the movie laughing, after losing their friend and all possessions in the fire. My vote is five.

Title (Brazil): "A Casa Maldita" ("The Damned House")

A haunted dollhouse (why is it haunted? Who knows?) is given to a little girl as a birthday present after her father finds it in the shed out back and it starts terrorizing the entire family by making their wildest dreams and nightmares come true.

A stepmother lusts after her stepson, her own son's pet mouse turns into a gigantic Jim Henson-ish creation, the husband keeps getting nosebleeds, and the stepson's girlfriend is caught on fire in their living room. Honestly, Amityville: Dollhouse is probably one of the more fun entries in the Amityville series, but it's hilarious how they're not even trying to link the films together anymore. Sure, the dollhouse looks a lot like the original Amityville house, but it's never explained why or how this dollhouse has such magical powers.

It is nice to see a little thought being put into the visual design of the film and there are some interesting shots every now and then. At least it doesn't feel like a cynical hack job. Someone was trying to achieve something which is more than I can say for most of the other entries in this franchise.

Bill Martin (Robin Thomas) and his new wife Claire (Starr Andreeff) move into the new house he built in the California mountains. In a shed outback he finds a cute little dollhouse designed just like the famous Amityville, NY abode. How this got here or who built it is never explained. This is no Barbie Dream House though as this dollhouse crushes Bill's gift bike for his daughter's birthday and the parents resort to the "this should make a great gift" routine. The eighth and final Amityville flick before they did the remake. After part 3, the producers felt they could circumvent the whole Amityville house thing by having various possessed items from the house be the gateway to terror. So we had a lamp (AMITYVILLE: THE EVIL ESCAPES), a confessional (THE AMITYVILLE CURSE), a clock (AMITYVILLE: IT'S ABOUT TIME) and a mirror (AMITYVILLE: A NEW GENERATION). So I guess a dollhouse isn't that ridiculous. This is actually a two-for-one deal as we get a possessed recycled fireplace too (there is general confusion as the house was built on foundation of an old house that blew up to suggest it was the Amityville house, but this is clearly set in California). I'm just glad they stopped with this one or we would have ended up with the likes of possessed toaster in AMITYVILLE: YOU'RE TOAST. Or an evil stove in AMITYVILLE: YOUR BLOOD BOILS. One thing this sequel does that is surprising is bring back the taboo sex angle from part 2, along they play it a bit safer with the stepmom lusting for the stepson. Other than that, it is pretty routine stuff with the occasional cool effect here and there (like the progressively rotting dad who haunts his young son a la John Landis' werewolf classic).