Titanic

Though Titanic purists and some critics did not particularly care for this mini-series, it is rather good.

The cast is strong, including George C. Scott as the captain. The computer FX are well done. The only disappointment for me was the hodge podge way the final sinking was represented -- it was just a confusing series of cross fades that really showed nothing. Nevertheless, the film is worth seeing.

The thing with this film is it had good points and it had bad points. Some of the good points are that there were aspects to this film that were far more realistic than James Cameron's. For instance, the young rogue that sneaks onto the ship does so not by winning a suspensful hand of poker, but by stealing the tickets when his drinking buddy has passed out for the evening. This is also the same young rogue who steals a jacket to get into the first-class dining room and then procedes to pick-pocket some of the passengers, starting with John Jacob Astor. The crooked crew member (played by Tim Curry) was a nice touch. And the rape scene was a gritty touch of realism, though painful to watch. And yes folks, stuff like that does, and did happen in real life. This film DID focus on real people that were on the ship, though not neccessarily the same ones as James Cameron. That is neither a good or bad thing, that is what you call a creative decision. For instance, we get a casual glimpse into JJ Astor's Young wife's life through Catherine Zeta-Jones' character, who is in a similar situation. They are friends and have a conversation about it. This makes it feel much more natural than Rose's hurried pointing around the room under the thin guise of gossip.

The thing with the Allisons' maid was interesting- the maid did, in fact, take the baby and get in a life boat, without the mother's consent, causing the parents and their little girl to roam the ship looking for them until it went down. Whether the maid was actually crazy was anybody's guess, but it was an interesting choice of plot in this film. Though just a touch too ridiculous. Captin Smith, though he had a famous actor behind him, was a little off character I thought. He had too much initiative. I'm not using James Cameron's portrayal as a basis for comparison, but Captain Smith, though he had years of sea-faring behind him, had had very little experience with intense situations of that sort and was actually very unprepared for the disaster. He didn't think anything could possibly happen on that voyage. I like Molly Brown better, I don't know why. And I really like the last shot of the first part (cause this was a TV flick)- when the people are kicking the ice around on deck, the camera focuses to the forground where someone has placed a champagne glass on the railing. It slowly slides down the now slight incline and smashes to pieces on the deck. When I saw that, I felt it was worth watching. Overall, this film, was, well, a TV film. Meaning it wasn't that great. But it wasn't that bad either.

This looks like a made for TV rush job; perhaps they heard a blockbuster version was in the works (Cameron's mega-hit the next year), and hurried to finish this before the release of it. These coat tail copies have been done before. In any event, this effort at relating the infamous maritime disaster of 1912 is big on ambition, but crippled by low budget.

There are distinct parallels to its more famous 1997 cousin. You get a Jack & Rose type romance, which is written very awkwardly. Catherine Zeta-Jones and Peter Gallagher did their best with it, but it really doesn't evoke the passionate emotion intended. Overall, the idea of the soap-opera entanglements of several characters is a good plan, and the actors mostly do well. However, the constant heavy-handed bashing of rich people is about as subtle as a repeated blows to the head with a tire iron; it really gets old. In particular, the slant on Molly Brown was so far afield it was just dumb. I thought George C. Scott was pretty good as the ill fated Capt. Smith, who inherits the lines of the Titanic's designer, a character that is in other versions, but deleted from existence here.

The film makes an earnest effort to portray the horror and sorrow of the tragedy, but one blunder really hurt the effectiveness: to show the gradually increasing listing of the ship, the director simply has the camera turned at a slight angle, but fails to have the actors lean in the direction. The painfully comic result is characters standing perfectly upright at odd angles where their center of gravity would force them to lean. Also a problem was the unnecessary house-thief crewman (Tim Curry) still wandering around burglarizing state rooms as the water gushes in all around him. Even worse, the character is played as a constantly giggling idiot.

The montage sequence was a good answer for the limited resources available, and the protracted epilogue aboard the Carpathia might have worked better had it been dedicated to giving fates of real survivors; instead, we get the schmaltzy and unrealistic fates of fictional people.

Just fair entertainment, and hardly a good source for the history of the event. If you want the best historical approach at the Titanic's story, see "A Night to Remember," and if you prefer a highly dramatic and fictionalized version, the 1997 Titanic is better than this one.

In all fairness, I can't see the pitch for this mini series as being another other than "Hollywood is producing a big-budget Titanic story - let's get there first." Fortunately, this isn't too bad, in fact, compared to a lot of the guff on television, it's actually quite good. There are as many historical innaccuracies as in Titanic '97 - but this mini-series has one redeeming feature - it is not a gob of sentimental pap. There is a fairly interesting narrative, sturdy direction, and a very good cast. It's a good effort, but everyone knows that every film about the sinking will be compared to the benchmark of "A Night to Remember". and so far, not one has come close.

A lot of other comments stated that the acting was great, especially George C. Scott. Sorry, but that's just not so. His lines are delivered dripping with melodrama, so much so that I thought I was watching an amature production. His explanation of the ship and what would happen as soon as he stepped in the wheelhouse (after the collision) was laughable. How he knew the ship was doomed before anyone sounded the hull was amazing. Further technical gaffs was the sound of creaking wood and running water, even in the first class section, within minutes of the collision. The rape scene was apparently some scriptwriter's idea of connecting with contemporary stories, but it was ugly and just not true. In fact, this film is filled with more false info than any other (except the film by the same name with Clifton Webb and Barbara Stanwyk (sp?)). If you want to see the most accurate tale of what occurred during that April night, see the superb "A Night to Remember". I rate this one star out of 10.