Lexx - The Dark Zone

My husband and I first caught Lexx during a marathon on the Sci-Fi channel in 2000. Up until that point, Sci-Fi's ad campaign was so wretched that neither of us bothered to watch the show. Although the episodes in the marathon didn't make a lot of sense (Sci-Fi aired the Season 2 episodes out of order) we were hooked by the black humor, the funky music, and the show's overall stylishness.

I think the show was a lot smarter than most people realize.

In a nutshell, Lexx is the American Red Dwarf. Fans of Red Dwarf know that the British creators once tried to sell the show to a US network ... and failed. Attempts at Americanizing Red Dwarf included adding more sex and "adventure" to the show while keeping the jokes and action squeaky clean. It didn't work. But Lexx succeeded where Red Dwarf failed by being hip and gritty.

Of the first four Lexx movies only the first and fourth are truly must-see material. The middle episodes feature fun cameos but don't really advance the plot ... they've always felt like filler designed to stretch out the production budget. But the first and last movies are sci-fi gems. Funny, sick, and slick all at the same time, they really solidified the mood of the show.

Episode for episode, Season 2 IS the heart of Lexx. The season offers up the most spot-on humor and the most interesting plots. The season bore a few misses (the hillbilly episodes mainly) but the shows are consistently enjoyable if you appreciate the bizarre. The running gag in which every new character introduced dies by the end of each episode never turns stale. The main characters grow with the plot throughout the season. There's even a thoroughly enjoyable MUSICAL episode toward the end (my favorite Lexx episode).

Season 3 was a complete misfire. I'm surprised Lexx survived to see a fourth season ... that how weak Season 3 is. A plot that should have lasted two episodes is stretched into an entire season. All of the character growth seen in Season 2 is tossed out the window. The episodes drag out via poor pacing, asinine logic, and de-emphasized humor. And the season only got worse as it went along. I didn't enjoy Season 3 when it aired, and it still sucks on DVD ... especially when compared to every other incarnation of Lexx.

Season 4 was a worthy successor to Season 2 and a return to form. It's a shame that the fourth season based several plot threads on the third season because, ideally, viewers should be able to skip Season 3 altogether. While the fourth season isn't as strong as the second, it comes pretty damned close. I was skeptical about the "Lexx comes to modern earth" theme... but through creativity and a keen sense of satire, Lexx's creative team pulled off a plot device that no other Sci-fi show has been able to successfully tackle (re: Battlestar Galactica 1980). There are some episodes that go nowhere (sadly the prison episode, which employs two actors from Red Dwarf, is one of the most disposable episodes) and the characters go through the exact same growth pattern seen in Season 2. But I give the creators props for having the balls to inject caustic anti-American sentiments into the season ... given the post 9-11 culture in which they were released AND the fact that it was the first incarnation of Lexx to be heavily promoted in the US. Sometimes the anti-American elements are too heavy-handed and belie a superficial grasp of US culture, but that's OK. It works more than it doesn't. The creators did a much better job at managing a continuing storyline than they did in previous seasons ... culminating in a truly rousing and tragic conclusion.

I also applaud the creators for ending their pet project decisively. Sure, there MIGHT be another Lexx someday, but the conclusion of Season 4 didn't leave any loose ends or nagging issues.

Warts and all, Lexx stands as one of the most interesting and innovative sci-fi shows ever attempted. I have a feeling that this show will grow more popular with the passage of time.

I have to congratulate whoever came up with 'Lexx.' It is the least Hollywood influenced series I've seen since Babylon 5. The story and costumes are completely new, the acting perfectly suited for what is needed, and the effects certainly enough to fascinate viewers.

One of the scenes I liked best was in Episode One, which has a His Shadow ship attacking the homeworld of the Brunnen-G. Kai and several other ships fly to attack it, all chanting the same war song in time with each other. Very creepy, very poignant, and very rarely seen before.

Most science fiction deals with characters who are altruistic or malevolent, and have stories that are simple, with good guys defending against bad guys. "Lexx" is different, in that it explores the amoral side of humanity not by showing these usually undesirable traits not just in minor characters, but in the main characters, in the crew of the Lexx itself. There is a Dark Man, an unemotional and undead assassin, defender of the crew. But then there are the half-lizard nymphomaniac, the unintelligent "dirty old man" (who somehow became the Captain of the Lexx through an accident), the robot head driven by love-psychosis, and the sentient, organic Lexx itself, a living ship and slave to the Captain who, if unchecked, would be content in destroying or feeding on organic life in the form of other space ships or entire planets.

The questionable desires of the crew are usually left unfulfilled in the episodes, and morality and good win out in the end over immorality and evil, but not before a thorough exploration of self-indulgent natures and evil.

True, the low-budget nature of the series may make it ideal for viewing in late night hours as an alternative to infomercials, but the series is nothing if not imaginative. Other series have cropped up since, with similar themes of a powerful space ship crewed by fools and lechers, but "Lexx" is definitely unique in that its flawed characters are so familiar that they become endearing.

The series is enjoyable for its darkly entertaining sci-fi themed fetishist nature. It isn't meant to be deeply thought provoking in the normal sense, it is designed to be outside the box and provide an alternative to Kevin Sorbo firing blasts at everything. I enjoy it thoroughly for the mere fact that it does not follow normal conventions for a science fiction show and it dares to write story lines that appeal to the subcultures of sci-fidom. The plot is not the most inventive, but the banter and atmospheric situation of the show makes for a very enjoyable watch, especially late night when it normally airs. i highly recommend it to people who like science fiction that thinks outside normal sci-fi convention.

Without giving too much away, this is a great little series that was cut too short.

In the vast ocean of blandness of (sci-fi and) regular television, this is easily the most enjoyable show I've ever watched.

As counter to the stuffy, sterile and stale space operas of the Star Trek series as this could be; its a refreshingly imaginative take on the wandering starship plot.

This show is either hit or miss with most people. The reason for which is likely that main writers are German and Canadian.... and a good chunk of the humour is regional/cultural in flavour and taste. If you love absurd, bizarre scenarios and a touch of dark humour you'll love this show.

It's a mix of the original Star Trek series, with a seriously dark and foreboding air to it; with hysterical and upsetting plots and characters that keep you from feeling secure.

No Disney endings or Rambo hero's to save the day. Just people being people... and a hint of something deeper.

Vaiyo Eh-Oh... Homme Va Ray, Vaiyo Eh-Rah! Jarhume Brunnen-G...