Dead Man's Walk - Weg der Verdammten

I'm a Texan and as such it's hard to take the obvious mistakes made in reference to Texas geography. One minute they're supposedly on the staked plains near the Palo Duro Canyon (in the TX Panhandle) and then suddenly they're showing mountains in Southwest Texas near Big Bend National Park. Then there's the Grizzly Besr incident. At that time there wouldn't have been any more Grizzly's left in Texas where they did once range a very long time ago. With all that said, this is a good movie and enjoyable to watch. I was impressed with how the Comanches were portrayed with some very accurate depictions of Comanche horse prowess. The acting is solid. It was nice to see it was filmed in Texas in areas where I've done a lot of hiking and camping.

This is a great adaptation of the Larry McMurtry novel. The script follows the novel very closely, which is the number one requirement of any film adaptation of McMurtry's work. McMurtry's dialogue compels readers to fall in love with the characters, so it must be preserved. David Arquette and Jonny Lee Miller are very believable as young versions of Gus McCrae and Woodrow McCall. Arquette has even picked up some of the physical mannerisms that Robert Duvall used earlier in Lonesome Dove. Patricia Childress really captures the role of the tender-hearted young prostitute Mattie Roberts. Eric Schweig is chilling as the dangerous Comanche Chief Buffalo Hump, and the stunt work by Judson Keith Linn when doubling for Schweig is fantastic. The sequence where he rides down one of the Texas Rangers and scalps him from horseback is thrilling and terrifying. An equally terrifying nighttime sequence involves Buffalo Hump chasing down Gus on foot during a lightning storm and spearing him with his lance. The cast is full of noted character actors including Brian Dennehy, Keith Carradine, Harry Dean Stanton, F. Murray Abraham, and Edward James Olmos. Olmos is particularly effective as Mexican Army Captain Salazar. I love this mini-series, but it should not be compared to Lonesome Dove. Every adaptation of McMurtry books is different, using different casts, etc. Don't compare them, just enjoy them!

Some things are best left imagined, no?

The real reason this was made at all and secured such a broad canvas (4 hours) is that we were eager to revisit these people, Gus and Woodrow from Lonesome Dove.

The story is that they join up with a hopeless filibustering expedition to annex Santa Fe, the film mirrors the exhaustion, aimlessness, dashed dreams on no man's land. The tone is darker—there is scalping, torture, lepers. Young Gus and Woodrow are narrowly reduced to caricature, which is bound to disappoint, but they are mostly side-characters on the journey.

But Lonesome didn't just have the endless expanses of sky and prairie, the riding and shooting. Embedded in that was a richer journey of memory and dying, a whole mess of life already folded in and centered on the vision of women. What's more, it was the true article of myth, the eulogy a mid-19th century woman like Clara would seek in a Whitman poem.

Here, we just drag our feet through the desert and the women (the same women) are tacked on in the beginning and end.

In this prequel to "Lonesome Dove" based on the book by Larry McMurtry, we find a young Woodrow Call and Augustus Macrae just starting out as Texas Rangers and beginning to become men.

David Arquette is fantastic as the young Macrae and really captures the gestures and mannerisms that Robert Duvall put too such good use in Lonesome Dove. I was very impressed with his performance and had no trouble believing that he was the young Gus Macrae.

Johnny Lee Miller does not fare as well as the young Woodrow Call and it is hard to believe that this is the character that Tommy Lee Jones played in the original as there is little that ties their acting styles to the same role.

Visually, this is quite well done and comes the closest to Lonesome Dove in grittiness and open plain shots. The young Rangers are surrounded by eccentric characters played with great aplomb by the likes of Brian Dennehy, F.Murray Abraham, Keith Carradine, Harry Dean Stanton and Edward James Olmos.

Strong acting throughout and a crackling good story hilight this worthy sequel and it makes a fine addition to the lore that is Lonesome Dove.

The author of the book "Dead Man's Walk" also wrote the screenplay for this film, which is obvious when one sees how closely the film adheres to the book. Although I have read the book in question, it didn't curtail my enjoyment of the movie.

One notices how closely the young actors portraying Gus McRae and Woodrow Call (David Arquette and Johny Lee Miller) resemble older versions of the same characters as actualized by Robert Duvall and Tommy Lee Jones. My guess is that making that resemblance a fact was of paramount importance to the filmmakers, as the primary audience for "Dead Man's Walk" has already seen "Lonesome Dove" and would be disappointed if Arquette's performance didn't recall Duvall's and Miller's work wasn't reminiscent of Jones'.

Although it may have been primarily a marketing decision, the strong resemblance between young and old Gus and Call works for me and, oddly enough, binds the two miniseries together.

May we now see a miniseries based on McMurtry's second prequel, "Comanche Moon"?